Ten Questions for Ilana Masad
“I have a deeply unhealthy work-life balance in that the Venn diagram of those things is a circle.” —Ilana Masad, author of All My Mother’s Lovers
Jump to navigation Skip to content
“I have a deeply unhealthy work-life balance in that the Venn diagram of those things is a circle.” —Ilana Masad, author of All My Mother’s Lovers
The author of This Is One Way to Dance considers the consonances and dissonances between dance and writing.
“I’m mistrustful of writing advice in general.” —Kate Zambreno, author of Drifts
The author of This Is One Way to Dance shares how notes—footnotes, codas, prologues, corrections—figure into her writing process.
The author of White Blood: A Lyric of Virginia discusses definitions of poetry, ancestral silence, and unpacking American history’s “white blood.”
The author of The Nix struggles with the pressure to be productive during the pandemic and finds relief in celebrating the small victories.
“Write what you do not know, which I think is particularly helpful because—not to sound too much like Socrates—I’m not really convinced that anyone knows anything.” —John Elizabeth Stintzi, author of Vanishing Monuments
The author of The Prettiest Star shares strategies and questions that help him get to know his characters.
The author of The Prettiest Star celebrates the magic of minor characters.
“There was nothing hard about writing it, it was more like finally giving in to some terrible force.” —Rufi Thorpe, author of The Knockout Queen