Monica Drake
The rabbits in this trailer for Monica Drake's novel The Stud Book, forthcoming from Hogarth in April, were provided by the New York City-based All About Rabbits Rescue, Inc. and are available for adoption.
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The rabbits in this trailer for Monica Drake's novel The Stud Book, forthcoming from Hogarth in April, were provided by the New York City-based All About Rabbits Rescue, Inc. and are available for adoption.
Slam poet and cultural icon Maggie Estep has died; Kwame Dawes writes Olympics-inspired poetry; Apple loses recent appeal in e-book case; and other news.
"The sky is pouring itself down my throat because I'm wide open because I'm so glad I'm happy." Maggie Estep, the novelist and spoken word poet who passed away on Wednesday after suffering a heart attack two days earlier, is seen here performing "Happy" on Def Jam Poetry.
This week, write about your neighborhood. Try to emphasize its particularities—if you live in a city, this may be the restaurants you frequent, your local newsstand, or the place that begins your commute. If you live in a rural area, it could be the natural world surrounding your home, the roads leading up to your driveway, and the neighbors you’ve known for years. You may wish to begin by making a list of all the features that make your neighborhood memorable.
If I’m a hermit by choice (find crowds draining, don’t do public speaking well), how does that reduce my chances of being published? Would an agent and/or publisher see that as a marketing nightmare?
I think the answer depends a great deal on the nature of what you’re writing (and perhaps the degree to which you’re really a hermit). It is almost impossible to promote nonfiction without having the author engage with the world in some way. You can probably get away with avoiding public-speaking events, but if you’re not willing to, say, do an NPR interview about your book, that’s a problem.
Fiction is a little bit different. Whether it’s intended to be high literature or complete pulp, it’s all about what’s on the page and how the reader responds to it. Yes, an author who is willing to do anything and everything to promote his book is valuable to a publisher—but that book has to be good. All else being equal, having written identical books, a social butterfly is more appealing to a publisher than a hermit. But they’d never write identical books, of course! And, speaking for myself here, I think the best fiction requires a kind of monastic discipline, even obsession, on the part of people who create it that doesn’t necessarily lend itself to a raging social life, or building a “platform.” So just be you, and focus on making your book the best it can be. We spend enough time broadcasting ourselves to the ends of the earth, and to me books represent a respite from that. Literature needs more hermits, I say!
The inaugural Poets & Writers Live event was held at the literary arts center Beyond Baroque in Los Angeles.
Why We Write panelist Harryette Mullen.
From left: former director of Poets & Writers’ California office and Readings/Workshops (West) Cheryl Klein with Opportunities in LA panelists Traci Kato-Kiriyama, Lauren Humphrey, Rick Lupert, and Terry Wolverton.