Jump to navigation Skip to content
“I had wanted to write a book about freedom,” reads Maggie Nelson from her latest essay collection, On Freedom: Four Songs of Care and Constraint (Graywolf Press, 2021), in this 2021 virtual reading and conversation with author Hari Kunzru for the Hammer Museum in Los Angeles.
“What does it mean when we say books unite us? It means that books can be the tethers, that books can connect human beings.” In this video, Jason Reynolds, honorary chair of Banned Books Week 2021, talks about the importance of reading a range of narratives and stories that make up this “tapestry of life” and the danger of censoring that knowledge. “To censor a book is to damage the framework in which we live,” says Reynolds.
In this virtual event for the Vocarium reading series sponsored by the Woodberry Poetry Room, CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration (Wave Books, 2021), and Diane Seuss, author of the Pulitzer Prize–winning collection, frank: sonnets (Graywolf Press, 2021), read from their work following an introduction by poet Ariana Reines.
“I was certain that writing should be more about breaking or lifting the reader’s heart than, say, mending my own heart. And then I lost somebody,” writes Ian Stansel in “How Deep This Grief: Wrestling With Writing As Therapy” in the September/October 2017 issue of Poets & Writers Magazine. In the essay, Stansel shares the V. S. Naipaul quote that helped guide him to write a novel after his sister’s sudden death honoring her love of horses and career as a riding trainer: “No one cares for your tragedy until you can sing about it.” This week, write an essay that makes the connection between a challenging time in your life and a writing credo that guides your work.
In a profile of Emma Straub for the Cut by Kate Dwyer, the author and bookstore owner discusses her new novel, This Time Tomorrow (Riverhead Books, 2022), which follows a woman who, on her fortieth birthday, unexpectedly travels back to 1996 and relives her sixteenth birthday. This week write a short story that uses time travel to explore a character’s youth. Why does your protagonist end up in that specific time period, and how will this experience shed light on their present-day life?
Last week scientists unveiled the first image of Sagittarius A*, the supermassive black hole at the center of the Milky Way galaxy, the culmination of a decades-long astronomical quest. Located 27,000 light-years away, it is relatively small and constantly changing from minute to minute, appearing as a glowing donut-shaped ring in images. Consider this historic scientific achievement and write a poem inspired by the mysteries of black holes. For an idea on how to create a metaphor out of celestial phenomenon, read the poem “After Reading That the Milky Way Is Devouring the Galaxy of Sagittarius” by Erin Belieu.
“I learned young to be the smallest bullseye.” Arhm Choi Wild, author of Cut to Bloom (Write Bloody Publishing, 2020), reads torrin a. greathouse’s poem “All I Ever Wanted to Be Was Nothing at All” in this Ours Poetica video, sponsored by Complexly and the Poetry Foundation.
“To love a body not because it’s perfect but because it shelters you.” Watch this series of microfilms directed by Melissa Crespo featuring poems from Love Poems in Quarantine by Sarah Ruhl (Copper Canyon Press, 2022).
“In the last year of her life, my mother Asako spoke more openly of the trauma of the war years and her incarceration at Topaz,” reads Karen Tei Yamashita for this event celebrating her work, hosted by the University of California, Santa Cruz and the Japanese American National Museum in Los Angeles. Yamashita was awarded the 2021 Medal for Distinguished Contribution to American Letters from the National Book Foundation.
In an attempt to escape the “constellation of grief” that shrouded him in his early thirties, visual artist and writer Ben Shattuck set out on a series of journeys around New England that became the basis of his book, Six Walks: In the Footsteps of Henry David Thoreau (Tin House, 2022). The book is featured in “The Written Image” in the May/June 2022 issue of Poets & Writers Magazine along with a sample of Shattuck’s drawings from his excursions, which import a visual and emotional landscape to each individual place. This week, inspired by Shattuck’s process, take three walks outdoors throughout the week and write down as many observations as possible. Then, write an essay using these notes to create distinct sections elaborating on each outing.
