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“When Henry started this walk at age thirty-two in 1849, he wore a broad-brimmed hat designed with a miniature shelf to hold the flowers he found,” reads Ben Shattuck from his essay “Three Walks,” first published in the Common and included in his book, Six Walks: In the Footsteps of Henry David Thoreau (Tin House, April 2022). For more on the book, read “The Written Image: Ben Shattuck” in the May/June issue of Poets & Writers Magazine.
“We in the fields, the watchers from the burnt slope, / Facing the west, facing the bright sky, hopelessly longing / to know the red beauty…” In this 2011 PBS NewsHour video, Jeffrey Yang reads William Everson’s poem “We in the Fields” along with other poems published in Birds, Beasts, and Seas: Nature Poems From New Directions, an anthology edited by the poet celebrating the seventy-fifth anniversary of New Directions. Yang’s new poetry collection, Line and Light (Graywolf Press, 2022), is featured in Page One in the May/June issue of Poets & Writers Magazine.
“The face of Chinatown returns its color, / plucked from July’s industrial steamer,” reads Jenny Xie from her poem “Chinatown Diptych,” published in her collection Eye Level (Graywolf Press, 2018), in this video directed by Jean Coleman and produced by the Adrian Brinkerhoff Poetry Foundation for their Read By poetry film series.
“Can authors avoid the downward post-book spiral? Some depression may be inevitable. There’s an inevitable loss that comes with sending a book into the world,” writes Jessica Berger Gross, author of the memoir, Estranged: Leaving Family and Finding Home (Scribner, 2017), in “I Just Published a Book: Why Am I Depressed?” published on the Poets & Writers website in 2019. In the essay, Gross discusses the feeling of loss she experienced after publishing her memoir and speaks to other writers with “post-publication malaise.” This week, think back to a time when you finished a significant task, whether it was a manuscript, an essay, or moving out of an apartment, then write an essay about the spectrum of feelings you experienced throughout the process. Gross writes that the cure for post book depression is to “start writing something new.” What was your cure?
Watch Alexander MacLeod read from and discuss his latest short story collection, Animal Person (Farrar, Straus and Giroux, 2022), with Richard Ford in this virtual conversation hosted by Literati Bookstore in Ann Arbor, Michigan. MacLeod’s story collection is featured in Page One in the May/June issue of Poets & Writers Magazine.
In an excerpt of Noor Naga’s new novel, If an Egyptian Cannot Speak English (Graywolf Press, 2022), published on Literary Hub, one of the main characters, an Egyptian American woman who moves to Cairo to teach English, discusses her relationship with her mother through a question and answer structure of vignettes. Rather than straightforward queries with direct replies, the questions are specific and personal—for example, “If you don’t have anything nice to say, should your mother be punished?” and “Is it arrogant to return to a place you’ve never been?”—setting up a tension that elevates the stakes for the character’s emotional arc. Taking inspiration from Naga’s novel, think of three questions that relate to your protagonist’s conflict, then answer these questions through first-person vignettes. How does this exercise help you understand your character, as well as challenge the traditional structure of a story?
“I wanted to tell people how I became this woman with razor blades between her teeth.” BaddDDD Sonia Sanchez, directed by Barbara Attie, Janet Goldwater, and Sabrina Schmidt Gordon, chronicles the life and work of poet and political activist Sonia Sanchez, including her emergence as a seminal figure in the Black Arts Movement, her tireless political activism, and a poetry career so great Maya Angelou called her “a lion in literature’s forest.” Sanchez is the recipient of the 2022 Jackson Poetry Prize.
“I am five, / Wading out into deep / Sunny grass,” writes Yusef Komunyakaa in his poem “Venus’s-Flytraps.” The young speaker in this poem delivers a collage-like monologue that lays out the various characters, images, and places from his life along with a sense of wonder and danger carefully balanced in striking lines, creating a tapestry that portrays a very real and complex childhood. “I know things / I don’t supposed to know. / I could start walking / & never stop. / These yellow flowers / Go on forever,” writes Komunyakaa. Write a poem from the perspective of a curious child, which, like Komunyakaa’s poem, illustrates even the most devastating things with a sense of wonder.
“It’s the nature of the segregation [in Bristol] that makes it so interesting to write,” says Moses McKenzie in this video about bringing the city of Bristol, England to life as a character in his debut novel, An Olive Grove in Ends (Little, Brown, 2022).
Watch the trailer for Conversations With Friends, a television series based on the best-selling novel by Sally Rooney, starring Alison Oliver, Joe Alwyn, Sasha Blane, and Jemima Kirke. The series will air on Hulu in the United States and on BBC Three in the United Kingdom.
