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In this London Review Bookshop event, Fernanda Melchor reads from her novel Paradais (New Directions, 2022), translated from the Spanish by Sophie Hughes, and discusses her work and signature writing style with author Nicole Flattery.
In a recent New York Times article, reporter Gina Kolata writes about a series of medical discoveries and family secrets surrounding eighteenth-century German composer Ludwig van Beethoven. An international group of researchers published a paper last month after DNA analysis of what were known to be strands of Beethoven’s hair. Their report debunks many long-held myths about the composer including his cause of death, how he lost his hearing, and his living descendants. Inspired by this scientific and historical drama, write a story in which a scientific discovery reveals intimate secrets about a famous person. With the steady rise of genetic research being conducted, consider the intersection between science and personal history.
“I think a theme in both The Idiot and Either/Or is sort of a disappointment with philosophy.” Elif Batuman speaks about the themes in both her novels and the real-life inspiration behind her second novel, Either/Or (Penguin Press, 2022), in this conversation with author Joshua Jelly-Schapiro filmed at Pioneer Works in New York City.
“What I adore is not horses, with their modern / domestic life span of 25 years. What I adore / is a bug that lives only one day,” writes Natalie Shapero in her poem “Not Horses,” published in the November 2013 issue of Poetry magazine. Shapero redirects the reader from horses to the short lifespan of a bug within the first few lines of the poem and in doing so creates a humorous tension between the title and the body of the poem that adds character to the unique speaker. This week write a poem that moves quickly from one subject to the next. Consider how your mind shifts from one thought to another and carry that tone forward into the poem.
“It came to me one night as I was falling asleep / that I had finished with those amorous adventures / to which I had long been a slave.” In this video from the 2014 National Book Award finalists reading, Louise Glück reads her poem “An Adventure,” which appears in her National Book Award–winning collection Faithful and Virtuous Night (Farrar, Straus and Giroux, 2014).
The author of peep offers an exercise in negative capability.
Watch the trailer for The Big Door Prize, an Apple TV+ series adapted from the 2020 novel of the same name by M. O. Walsh starring Chris O’Dowd, Gabrielle Dennis, and Djouliet Amara. The series follows the citizens of a small town who discover a machine in a grocery store that predicts their destinies.
“Like most writers, I started out as a reader. Essentially, I’m a fan who became a professional.” Colin Channer speaks about his origins as a writer and how race and ethnicity factor into his practice in this video for Brown University’s Center for the Study of Race and Ethnicity in America. Channer is one of the honorees for the 2023 Poets & Writers Barnes & Noble Writers for Writers Award.
In “Dedications and Acknowledgments: The Art of Giving Thanks,” published on the Poets & Writers website in 2019, author Sloane Tanen discusses ways to offer gratitude to the people who help writers make books. Although some acknowledgment pages take the form of demonstrating how well connected a writer is, the pages can also be a space for writers to look back on how writing a book is more than just a solitary act. As an exercise, try making a list of all the writers, teachers, friends, family members, and favorite foods that contribute to your betterment as a writer. Then, write an essay that gives thanks and digs into the details of how these specific people and things have helped you become the writer you are today.
“The minute I was born I was not just myself, but the memory of someone else,” reads Hilton Als from his essay collection White Girls, published in 2014 by McSweeney’s and reprinted in 2019 by Penguin Books, in this video in which he tells the story of how he got his name.
