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“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.
Pankaj Mishra, Maureen Freeley, Bettany Hughes, Elnathan John, and Angie Hobbs, judges for the 2019 Man Booker International Prize, talk about the merits of the books shortlisted for the prize, which is awarded to both the author and translator. The six books span five languages—Arabic, French, German, Polish, and Spanish—and are written by authors from Oman, France, Germany, Poland, Colombia, and Chile.
In this video, Ian McEwan visits the Adel Rootstein Display Mannequins workshop where the staff works on the mannequin featured on the book cover for his novel Machines Like Me (Nan A. Talese, 2019). The cover depicts the robot character, Adam, who is involved in a love triangle with a human couple in an alternate 1980s London.
Shirley Jackson’s final novel, We Have Always Lived in the Castle (Viking Press, 1962), has been adapted into a feature film for the first time. Directed by Stacie Passon and starring Alexandra Daddario, Taissa Farmiga, Crispin Glover, and Sebastian Stan, the mystery thriller follows a family whose dark past resurfaces upon the arrival of an estranged cousin.
“I picked up languages the way some people pick up viruses. I was armed with literature.” In this video by Alma Books, Azareen van der Vliet Oloomi reads an excerpt from her novel Call Me Zebra (Houghton Mifflin Harcourt, 2018), for which she won the 2019 PEN/Faulkner Award for Fiction.
“Living in this world where everything is social media, we’ve lost the art of being completely vulnerable and honest with our thoughts and our feelings. It’s exactly what poetry is, it’s about vulnerability.” In this Poetry.LA interview, Eric Morago, author of the collection Feasting on Sky (Paper Plane Pilot Publishing, 2016), reads from his work and talks about what brought him to poetry.
Jamie Moore is the author of the novella, Our Small Faces (ELJ Publications, 2013). Her work has been published in magazines including TAYO Literary Magazine and the Nervous Breakdown. She is a professor at College of the Sequoias in Visalia, California, and executive director of the Watchale Workshop.
California’s Central Valley has a surprisingly rich literary history, and the Watchale Workshop team has learned a few things about our literary community. Firstly, it is a community centered around Fresno, the city hub of the Central Valley and location of the nearest MFA program, which makes many of the literary events inaccessible to community members in the south part of the region, particularly writing students at the College of the Sequoias, where I teach. Secondly, many events are focused on a single genre—poetry—perhaps as a result of the success of poets from the area. Lastly, and of greatest concern to us, many literary events are focused on and organized by men. Knowing the rich diversity of writers in our area, the Watchale Workshop aimed to showcase what more the Central Valley has to offer with our inaugural day-long event full of workshops and lectures that took place on April 6 at the College of the Sequoias.
The idea for Watchale started as a conversation between fellow writers over coffee. The four of us at Watchale were brought together by a desire to create opportunities for writers like us: POC, queer, emerging. After recruiting a student team in September 2018, Watchale was conceptualized, the name derived from Sandra Cisneros’s poem “Loose Woman.” We wanted to make a statement: Watch out! We’re coming for you! We’ve been here! We’re ready to be heard!
With our mission statement in mind—to create an alternative narrative of our literary community—we carefully curated a lineup of writers that put women and queer voices at the center of our literary conversation. We invited women writers who not only had Central Valley connections, but those we knew would help us create a space for our student writers to be included in the larger literary community. I wanted Watchale to complement the women-centered literary groups already doing work in Fresno, such as Fresno Women Read and Women Writers of Color Central Valley. This was our festival to shine.
And shine we did. In the morning, generative workshops in several genres led by P&W–supported writers Ife-Chudeni Oputa, Monique Quintana, and Wendy C. Ortiz encouraged participants to pick up their pens and get writing. Oputa’s workshop focused on the theme of “Ownership,” asking emerging poets to consider the duality of ownership, and what we owe to ourselves and our communities.
After a rousing reading with Sara Borjas and Wendy C. Ortiz, participants gathered for craft lectures on topics like community organizing, freedom and futurity, scene writing, poetry structure, and self-publishing. The evening reading celebrated both our student readers from the College of the Sequoias Quill Creative Writing Club and our featured writers of the workshop.
Students and community members were invigorated by a literary space that felt like us, of us, for us. I deeply believe we served that purpose and thus, Watchale became the literary event of my dreams. Watchale is a love letter to the Central Valley and to the writers who’ve been missing from the narrative thus far. We’re here now.
Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.
Photo: (from left to right) Marcus Moreno, Jamie Moore, Martin Velasco Ramos, Destina Hernandez, Wendy C. Ortiz, and Sara Borjas (Credit: Marcus Moreno).“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.
“With all writers, with all artists, with all humans, we all carry ancestors. We carry stories. We carry their songs.” In this video, Joy Harjo, Esther Allen, and Michael Cunningham speak on the impact of receiving creative writing fellowships from the National Endowment for the Arts (NEA). For more on the NEA’s positive impact on writers, read “Vote of Confidence: The Life-Changing Support of an NEA Fellowship” in the May/June 2017 issue of Poets & Writers Magazine.
“There is so much time in the world. How many ways can it be divided?” In this 2017 video, Camille T. Dungy reads “Conspiracy” and “Natural History” from her poetry collection Trophic Cascade (Wesleyan University Press, 2017) at Syncopated Rhythms: A Celebration of African American Poetry & Music in Washington, D.C. Dungy’s essay “Say Yes to Yourself: A Poet’s Guide to Living and Writing” appears in the May/June issue of Poets & Writers Magazine.
