Jump to navigation Skip to content
“My work often deals with dislocation, belonging, migration, of course, and I tend to create characters that are unnamed and not quite easy to place.” Valeria Luiselli, a 2019 MacArthur “Genius” fellowship recipient, talks about how she combines fiction and nonfiction to challenge conventional notions of authorship, and the ways in which the lives of others are documented.
“It’s about translating the spirit of the book so you’re taking a story and bringing it across borders—not just into a different language, but a different cultural context.” Jeremy Tiang discusses the “often invisible” contributions of literary translators in this video from the 2019 London Book Fair. Tiang’s essay “The Art of Translation: Many Englishes, Many Chineses” appears in the March/April issue of Poets & Writers Magazine.
“What are the ethics around documenting political crises? How much do you become a parasite of people’s suffering? What good do you do to a situation by documenting it or fictionalizing it? These are all questions that are in the novel.” Valeria Luiselli discusses the unique challenges of writing about the ongoing migrant crisis at the U.S. southern border in her most recent novel, Lost Children Archive (Knopf, 2019), with PBS NewsHour’s Jeffrey Brown. An interview with Luiselli by Lauren LeBlanc appears in the March/April issue of Poets & Writers Magazine.
Washington Post book critic Ron Charles takes a humorous look at Helen Oyeyemi’s sixth novel, Gingerbread (Riverhead Books, 2019), for his Totally Hip Video Book Review series. Oyeyemi answers questions about her new novel in a recent installment of our online series Ten Questions.
“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.
“Let them borrow the light from the blind. / Let them kiss your forehead, approached from every angle. / What is silence? Something of the sky in us.” Joseph Fasano reads an excerpt from Ilya Kaminsky’s new collection, Deaf Republic (Graywolf Press, 2019), for the American Poem video series. An interview with Kaminsky by Garth Greenwell appears in the March/April issue of Poets & Writers Magazine.
“There is nothing one man will not do to another.” Carolyn Forché reads “The Visitor” and “The Colonel” from her second poetry collection, The Country Between Us (Copper Canyon Press, 1981), which bore witness to her travels in El Salvador in the late 1970s. Forché’s debut memoir, What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press, 2019), documents that same period of time and is featured in Page One in the March/April issue of Poets & Writers Magazine.
“The White Card is a play I wanted to write because it seemed to me that people had a difficult time talking about race. And I thought, ‘What would it look like?’” In this ArtsEmerson video, Claudia Rankine talks about the inspiration for her debut play, The White Card: A Play (Graywolf Press, 2019), which is featured in Page One in the March/April issue of Poets & Writers Magazine.
“I started with one word and I never stopped.” Jimmy Santiago Baca talks with Megan Kamerick on New Mexico in Focus about reading the dictionary, writing poetry while incarcerated, and his experiences learning and educating others about the power of language. Baca’s poetry collection When I Walk Through That Door, I Am: An Immigrant Mother’s Quest for Freedom (Beacon Press, 2019) is featured in Page One in the March/April issue of Poets & Writers Magazine.
Khaled Khalifa talks with Renée Ragin at Duke University about questions of Arab and Syrian identity, the relationship between his writing and war, and themes of death and difficult journeys in his fifth novel, Death Is Hard Work (Farrar, Straus and Giroux, 2019). The novel, translated from the Arabic by Leri Price, is featured in Page One in the March/April issue of Poets & Writers Magazine.
