Small Press Points
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features Black Balloon Publishing, the New York City–based publisher of “the weird, the unwieldy, the unclassifiable.”
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features Black Balloon Publishing, the New York City–based publisher of “the weird, the unwieldy, the unclassifiable.”
In this regular feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy. This issue’s 3 for Free features the WordNet app, the Books on the Nightstand podcast, and online video poetry journal Jupiter 88.

As Tree Swenson prepares to step down after ten years at the helm of the Academy of American Poets in New York City, she speaks about her next role as the executive director of the Richard Hugo House and returning to the Pacific Northwest.
Started by husband-and-wife writers Stona and Ann Fitch, Concord Free Press is using a philanthropic publishing model to successfully distribute limited-edition books at no cost, upon request.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Southwest Review, Oxford American, Midwestern Gothic, the Los Angeles Review, ZYZZYVA, Hawk & Handsaw, and Common.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features the new Sacramento-based Nouvella, publisher of “collectible, one-of-a-kind mementos that will become dearer and dearer as the authors career progresses.”
Sherman Alexie, winner of the other NBA, along with other poets and writers, shows off his jump shot in HooPalousa, a basketball tournament-cum-fund-raiser that aims to help create an endowment at the University of Idaho for a Native American MFA candidate.
In this issue we offer a look at the first four issues of the limited-edition magazine Lovely Daze on display February 20 through March 14 in Millennium Magazine, an exhibition of artist-magazines at the Museum of Modern Art in New York City.

The late poet laureate Philip Levine spoke in early 2012 about his plans for the position and the range of influences on his work through the years.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Esi Edugyan’s Half-Blood Blues and Adam Levin’s Hot Pink, as the starting point for a closer look at these new and noteworthy titles.
In the midst of the political protests that were escalating in Wisconsin last winter, three library science majors at the University of Wisconsin devised the Library as Incubator Project, a website for writers, artists, and librarians to share their creations and ideas in one collaborative space.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines. This issue’s MagNet features Digital Americana, Lumberyard, Sawmill, draft: a journal of process, and Poetry.
Thanks to the accessibility of new digital tools offered by booksellers such as Amazon and Barnes & Noble, self-publishing is loosing its stigma and holds new promise for writers venturing out on their own.

Polly Becker, a Boston-based artist who in her formative years was influenced stylistically by artists such as Edward Gorey, Alphonse Mucha, and Aubrey Beardsley, speaks about the assemblages she created for the cover and our special section on inspiration.
The newly launched Findings, an online community that lets users compile and contribute excerpts from books and websites, joins a growing number of digital endeavors that place a new emphasis on sharing while reading.
In this issue we offer a look at one of Kenneth Patchen’s “picture-poems,” currently on display in An Astonished Eye: The Art of Kenneth Patchen, the largest-ever exhibition of the genre-defying writer’s visual work, at the University of Rochester in New York.
For nearly a century, the ampersand has been a key feature of certain strands of American poetry. To understand its history in the genre—and the role it plays for contemporary poets—one must return to the character’s origins.
Small Press Points highlights the innovative and can-do spirit of independent presses. This issue features Dorothy, a publishing project, which aims to publish books “of slightly different aesthetic sensibilities but equal wonderfulness” written by women.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Ben Marcus’s The Flame Alphabet and Amy Newman’s Dear Editor, as the starting point for a closer look at these new and noteworthy titles.
After making a name for itself in independent-press circles with its stylish, smart books of fiction, children’s literature, and food writing, the fourteen-year-old San Francisco–based outfit McSweeney’s is starting its first poetry imprint.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines. This issue’s MagNet features New World Writing, Transition, Asymptote, the White Review, Granta, the Dark Horse, and Versal.
In this regular feature, we offer a few suggestions for podcasts, apps, web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities for readers and writers on a budget.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features Memoir (and), Harvard Review, Huizache, the Coffin Factory, Monday Night, and Ploughshares.
While U.S. publishers continue their cautious march into the digitization of American titles, the rest of the world is looking to take advantage of other burgeoning markets in Europe, Japan, and beyond.
In this issue we offer a look at one of the 552 illustrations by Tim Kish, who created a picture a day for each page of Melville’s tome, featured in Moby-Dick in Pictures, published in October by Tin House Books.