Genre: Poetry

A Chore and More

7.16.19

“Most of life is ordinary...ordinary isn’t the enemy but instead something nourishing and unavoidable, the bedrock upon which the rest of experience ebbs and flows,” writes Mike Powell in a recent New York Times essay about embracing the process of washing dishes as a ritual practice in patience. Write a poem that considers a household chore in a new light. Is there anything extraordinary about the ordinariness of an everyday activity such as your job commute, making your bed, taking out the trash, brushing your teeth, washing dishes, or pumping gas into your car? How can these tasks be viewed as a nourishing element of your life?

Upcoming Contest Deadlines

Just a few days left to submit to the following writing contests, all with a deadline of July 14 or July 15. Each contest offers a first-place prize of at least $1,000 and publication. Good luck!

Cincinnati Review Robert and Adele Schiff Awards in Poetry and Prose: Two prizes of $1,000 each and publication in Cincinnati Review are given annually for a poem and a piece of fiction or creative nonfiction. Rebecca Lindenberg will judge in poetry and Michael Griffith will judge in prose. Entry fee: $20. Deadline: July 15.

Comstock Review Muriel Craft Bailey Award: A prize of $1,000 and publication in Comstock Review is given annually for a single poem. David Kirby will judge. Entry fee: $28. Deadline: July 15.

Literal Latté Poetry Award: A prize of $1,000 and publication in Literal Latté is given annually for a poem or group of poems. Entry fee: $10. Deadline: July 15.

Los Angeles Review Literary Awards: Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Matty Layne Glasgow will judge in poetry, Tammy Lynne Stoner will judge in fiction, Brittany Ackerman will judge in flash fiction, and Adrianne Kalfopoulou will judge in nonfiction. Entry fee: $20. Deadline: July 14.

Narrative Poetry Contest: A prize of $1,500 and publication in Narrative is given annually for a poem or group of poems. The poetry editors will judge. Entry fee: $25. Deadline: July 14.

Rattle Poetry Prize: A prize of $10,000 and publication in Rattle is given annually for a poem. A Reader’s Choice Award of $2,000 is also given to one of ten finalists. Entry fee: $25. Deadline: July 15.

Santa Fe Writers Project Book Award: A prize of $1,500 and publication by the Santa Fe Writers Project is given biennially for a book of fiction or creative nonfiction. Carmen Maria Machado will judge. Entry fee: $30. Deadline: July 15.

The Word Works Tenth Gate Prize: A prize of $1,000 and publication by the Word Works is given annually for a poetry collection by a poet who has published at least two full-length books of poetry. Entry fee: $25. Deadline: July 15.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

To Make Use of Water

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“Back home we are plagued by a politeness / so dense even the doctors cannot call things / what they are…” Safia Elhillo narrates her poem “To Make Use of Water” from her collection, The January Children (University of Nebraska Press, 2017), for this animated TED-Ed film directed by Jérémie Balais and Jeffig Le Bars.

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Happy Babbling

“Language is a living being. I think that language came before humans, not the other way around…. It might not have been a particularly logical language; more likely, it was paradisiacal and timeless, a kind of happy babbling for the sake of babbling, a kind of music.” In her essay “Language and Madness,” translated from the Swedish by Johannes Göransson and Joyelle McSweeney and posted on the Poetry Foundation’s Harriet blog, Aase Berg writes about the influence of power and patriarchy on language and describes an evolution by which language has become self-conscious and utilitarian, “more descriptive instead of creative.” How has your own language output—in both everyday and poetic usage—been tamed? Write a poem that plays with the idea of timeless, illogical language. What does happy babbling look or sound like? What expressive potential can you tap into to write with childish madness about the banalities of private life?

Summer Reading Recommendations

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In this PBS NewsHour video, NPR’s Maureen Corrigan and the Washington Post’s Carlos Lozada highlight their favorite books for summer reading, which include Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Jill Ciment’s The Body in Question (Pantheon, 2019), and José Olivarez’s Citizen Illegal (Haymarket Books, 2018).

How Does Your Garden Grow?

Enclosed within black iron gates in the Alnwick Garden in northern England is the Poison Garden, a collection of one hundred deadly plants dreamed up by the Duchess of Northumberland as a unique way to entice and educate visitors about the medicinal and toxic quality of plants. This week, browse through Encyclopedia Britannica’s list of world’s deadliest plants and select one to read and think more deeply upon. Write a poem inspired by the unique capabilities of the plant, meditating on both its superficial characteristics and its potential to heal, harm, or do both.

Gay Boys and the Bridges Who Love Them

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“It is not what drove your body here like a stolen car. / why you abandoned it on this unreasonable ledge....” This Button Poetry video features sam sax’s poem “Gay Boys & the Bridges Who Love Them” from his second collection, Bury It (Wesleyan University Press, 2018), and is directed by Seth Moore and Cole Smothers with choreography by Matthew Bovee and Sarah Adam.

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