"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

"The drawings were done in ink on paper using whatever pen was around, usually a Uniball Vision Micro or Pigma Micron. The paintings are acrylic paint," writes Zak Smith in a note at the end of his new memoir. "Although there are no photos, there are two images that are derived from drawings that have been transferred and altered in a chemical darkroom using a process called contact printing. It brings out the texture of the paper and the color in the ink and makes the drawings blurry in an interesting way."

Victoria Reichelt has been shortlisted for a number of art prizes, including the Geelong Contemporary Art Prize, Conrad Jupiter's Art Prize, and the Canberra Contemporary Art Prize. Her work has been shown at the Canberra Contemporary Art Space, the the QUT Art Museum in Brisbane, the 2008 Melbourne Art Fair, and most recently at the Gallery of Modern Art in Brisbane. She is represented by the Dianne Tanzer Gallery in Melbourne, Victoria.