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In this virtual event for the Brooklyn Rail’s New Social Environment series, Maggie Nelson reads from her book Pathemata, Or, The Story of My Mouth (Wave Books, 2025) and speaks about the norms around illness memoirs and her desire to confront pain head-on through writing in a conversation with Darcey Steinke. “The book ended up being about what’s beneath this kind of quest for care,” says Nelson.
“I had wanted to write a book about freedom,” reads Maggie Nelson from her latest essay collection, On Freedom: Four Songs of Care and Constraint (Graywolf Press, 2021), in this 2021 virtual reading and conversation with author Hari Kunzru for the Hammer Museum in Los Angeles.
“I was really interested in the idea of the body as a place of imprisonment but also, the body as a place of liberation.” Olivia Laing speaks about her latest book, Everybody: A Book About Freedom (Norton, 2021), and how she addresses the themes of illness, sexual violence, and incarceration with imagery and by including historical figures of the past century in this conversation with author Maggie Nelson for the Center for Fiction.
“The most astonishing thing to happen in the almost 14 billion years since the birth of the cosmos is that ordinary, apparentle inert matter, has—by its self-organizing capacity (or, autopoesis)—become conscious.” Harry Dodge reads from his debut book, My Meteorite: Or, Without the Random There Can Be No New Thing (Penguin Books, 2020), and discusses its themes in a conversation with Maggie Nelson in their Los Angeles home.
"I feel like a subject chooses you—chooses me—probably based out of reading and life, both." Maggie Nelson talks about the process of writing her most recent book, The Argonauts (Graywolf Press, 2015), in an interview with Leah Newsom at the 2015 NonfictioNow Conference in Flagstaff, Arizona. Nelson is a finalist for the 2015 National Book Critics Circle Award for the criticism prize.
Composer Luis Escareño's multimedia performance piece is based on Maggie Nelson's book Bluets (Wave Books, 2009) and was recorded live at the Center for New Music in San Francisco. Written as a series of vignettes, the performance features text and narrated monologue adapted from the book, images, and music performed by the Living Earth Show.
