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“Until you have language or history or context, you are in the dark.” In this episode of the Fashion Neurosis podcast hosted by Bella Freud, Hilton Als talks about discovering the power of art and language at an early age, how criticism should come from a place of “critical love,” and writing about Prince in his memoir My Pinup (New Directions, 2022).
Have you fallen for fall and left spring on the backburner? According to a recent New York Times article, spring used to be “a special favorite of poets and musicians, who were moved by the lush reawakening of the natural world to express their feelings of love and wonderment in verse and song,” but recent surveys have shown a preference for autumn. With its cozy colors and social media-worthy sweaters, ciders, leaves, and pumpkin spice lattes, the crisp season has moved up in the ranks of popularity. This week write a personal essay about how you have experienced seasons differently at various times in your life. You might consider the value in having fluctuating phases of energy or enthusiasm throughout the year, or in being able to count on cycles of the natural world.
In this ABC News segment, Joshua Bennett talks about how his parents nurtured his interest in African American history leading him to write his new book, The People Can Fly: American Promise, Black Prodigies, and the Greatest Miracle of All Time (Little, Brown, 2026), which is featured in Page One in the March/April 2026 issue of Poets & Writers Magazine.
Frederick Wiseman, the late director renowned for his lengthy documentaries about various American institutions and infrastructures—including Hospital; City Hall; Welfare; Titicut Follies; Near Death; and Belfast, Maine—spoke in a 2015 BOMB magazine interview about how humor is interspersed throughout his films, which are oftentimes incisive exposés of injustice, neglect, and grief. “I think all my films are funny,” said Wiseman. “You find yourself in a lot of situations that are funny. Or sometimes they are both funny and sad. I mean, the best comedy is sad comedy.” Think back to some past experiences that you would characterize as sad or sorrowful and write an essay in which you try to find a thread of humor to draw out. How can sad comedy demonstrate the ways in which human emotions are more complex than at first glance?
In this Politics and Prose event, Anne Fadiman reads from her collection Frog: And Other Essays (Farrar, Straus and Giroux, 2026) and discusses her career pivot from reportage to essays in a conversation with Isaac Arnsdorf. Fadiman’s book is featured in Page One in the March/April 2026 issue of Poets & Writers Magazine.
In Sam Needleman’s recent interview with essayist and novelist Darryl Pinckney, published in the Paris Review’s Art of Nonfiction series, he is asked about James Baldwin’s singularity. “Baldwin has this unmistakable voice. The appeal is that it’s at once literary and speakerly,” says Pinckney. “I think the writers, the essayists I’m drawn to have that quality.” This week think of a nonfiction writer whose voice strikes you as sounding distinctively original. Write an essay that attempts to investigate how their individuality is expressed through their use of language and specific observations. Can you pinpoint specific nuances about their writerly style? How does their writing communicate in both literary and “speakerly” ways?
In this City Club of Cleveland event, Namwali Serpell reads from her book On Morrison (Hogarth, 2026) and discusses Toni Morrison’s use of literary forms as well as her frustration with critics during her career in a conversation with poet Kortney Morrow.
In her essay “Creativity as resistance,” published on the Creative Independent, Kemi Ajisekola makes a case for creative work as a powerful tool to instigate transformation within cultures and point out what’s wrong, noting that “creativity isn’t a retreat from reality. It’s one of the ways reality gets reshaped.” Take some time to think up a short list of specific things around you that need to be changed, whether within the systems and structures in your immediate community or society at large. Write a personal essay that points out what’s broken and envisions where a new direction could take us. Can you imagine innovative ways to demonstrate care? How do your personal values come into play for these hopeful plans?
“When I work in coffee shops, people actually remark on the chaos of my desktop, wondering how I can get any work done.” —Tom Junod, author of In the Days of My Youth I Was Told What It Means to Be a Man
For the past several decades, artist Gordon Henderson, also known as Nib Geebles, has created yearly calendars featuring pen-and-paint illustrations of unremarkable yet distinctive buildings that he and his partner Abira Ali see on their everyday walks around their local Los Angeles neighborhoods. Hand-painted signage, unpolished and derelict storefronts, strip-mall parking lots, powerlines, and graffiti are all celebrated in this year’s “Unknown Landmarks” calendar. Brainstorm and jot down a list of some of your favorite storefronts and facades that make up the landscape where you live or work. Write a lyric essay that details a handful of these sights, reflecting on how they create a vivid portrait of your local atmosphere. What are the small, distinguishing or idiosyncratic features that give these locales an “unknown landmark” status?
