Craft Capsule: Feel Your Way

The author of This Is One Way to Dance considers the consonances and dissonances between dance and writing.
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The author of This Is One Way to Dance considers the consonances and dissonances between dance and writing.
“I’m mistrustful of writing advice in general.” —Kate Zambreno, author of Drifts
The author of This Is One Way to Dance shares how notes—footnotes, codas, prologues, corrections—figure into her writing process.
The author of White Blood: A Lyric of Virginia discusses definitions of poetry, ancestral silence, and unpacking American history’s “white blood.”
“Write what you do not know, which I think is particularly helpful because—not to sound too much like Socrates—I’m not really convinced that anyone knows anything.” —John Elizabeth Stintzi, author of Vanishing Monuments
The author of The Nix struggles with the pressure to be productive during the pandemic and finds relief in celebrating the small victories.
The author of The Prettiest Star shares strategies and questions that help him get to know his characters.
The author of The Prettiest Star celebrates the magic of minor characters.
“There was nothing hard about writing it, it was more like finally giving in to some terrible force.” —Rufi Thorpe, author of The Knockout Queen
“I need three things to write: snacks, drinks, and silence.” —Frances Cha, author of If I Had Your Face