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This Wall Street Journal video analyzes the history and business model of the bookstore chain Barnes & Noble and how they are adopting the strategies of independent bookstores by empowering their local booksellers to make more decisions on inventory and displays in order to boost sales.
“You don’t have to have an MFA to be a writer, you’re a writer by writing.” In this 2017 Talks at Google event, Grant Faulkner, author of Pep Talks for Writers: 52 Insights and Actions to Boost Your Creative Mojo (Chronicle Books, 2017) and The Art of Brevity: Crafting the Very Short Story (University of New Mexico Press, 2023), discusses tips to boost creativity and endurance when writing fiction with author Anthony Francis. For more from Faulkner, read his essays on writing from our Craft Capsule series.
In the film Tár, written and directed by Todd Field and starring Cate Blanchett, a world-renowned orchestra conductor is caught in a scandal surrounding a series of sexual abuse allegations. The Oscar-nominated film uses persuasive world-building and parallels to news stories surrounding cancel culture, the #MeToo movement, and the culture of artistic fame—including an integral scene with a cameo by New Yorker staff writer Adam Gopnik—to create a realistic portrayal of a complicated character. This week, write a fictional story that attempts to convince the reader that the events actually happened in real life. For further inspiration from uncanny depictions of reality in fiction, read Miranda July’s short story “Roy Spivey.”
Thierry Kehou, director of Programs & Partnerships at Poets & Writers, hosts this celebratory reading by the inaugural fiction cohort of Get the Word Out, a publicity incubator for debut authors. Publicity mentor Lauren Cerand introduces authors Federico Erebia, Kristen Gentry, Anita Gail Jones, Chin-Sun Lee, Magogodi Makhene, Mark Ernest Pothier, Shannon Sanders, Brenda Wilson, Lauren Yero, and Ada Zhang for the event.
Nearly two thousand years ago, the Roman poet Ovid wrote a series of letters in elegiac couplets during his exile from Rome called the Tristia. The poems capture Ovid’s final days in Rome, as well as his journey overseas to Tomis on the Romanian coast of the Black Sea, and are addressed to various figures including his wife, loyal and disloyal friends, and he even composes his epitaph. “I who lie here, sweet Ovid, poet of tender passions, / fell victim to my own sharp wit,” writes Ovid, translated by Peter Green in The Poems of Exile: Tristia and the Black Sea Letters (University of California Press, 2005). Inspired by this epic elegy, write a poem from the perspective of someone in exile. What does your speaker long for, and how does exile force them to voice unspoken concerns?
In this 2020 Academy for Teachers craft talk, former U.S. Poet Laureate Billy Collins discusses his theories on how poems find their way to an ending and discusses the works of David Berman, Wisława Szymborska, Tom Wayman, and others.
About a week remains before submissions are due for the Journal Non/Fiction Prize. The literary magazine of the Ohio State University MFA Program in Creative Writing, the Journal, will select one full-length collection of short prose to be published by Mad Creek Books, the trade imprint of Ohio State University Press, and offer a cash prize of $1,500. Emerging and established writers of fiction and creative nonfiction are eligible.
Using only the online submission system, submit a collection of short stories, essays, or novellas (or a combination thereof) of 150 to 350 pages with a $23 entry fee ($11.50 for BIPOC writers), which includes a subscription to the Journal, by March 11. Michelle Herman, cofounder of the MFA program at Ohio State University, will judge. Visit the website for complete guidelines.
Last year’s winner was Rebecca Bernard for her story collection, Our Sister Who Will Not Die. “If Mary Gaitskill’s Bad Behavior and Ottessa Moshfegh’s Homesick for Another World had a lovechild, it would be Our Sister Who Will Not Die,” Nick White, author of How to Survive a Summer, wrote of the book. “Wild and subversive in the very best ways, these stories had me by the throat.”
“Writing can be beautiful, witty, and entertaining but it’s a serious commitment.” In this 2019 Louisiana Literature interview, Anne Waldman shares her advice to aspiring writers with emphasis on the importance of reading widely and respecting the act of writing.
“Much like his life, Neruda’s poems bridged romance and revolution by emphasizing the everyday moments worth fighting for.” Author Ilan Stavans narrates this TED-Ed animated film about the life and poetry of Pablo Neruda, directed by Ivana Bosnjak and Thomas Johnson.
During the pandemic, a popular pastime has been rewatching favorite shows, from recent offerings to classics. According to an article published in Reader’s Digest, this trend can be traced to the concept of status quo bias: the idea of maintaining one’s current or previous decision. Psychologists also note that we tend to stick with what’s familiar to ease anxiety and avoid disappointment and stress. This week write an essay about rewatching your favorite shows. Do you encounter something new each time or find comfort in reliving the same emotions?
