Ten Questions for Anne Waldman
“I like the idea of action writing, putting text on the floor and playing with arrangement like abstract expressionist painting.” —Anne Waldman, author of Mesopotopia
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Tags: creative process
Ten Questions for Xenobe Purvis
“But fear can be galvanizing; perhaps the novel would not have been written without it.” —Xenobe Purvis, author of The Hounding
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Historical Details: Approach With Caution!
The author of Restitution (Regal House Publishing, September 2025) recommends writers refine their research and examine which details actually serve their characters and plots.
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Ten Questions for Ed Park
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
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Real Life as Experiment: Letting Characters Play in Your Life
The author of Restitution (Regal House Publishing, September 2025) recommends writers use their own memories as a testing ground for their characters.
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Ten Questions for Katie Yee
“I think every writer carries with them someone they wish they could’ve told all their stories to.” —Katie Yee, author of Maggie; Or, A Man and a Woman Walk Into a Bar
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Using Time to Create Emotional Tension in Fiction
The author of Restitution (Regal House Publishing, September 2025) recommends writers use time as a tool to shape the emotional stakes of novels.
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Ten Questions for Issa Quincy
“I tend to work across these different forms, on different projects at the same time.” —Issa Quincy, author of Absence
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Ten Questions for Lawrence Burney
“Writing lends itself to filmmaking in terms of structuring a story, but I think filmmaking lends itself to more visually stimulating writing.” —Lawrence Burney, author of No Sense in Wishing
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Ten Questions for Rhoni Blankenhorn
“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
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