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Volumes Bookcafe is an independent bookstore cafe with two locations in Chicago: Wicker Park and Gold Coast. Volumes is a family-owned business, brought to life by two Chicago-area sisters whose careers have always been intertwined with books. With heavily curated shelves of books, and a tasty menu of baked goods, quality espresso drinks and an array of local beer and wine, they aim to create a warm and inviting community space for book lovers of all ages.
What would a mashup book series by Lee Child look like? In this humorous video, Child, the author most recently of Past Tense (Delacorte Press, 2018), presents potential mashup titles featuring Jack Reacher, the protagonist of his crime thriller series.
Holiday window displays have long been a tradition for stores to show off their best gift-giving ideas, window dressers to demonstrate their creativity with tableaux of festive decorations and scenes of wintry activities, and for shoppers and strollers to look for inspiration and cheer. Write a short story in which your main character catches sight of something in a holiday window display that serves as a catalyst for a surprising course of action. Does something depicted in a window unravel a forgotten memory? Is there a gift that would be perfect for a long-lost friend?
“History hides. That’s its job. It hides behind other history.” Sam Lipsyte reads from his fourth novel, Hark (Simon & Schuster, 2019), at the University of San Francisco’s MFA Reading Series. Hark is featured in Page One in the January/February issue of Poets & Writers Magazine.
Studies in the past several decades have repeatedly demonstrated that the placebo effect is quite real and, though unpredictable, has the potential to alleviate symptoms even when people know they’re taking a placebo. It’s been theorized that this efficacy is connected to an individual’s expectations for positive results. Write a short story in which your main character recovers from an ailment and then discovers it is due to a placebo effect. Who was responsible for prescribing the placebo? Does this discovery lead to a darker truth?
“There is something about your own subconscious that is far more perceptive than whatever your conscious mind can conjure up.” —Guy Gunaratne, author of In Our Mad and Furious City
Joshua Idaszak is the winner of Poets & Writers’ 2018 Maureen Egen Writers Exchange Award (WEX) for fiction. His stories have appeared in Ploughshares, the Kenyon Review, TriQuarterly, and elsewhere. His fiction has won Boulevard magazine’s 2015 Short Fiction Contest for Emerging Writers, was a finalist for the 2015 Chicago Tribune Nelson Algren Award, and has been listed as distinguished by Best American Mystery Stories 2017. Idaszak received an MFA from the University of Arkansas, and has received support from the Fulbright Program and the Sewanee Writers’ Conference. He lives in Massachusetts and is at work on a story collection and a novel.
It was a misty, cool morning in May when I heard from Bonnie Rose Marcus that I had won the 2018 Maureen Egen Writers Exchange Award for fiction. I had just emerged from two days on the Lost Coast Trail and was standing in a small beachside parking lot in Shelter Cove, California, a town made famous (to me, at least) by the opening of Denis Johnson’s novel Already Dead. I had just completed my MFA from the University of Arkansas after four years in Fayetteville, teaching, studying, and writing fiction. I was in the midst of determining what came next—for my writing, for my life—when I listened to Bonnie’s voicemail.
Manhattan is not Shelter Cove. In place of redwoods were skyscrapers, and we were ascending them. Bonnie, director of Readings & Workshops (East) and the Writers Exchange, was our fearless leader. She shepherded Anushah Jiwani, the winner for poetry, and me around Manhattan for four days of meetings with agents and editors and poets and publishers.
At Penguin, we met Lee Boudreaux and asked about editing Ben Fountain’s fiction. At Ecco, Megan Lynch talked about Deborah Eisenberg’s short story collection Your Duck Is My Duck, and how a book and its cover come together. Jonathan Galassi of FSG recalled his time studying poetry under Elizabeth Bishop and Robert Lowell. I had carried poet Charles Wright’s Negative Blue during my Lost Coast walk, and I was excited to hear that FSG would be publishing Oblivion Banjo, a compendium of his work, next spring. Cheryl Boyce-Taylor, this year’s poetry judge for WEX, helped us celebrate at a wonderful dinner with our families after our Sunday reading at McNally Jackson in Soho.
Writing is solitary work. The drafting and revision often happen in quiet rooms, often alone. It can feel, sometimes, like we’re plucking the strings of our very own oblivion banjo. It was a joy to step outside of that: to sit across from Brigid Hughes and hear about her work to create space and time for writers through the fellowships and residencies of A Public Space, to hear Emily Nemens speak about her plans for the Paris Review, or to discuss possibilities for invigorating public readings with Sarah Gambito.
The trip was a reminder (or rather a series of reminders) that there are so many of us engaged in this calling. That we love books, love reading, love watching people and thoughts rise in language. And ultimately, that our work is vital, and always ongoing.
The Maureen Egen Writers Exchange Award is generously supported by Maureen Egen, a member of the Poets & Writers Board of Directors.
Photo: Joshua Idaszak, Cheryl Boyce-Taylor, and Anushah Jiwani (Credit: Christian Rodriguez).In this video from the New York Public Library, 2018 National Book Awards finalists, including Rebecca Makkai, Hanne Ørstavik, and Jeffrey C. Stewart, sit down to answer questions about their favorite books and which fictional character they’d want to hang out with.
“The book is a kind of implosion, emotionally and intellectually, and you just wait for some kind of rhythm to form.... And then I will work all day, every day.” Nicola Barker, who won the 2017 Goldsmiths Prize for her novel H(a)ppy (William Heinemann, 2017), talks to Granta about her writing process and the difficulty of transitioning from writing on a digital screen to seeing the book in print form.
“Be very patient, even patient with chaos,” Lydia Davis advises writers in this compilation of interviews by Louisiana Channel. Seasoned writers from around the world, including Alaa Al Aswany, Umberto Eco, Richard Ford, Patti Smith, and Ngũgĩ wa Thiong’o, also offer their thoughts on how to keep writing.
