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“We tend to write about things that surprise us.” In this 2011 clip from a 92Y event in New York City, Joyce Carol Oates reads from and discusses the experience of writing her memoir A Widow’s Story (Ecco, 2011) with poet and essayist Henri Cole.
In Ada Limón’s poem “Accident Report in the Tall, Tall Weeds,” which appears in her collection Bright Dead Things (Milkweed Editions, 2015), the speaker moves through the memories of exes and accidents, including how a friend is obsessed with plane crashes: “He memorizes the wrecked metal details, / the clear cool skies cut by black scars of smoke. / Once, while driving, he told me about all the crashes: / The one in blue Kentucky, in yellow Iowa. / How people go on, and how people don’t.” Write a poem about a specific detail or unexpected obsession of a loved one. How does this trait color the memories you have with that person?
In this 2014 interview, Celeste Ng talks with Amazon senior editor Chris Schluep about becoming a mother while writing her debut novel, Everything I Never Told You (Penguin Press, 2014), elements of story inspiration, and the setting of her second novel, Little Fires Everywhere (Penguin Press, 2017). Ng is one of the honorees for the 2023 Poets & Writers Barnes & Noble Writers for Writers Award.
The authors of The Invisible Art of Literary Editing engage in a dialogue about textual doneness.
“When you have a name like Alejandra Kim, teachers always stare at you like you’re a typo on the attendance sheet.” In this Politics and Prose event, Patricia Park reads from her debut YA novel, Imposter Syndrome and Other Confessions of Alejandra Kim (Crown Books for Young Readers, 2023), and speaks about shifting from writing adult fiction to YA fiction with author Dolen Perkins-Valdez.
Do you have a poetry or fiction manuscript in need of a home? Try submitting to Orison Books’ Prizes in Poetry and Fiction, which offer $1,500 for a book in each genre and publication by the press.
Using only the online submission system, submit a poetry manuscript of 50 to 100 pages or a novel, novella, or collection of short stories or flash fiction of at least 30,000 words with a $25 entry fee by April 1. Pádraig Ó Tuama will judge in poetry and David Heska Wanbli Weiden will judge in fiction. Visit the website for complete guidelines.
Last year’s winner of the Orison Poetry Prize was Hussain Ahmed for Blue Exodus. Judge Rajiv Mohabir said the collection’s “lines ask the reader to interrogate all things in new vocabularies of anguish, born from the inheritor of a war—still being fought in the muscle memory of the people who lived through it.” M. C. Benner Dixon was the winner of last year’s Orison Fiction Prize for her novel, The Height of the Land. Judge Tania James called the book “a refreshing approach to the post-apocalyptic novel, showing us both the possibilities of collective action and the power of a single dissenting voice.”
Based in Asheville, North Carolina, Orison Books is a nonprofit literary press interested in writing that engages “the life of the spirit.” Taking its name from the archaic word for “prayer,” Orison seeks writers who “call us to meditate and contemplate, rather than asking us to adopt any ideology or set of propositions.”
“This name— / branded on my family—rises out of / the ashes in the wind. I can trace each syllable / back to our cantón: Buena Vista.” Cynthia Guardado reads from her collection Cenizas (University of Arizona Press, 2022) and speaks about ancestry, names, and family stories in this Poetry.LA interview with poet Douglas Manuel.
In the popular apocalyptic video game and HBO series The Last of Us, a zombifying fungus has destroyed the world. Although there are destructive types of fungi, in forest habitats they can be quite beneficial. Fungi intertwine with the roots of trees underground and connect individual plants to form a network they use to communicate and transfer water, nitrogen, carbon, and other minerals. Older, more seasoned trees in a forest, sometimes referred to as “mother trees,” use these fungal connections to send needed nutrients to younger saplings, much like the ways in which humans care for those in need. Inspired by the interdependence of forest habitats, write an essay that reflects on the metaphorical ramifications of this nurturing relationship. Is there a parallel you can find in your own life?
In this Late Night With Seth Meyers interview, Margaret Atwood speaks about grief, unburnable books, and her latest story collection, Old Babes in the Wood (Doubleday, 2023).
Adam Mars-Jones’s novel Box Hill: A Story of Low Self-Esteem (New Directions, 2020) explores a relationship between two men: naive eighteen-year-old Colin and his decade-older lover Ray. Told from the point of view of Colin, whose self-deprecating remarks diminish his image and idolize his partner, readers are brought into his view of the world. In one scene, Colin refers to his partner’s sweat as “an elixir” and his own as “no more than a waste product.” Mars-Jones uses Colin’s unique voice to develop his character as well as mimic his role in his relationship with Ray, setting up his emotional arc. Inspired by this narrative technique, write a story in which your narrator has an extreme view of themselves, whether narcissistic or self-deprecating. What effect does this have on how your story develops?
