If you’re not at the beach this Memorial Day, why not apply to some writing contests with a June 1 deadline? There is no entry fee for three generous awards: the Bard Fiction prize, which comes with $30,000 and a one-semester appointment as a writer-in-residence at Bard College; PEN America’s PEN/Heim Translation Fund Grants, which offer awards of up to $4,000 to support the translation of book-length works; PEN America’s PEN/Jean Stein Grants for Literary Oral History, which offer awards of $15,000 to two nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” All other contests offer a cash award of $1,000 or more and publication. Good luck, writers!

American Short Fiction
Halifax Ranch Fiction Prize
A prize of $2,500 and publication in American Short Fiction is given annually for a short story. The winner also receives a weeklong, all-expenses-paid writing retreat at the Tasajillo Residency in Kyle, Texas. Entry fee: $20.

Bard College
Bard Fiction Prize
A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: None.

Boulevard
Emerging Poets Contest
A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Entry fee: $18.

PEN America
PEN/Heim Translation Fund Grants
Ten grants between $3,000 and $4,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, is given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Entry fee: None.

PEN America
PEN/Jean Stein Grants for Literary Oral History
Two grants of $15,000 are given annually for nonfiction works-in-progress that “use oral history to illuminate an event, individual, place, or movement.” Entry fee: None.

Salamander
Fiction Prize
A prize of $1,000 and publication in Salamander is given annually for a short story. Kirstin Valdez Quade will judge. Entry fee: $15

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

When travelers arrive at the Denver International Airport, they are greeted by a thirty-two-foot-tall sculpture of an electric blue steed with neon eyes and pulsing veins, locally known as Bluecifer. For over ten years, the notorious sculpture has sparked rumors and tall tales about the airport, including that a humanoid reptilian race lives under the facility and hundreds of miles of tunnels beneath the airport lead to subterranean survival bunkers. This week, write an essay about a sculpture or a place that has inspired tall tales. Do you believe any of the stories?

Although the summer solstice for the Northern Hemisphere is still a month away, the upcoming Memorial Day weekend celebrated by Americans often marks the unofficial beginning of summer. Some enjoy the long weekend with barbecues, road trips, and beach outings. While others visit cemeteries to honor and commemorate members of the military as well as loved ones who’ve passed away. Inspired by the days leading up to the start of summer, write a story set during a holiday weekend in which grief and celebration come to a head. What complicated emotions do your characters experience while enjoying their time off?

First published in the October 1999 issue of Poetry magazine, Yusef Komunyakaa’s “Seven Deadly Sins” is a series of seven poems, each one named after the deadly sins of medieval Christian theology. Each poem is a distinct lyric portrait with its own sentiment, style, and approach to the topic. In “Sloth,” Komunyakaa writes with an open-ended musicality: “In this / Upside-down haven, you’re reincarnated / As a fallen angel trying to go home.” In “Gluttony,” the poet sets the scene concretely in the first stanza: “In a country of splendor & high / Ritual, in a fat land of zeros, / Sits a man with string & bone / For stylus, hunched over his easel.” Inspired by this series, write a poem dedicated to one of the seven deadly sins: pride, avarice, lust, envy, gluttony, wrath, and sloth. What approach will you take?