Saba Keramati on Writing and Publishing

Caption: 

In this episode of Tightwires with host Hiba Tahir, poet Saba Keramati talks about the submission process and publication of her debut collection, Self-Mythology (University of Arkansas Press, 2024), and offers advice on giving and receiving feedback, and a writing prompt. Keramati is featured in Literary MagNet in the May/June issue of Poets & Writers Magazine.

Genre: 

With Certainty

4.11.24

In a 1789 letter, Benjamin Franklin wrote the phrase, “in this world nothing can be said to be certain, except death and taxes.” Franklin was reflecting on the establishment of the U.S. Constitution, which he said promised to be durable, as well as his own ailing health and mortality. This week write a personal essay that riffs off this proverb, reflecting on your own worldview about what can be certain. You might start off with the prompt: “In this world, nothing can be said to be certain, except death, taxes, and ______.” Tell the story of how you arrived at your own ideas about what you can always count on, whether good or bad. What past experiences, encounters, or memories seem to reinforce your belief?

Crystal Hana Kim on The Stone Home

Caption: 

For this event at the Korea Society in New York, Crystal Hana Kim speaks about writing her second novel, The Stone Home (William Morrow, 2024), in a conversation with author Susan Choi. Kim’s essay “Thinning the Line: On Multilingual Literature, Cultural Memory, and Writing as Translation” appears in the May/June issue of Poets & Writers Magazine.

Genre: 

Spring Ephemeral

4.10.24

Spring ephemerals are plants—generally wildflowers native to deciduous forests such as tulips, daffodils, crocuses, and hyacinths—that bloom only for a very short period in the early spring during the brief window of time when the sun’s light and warmth can extend to the forest floor while the trees have bare branches. Once the overhead canopy is full for the season, the flowers usually die back to dormancy with only their underground parts intact for the remainder of the year. Write a short story that revolves around the theme of an occurrence with a similarly limited time span—and one that happens only rarely. Does knowledge of its fleeting nature compel your characters to perceive or value it in different ways? Is there the possibility of a reoccurrence, however infrequently?

Pages

Subscribe to Poets & Writers RSS