Small Press Points: Green Linden Press
Based in Grinnell, Iowa, and motivated by a mission to support reforestation, Green Linden Press publishes around six titles per year and donates a portion of its proceeds to environmental efforts.
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Genre: Poetry
Singing the Sublime: A Profile of Donika Kelly
In her latest poetry collection, The Natural Order of Things, out now from Graywolf Press, Donika Kelly celebrates joy as a simple yet radical means of resisting despair.
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Donika Kelly at the Silo City Reading Series
Caption:
“So much has happened / that I would never have known / I could remember.” In this Silo City Reading Series video, Donika Kelly reads her poem “Suicide Watch: Spring,” which appears in her third poetry collection, The Natural Order of Things (Graywolf Press, 2025). Read a profile of Kelly by Brian Gresko in the November/December issue of Poets & Writers Magazine.
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Waiting and Waiting
“Tomorrow, when I wake, or think I do, what shall I say of today? That with Estragon my friend, at this place, until the fall of night, I waited for Godot?” In Samuel Beckett’s 1952 play Waiting for Godot, which has a new production on Broadway starring Keanu Reeves and Alex Winter, Vladimir and Estragon spend their days waiting for the arrival of someone named Godot, who never shows up. They pass the time with repetitious exchanges of banter, arguments, and musings. The ambiguity of their exact circumstances, as well as who Godot is and what would happen with Godot’s arrival, creates a tragicomic exploration of the nature and purpose of existence, and the significance of friendship and faith. Write a poem that uses the idea of an eternal waiting—for someone, or something—as an entry point to reflect on larger themes of life’s big questions.
2025 Jackson Poetry Prize Reading: Cyrus Cassells
Caption:
In this Poets & Writers event, 2025 Jackson Poetry Prize winner Cyrus Cassells reads a selection of poems from his first book, The Mud Actor (Henry Holt, 1982), and his most recent book, Everything in Life Is Resurrection: Selected Poems, 1982–2022 (TCU Press, 2025), and joins Pádraig Ó Tuama for a conversation about his evolution as a poet.
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Alaska Pacific University
MFA Program
Poetry, Fiction, Creative Nonfiction
Anchorage, AK
Application Deadline:
Wed, 04/01/2026
Application Fee:
$35
O‘ahu Writers Mini-Retreat
The O‘ahu Writers Mini-Retreat was held on November 29 and November 30 at a historic vacation property in the town of Waialua, on the North Shore of O‘ahu, Hawai‘i. The retreat featured generative writing workshops, critiques, and arts and crafts breaks for poets, fiction writers, and creative nonfiction writers. The faculty included poet Tamara Leiokanoe Moan, fiction writer Tom Gammarino, and creative nonfiction writer Constance Hale. Tuition was $120 for one day and $200 for both days; lodging was not included, but lunch was.
Type:
CONFERENCE
Ignore Event Date Field?:
yes
Event Date:
December 19, 2025
Rolling Admissions:
ignore
Application Deadline:
December 19, 2025
Financial Aid?:
no
Financial Aid Application Deadline:
December 19, 2025
Free Admission:
no
Contact Information:
O‘ahu Writers Mini-Retreat, 1040 56th Street, Oakland, CA 94608. (617) 909-1439. Constance Hale, Director.
Constance Hale
Director
Contact City:
Waialua
Contact State:
HI
Country:
US
Banned Books Week From the Big Chair
Caption:
In this video from the Sage-sponsored “Banned Books From the Big Chair” booth at the American Library Association’s 2025 annual conference, authors and attendees respond to the dangers of book banning and the importance of supporting public libraries and the freedom to read.
Alta California Chapbook Prize
Gunpowder Press
Entry Fee:
$15
Deadline:
November 17, 2025
A prize of $1,000, bilingual publication in English and Spanish by Gunpowder Press, and 10 author copies will be given annually for a poetry chapbook by a Latinx poet who is a c
Elizabeth Bradfield: SOFAR
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In this Alaska Quarterly Review virtual event, poet and naturalist Elizabeth Bradfield reads from her collection SOFAR (Persea Books, 2025) and discusses the relationship of her poetics to ocean ecologies, memories of queer love, and both human and natural histories.
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