Genre: Fiction

How to Tell the Story

“Children force parents to go out looking for...the right way of telling the story, knowing that stories don’t fix anything or save anyone but maybe make the world both more complex and more tolerable,” writes Valeria Luiselli in her fourth novel, Lost Children Archive (Knopf, 2019), which she speaks about in the March/April issue of Poets & Writers Magazine. Write a short story in which a parent or guardian character must figure out “the right way” to tell a child some difficult news, perhaps in a moment of particular uncertainty, danger, or crisis. Describe the conflicts in deciding what to tell and not tell in an effort to make the world feel more tolerable. How does the child react to what’s been told?

Akwaeke Emezi

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“She wasn’t sure if we were real, but nothing about us felt false.” Akwaeke Emezi, a 2018 National Book Foundation 5 Under 35 honoree nominated by Carmen Maria Machado, reads from their debut novel, Freshwater (Grove Press, 2018). The novel has been longlisted for the 2019 Baileys Women’s Prize for Fiction.

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Ten Questions for Helen Oyeyemi

by Staff
3.5.19

“A good portion of Gingerbread was written sitting on the floor, in a chair with no legs but excellent back support.” —Helen Oyeyemi, author of Gingerbread

Pen Parentis and the Power of the Literary Salon

Curator and cohost of the Pen Parentis Literary Salons, Christina Chiu is the author of Troublemaker and Other Saints (G.P. Putnam’s Sons, 2001), which was nominated for the Stephen Crane First Fiction Award, won the 2002 Asian American Literary Award in fiction, and was chosen for Alternate Selection of the Book-of-the-Month Club. Her stories have appeared in magazines and anthologies including Tin House, the New Guard, Washington Square Review, Charlie Chan Is Dead 2: At Home in the World (Penguin Books, 2004), and many others. Chiu received her MFA in creative writing from Columbia University. She is currently working on short stories and a memoir.

The mission of Pen Parentis is to provide critical resources for working writers to help them stay on creative track after starting a family. The salon reading series is a crucial part of this mission. Not only does it give our authors a platform, but it connects them with a community. Writing can be isolating without a community, and it can be challenging to stay connected when one becomes a parent.

Aside from the salons, Pen Parentis has a weekly meet-up every Friday morning. Often, first time authors come, love what we do, return to future salons, then decide to become title members. I curate the series by theme and authors choose which salon resonate with them and their work. There are three, sometimes four, authors at each event. Very often, these clusters form tight bonds; they become lasting and meaningful friendships, ones in which authors can support and help one another.

For the March 2018 Immigrant/Immigration salon, we featured authors Susan Muaddi Darraj, Marguerite Bouvard, and Sarah Gambito. I spoke with Marguerite recently, and she mentioned how fond she was of her fellow readers. She had just finished reading Susan’s short story collection A Curious Land: Stories From Home (University of Massachusetts Press, 2015). “The book was superb and I bought copies for friends,” Marguerite said. “It gives a wonderful new perspective on Palestine and women. The author is truly gifted.”

Pen Parentis builds a family, and like with any family, it’s important to be as inclusive as possible. One of our core values is inclusion, and we strive for this in every possible way. We showcase a balance of men and women, people of color, gender nonconformity, and various family situations, while still maintaining an effortless grouping based on a theme that does not single out but rather includes these usual outliers into the general conversation, leading to a much richer dialogue for all.

The support from Poets & Writers has been a major part of the salon’s growth. Not only does it lend credibility to what we do, but it makes it possible to offer authors an honorarium. This helps to transform a regional reading series into a nationally-recognized literary organization. I have been able to offer something toward transportation and lodging for authors located outside of the metropolitan area, and more importantly, something rare in the literary world—acknowledgement. Authors are often expected to read for free, but the honorarium lets them know that their time and work is appreciated and valued. The success of the Pen Parentis salon is furthered by the support of Poets & Writers. Thank you!

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.

Photo: Christina Chiu (Credit: Aslan Chalom).

Siri Hustvedt on Reading

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“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

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Native Son

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Native Son, Richard Wright’s 1940 novel about a young African American man living in poverty in Chicago, has been adapted into a feature film for the third time. The movie is directed by visual artist Rashid Johnson, with a screenplay by Pulitzer Prize–winning playwright Suzan-Lori Parks, and stars Sanaa Lathan, KiKi Layne, Elizabeth Marvel, Margaret Qualley, Nick Robinson, and Ashton Sanders.
 

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PEN Announces 2019 Literary Award Winners

At a ceremony last night in New York City, PEN America announced the winners of its 2019 Literary Awards. This year the organization awarded more than $370,000 to writers and translators for books and literary works published in 2018. 

Nana Kwame Adjei-Brenyah took home the biggest prize of the night, the $75,000 PEN/Jean Stein Book Award, for his debut story collection, Friday Black (Mariner Books). The annual award is given for a book of any genre for its “originality, merit, and impact.”

The $25,000 PEN/Robert W. Bingham Prize for Debut Short Story Collection went to Will Mackin for Bring Out the Dog (Random House), and Michelle Tea won the $10,000 PEN/Diamonstein-Spielvogel Award for the Art of the Essay for Against Memoir: Complaints, Confessions, & Criticisims (Feminist Press). Nafissa Thompson-Spires received the $5,000 PEN Open Book Award for her novel, Heads of the Colored People (Atria). The annual award is given for a book of any genre by a writer of color. 

PEN America also honored poet, essayist, and novelist Sandra Cisneros with its Nabokov Award for Achievement in International Literature. Cisneros, the author of several books, including the acclaimed novel The House on Mango Street, will receive $50,000. The organization also awarded its inaugural $25,000 PEN/Mike Nichols Writing for Performance Award to Kenneth Lonergan; the annual award honors the year’s best writing for performance.

PEN America started its award program in 1963 to “celebrate literary excellence, encourage global discourse, champion important voices, and bring new books to life.” Visit the PEN website for a complete list of winners, finalists, and judges.

Photo: Nana Kwame Adjei-Brenyah

Sensibilities

2.27.19

In “Color Blind Pal,” Zoe Dubno’s New York Times Magazine Letter of Recommendation essay, she writes about a life-changing experience at a family fondue dinner when she was twelve and upset her brother by grabbing his green fork repeatedly instead of her orange one. Only half of one percent of women have red-green color blindness (compared with eight percent of men), so it often goes unrecognized—unless a significant social faux pas brings it into focus. Write a story in which one of your characters is unable to see, feel, smell, or hear something specific (i.e. bird calls, plant thorns, burnt toast), but does not realize it until an encounter involving a mix-up occurs. Does this alter the way your character experiences the world? Is it a life-changing moment?

Les Misérables

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Tom Shankland has directed a new television series adaptation of Les Misérables, Victor Hugo’s classic 1862 historical fiction novel, for Masterpiece on PBS. The cast of characters includes a young working woman Fantine, her daughter Cosette, and police inspector Javert, who chases after fugitive Jean Valjean. Ellie Bamber, Lilly Collins, David Oyelowo, and Dominic West star in the lead roles.

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Ten Questions for Brian Kimberling

by Staff
2.26.19

“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash

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