Jump to navigation Skip to content
“Take your time.” —D. S. Waldman, author of Atria
Susan Stewart’s seventh poetry collection, Bramble, forthcoming in April from the University of Chicago Press, traverses a wide range of poetic forms and subjects—including progressions throughout nature, illness and grief, and Biblical allusions—striking tones that are elegiac, invocatory, conversational, and observational at various points. The collection’s title might be one way to connect interpretations of the pieces through their depictions of entanglement and struggle, the presence of thorny destruction, but also of protection and blossoming. Taking inspiration from Stewart’s Bramble, write a series of poems that uses the structure of a poetic form to reflect on a complicated aspect of your own life, whether related to family, romance, spirituality, your job, or your creative practice. Where in other works of literature has your metaphorical subject been used, and how has it functioned?
In this 2024 LanguageBack Retreat Reading hosted by Indigenous Nations Poets, Kalehua Kim reads her poem “Mystique.” Kim, author of Mele (Trio House Press, 2025), is featured in “New Ways of Seeing: Our Twenty-First Annual Look at Debut Poets” in the January/February 2026 issue of Poets & Writers Magazine.
Millay House Rockland offers two monthlong residencies, one in October and one in July, to poets, fiction writers, and nonfiction writers in the duplex where the late poet Edna St. Vincent Millay was born in Rockland, Maine. Residents receive a $1,200 stipend from the Ellis-Beauregard Foundation and are provided with a private bedroom, a private bathroom, a study, a porch, and a fully equipped kitchen. Residents are responsible for their meals. During their residency, residents are asked to offer one public event.
Millay House Rockland Writing Residency, P.O. Box 831, Rockland, ME 04841. (619) 840-7201. Melissa McKinstry, Board Member and Writing Residency Coordinator.
The 2026 Himalayan Literature Festival and Writers Workshop, sponsored by White Lotus Book Shop, will be held from May 29 to June 5 at the Malla Hotel in Kathmandu, Nepal. The writers workshop, which takes place from May 29 to June 3, includes two workshops held in temples and Buddhist monasteries, two workshops led by Himalayan shamans, and excursions to historical and cultural sites. The festival, which takes place from June 4 to June 5, features craft talks, reading events, and book launches for poets, fiction writers, nonfiction writers, and translators.
Himalayan Literature Festival & Writers Workshop, White Lotus Book Shop, Hanumanthan, Kupondole, Kathmandu, Nepal. (981) 379-8573. Shreejana Bhandari, Director.
ART | WORK Retreat, sponsored by the 32M Center for Creative Work, offers one- to two-week residencies to poets, fiction writers, and creative nonfiction writers from mid-May through mid-September in a nineteenth-century mill building on the banks of the Ashuelot river in New Hampshire. Writers have the option of scheduling critique or mentoring sessions with a partnering artist. The residency accommodates two visitors at a time. Each resident is provided with a private studio and bathroom, and a shared kitchen.
Art | Work Retreat, P.O. Box 111, Ashuelot, NH 03441. (603) 239 6830. Julia Ferrari, Director.
Cabo Poetry Writer’s Retreat was held from April 26 to May 1 for poets at the oceanfront Villa Besame & Dos Hermanas in the gated community of Pedregal in downtown Cabo San Lucas, Mexico. The conference features workshops, generative writing prompts, one-on-one consultations, guided walks, and yoga. The faculty includes poets Kim Addonizio and Tracey Knapp. The cost, which includes lodging, transfers to and from San José del Cabo International Airport to downtown Cabo, a welcome dinner, and breakfast and lunch each day, is $3,600.
Cabo Poetry Writer’s Retreat, 780 Morosgo Drive NE, Suite 13227, Atlanta, GA 30324. (404) 538-0487. Cynthia Good, Event Organizer.
In this Virtual Craft Chat event hosted by Poet Lore and the Writer’s Center, Ally Ang reads from their debut collection, Let the Moon Wobble (Alice James Books, 2025), and talks about how formal challenges and constraints can inspire new poems in a conversation with Emily Holland.
“I love snow and briefly. / I love the first minutes in a warm room after stepping out of the cold. / I love my twenties and want them back every day. / I love time. / I love people. / I love people and my time away from them the most.” In his poem “Love,” published in the American Poetry Review, Alex Dimitrov lists dozens of beloved things, each line beginning simply with, “I love.” The items listed often play off of each other and seem to meander associatively, in a stream-of-consciousness manner. Compose a poem that uses a list format to meditate on things you love. You might begin each line with a repeated phrase, or allow the entire poem to encompass one long list. Try experimenting with associative thinking, fluctuations of line length, and playful tones.
