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Ophelia is a retelling of William Shakespeare’s play Hamlet from the perspective of the Prince of Denmark’s love interest. Directed by Claire McCarthy, the feature film stars Daisy Ridley in the title role, Tom Felton as Laertes, George MacKay as Hamlet, Clive Owen as Claudius, and Naomi Watts as Gertrude.
“I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say,” writes Daphne du Maurier in her 1938 Gothic novel, Rebecca. First love between characters who meet and bond at a young age has often been depicted in literature as feverish obsession sustained over the course of many years. Consider the monstrously toxic romance between Catherine and Heathcliff in Emily Brontë’s Wuthering Heights and the fifty-plus-year separation of lovers in Gabriel García Márquez’s Love in the Time of Cholera. Write a story that revolves around a character’s experience of first love. Explore your character’s perceptions of love and how they evolve over time.
Yaa Gyasi and Zadie Smith speak with Courtney Martin about representation and risks in writing, the power of fiction to invoke curiosity and transform behavior, issues of history and identity, and their current projects at the 2018 Obama Foundation Summit.
“I think a lot of contemporary editors, myself included, push too much for clarity when sometimes a little muddiness is just the thing.” —Juliet Lapidos, author of Talent
James Baldwin’s 1974 novel If Beale Street Could Talk has been adapted into a feature film directed by Barry Jenkins. Starring Stephan James, Regina King, and KiKi Layne, the film follows a young woman in 1970s Harlem attempting to prove her fiancé’s innocence when he is arrested for a crime he didn’t commit.
Sophie Mackintosh reads from her debut novel, The Water Cure (Doubleday, 2019), at Waterstones bookstore and talks about being influenced by Jeffrey Eugenides’s novel The Virgin Suicides, Yorgos Lanthimos’s film Dogtooth, Joan Lindsay’s novel Picnic at Hanging Rock, and the recent sociopolitical climate.
“What one carries from one point to another, geographically or temporally, is one’s self.” Yiyun Li reads from her debut memoir, Dear Friend, From My Life I Write to You in Your Life (Random House, 2017), in this video produced by the Office of Communications at Princeton University. Li, whose novel Where Reasons End is forthcoming from Random House in February, is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
“The stories that we tell ourselves and the stories we learn from others are a matter of life and death. Literature has the ability to literally change our minds—to change how we act, how we grow, what we believe, how we vote, how and when we speak,” says Morgan Parker in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine. Write a short story that revolves around a subject, topic, issue, or idea that feels intensely important, urgent, or vital to you. How can you create a character that becomes a source of empathy for what matters to you?
“A story or a character should change. The events that happen change us.” George R. R. Martin, whose book Fire & Blood: 300 Years Before A Game of Thrones (Bantam, 2018) is a history of the Targaryen family from his fantasy novel series A Song of Fire and Ice, talks to John Hodgman about how the realness in Stan Lee’s comic books influenced him as a writer.
Looking to work on submissions over the weekend? The contests listed below have deadlines through January 15 and are open to writers of fiction and nonfiction:
Australian Book Review’s Calibre Essay Prize: A prize of AUD $5,000 (approximately $3,600) is given annually for an essay. A second-place prize of AUD $2,500 (approximately $1,800) is also given. The winners will be published in Australian Book Review. J. M. Coetzee, Anna Funder, and Peter Rose will judge. Entry fee: $18. Deadline: January 14.
Ellen Meloy Fund’s Desert Writers Award: A prize of $5,000 is given annually to enable a creative nonfiction writer “whose work reflects the spirit and passions for the desert embodied in Ellen Meloy’s writing” to spend creative time in a desert environment. Entry fee: None. Deadline: January 15.
BkMk Press’s Chandra Prize: A prize of $1,000 and publication by BkMk Press is given annually for a short story collection. Entry fee: $30. Deadline: January 15.
University of Texas in Austin’s Dobie Paisano Fellowships: Two residencies, cosponsored by the Texas Institute of Letters, at a rural retreat west of Austin are given annually to writers who are native Texans, who have lived in Texas for at least three years, or who have published significant work with a Texas subject. The six-month Jesse H. Jones Writing Fellowship is given to a writer in any stage of his or her career and includes a grant of $18,000. The four-month Ralph A. Johnston Memorial Fellowship is given to a writer who has demonstrated “publishing and critical success” and includes a grant of $25,000. Entry fee: $20; $30 to enter both competitions. Deadline: January 15.
PRISM’s Jacob Zilber Prize for Short Fiction: A prize of $1,500 CAD (approximately $1,130) and publication in PRISM is given annually for a short story. Entry fee: $40. Deadline: January 15.
Literal Latté’s K. Margaret Grossman Fiction Award: A prize of $1,000 and publication in Literal Latté is given annually for a short story. Entry fee: $10. Deadline: January 15.
Third Coast’s Fiction Contest: An award of $1,000 and publication in Third Coast is given annually for a short story. Deborah Reed will judge. Entry fee: $18. Deadline: January 15.
Visit the contest websites for complete submission details, including eligibility guidelines and length requirements. For a look at more writing contests with upcoming deadlines, visit our Grants & Awards database and submission calendar.
