Genre: Poetry

June Gloom

5.14.19

Although late spring and early summer are typically associated with the bloom of brightly colored flowers and warming sunshine, “June Gloom” is a very real phenomenon on the southern California coast. May and June constitute the cloudiest months of the year in SoCal, with particularly cool, overcast, and drizzly days marking a gloomy turn not only in the sky, but also in the hearts of regional sunseekers. Does “unseasonable” weather strike you as irritatingly misaligned or unexpectedly refreshing? Write a series of four poems—one for each season—that plays with paradoxical imagery such as a spring snowstorm or an autumn heat wave. Does the unseasonable weather cause unseasonable emotions? How might this be expressed in the manipulation of rhythm, diction, line breaks, punctuation, and spacing in your poems?

Marilyn Nelson Wins Ruth Lilly Poetry Prize

Today the Poetry Foundation named Marilyn Nelson the winner of the 2019 Ruth Lilly Poetry Prize. The annual award for outstanding lifetime achievement is one of the most prestigious awards given to American poets and includes a $100,000 prize. The Poetry Foundation also named Terrance Hayes the recipient of the 2019 Pegasus Award for Poetry Criticism and Naomi Shihab Nye the 2019–2021 Young People’s Poet Laureate. The three awards will be presented at the Pegasus Awards Ceremony at the Poetry Foundation in Chicago on June 10.

Poet and translator Marilyn Nelson has published several books, including three poetry collections that were finalists for the National Book Award: Carver: A Life in Poems (Front Street Press, 2001), The Fields of Praise: New and Selected Poems (Louisiana State University Press, 1997), and The Homeplace (Louisiana State University Press, 1990). Nelson won the Frost Medal from the Poetry Society of America in 2012 and is the recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts. She is a professor emeritus at the University of Connecticut at Storrs and was the state’s poet laureate from 2001 to 2006.

“Marilyn Nelson has been committed throughout her career to meticulously chronicling the contemporary and historical experience—and contributions—of Black people in America,” said Don Share, editor of the foundation’s magazine, Poetry. “Everyone who cares about how life is lived and felt in this country should read her vivid and deeply considered work.”

The inaugural Ruth Lilly Poetry Prize was awarded to Adrienne Rich in 1986. The prize has since been awarded to Gary Snyder, C. K. Williams, W. S. Merwin, Joy Harjo, and Martín Espada, among others.

The Young People’s Poet Laureate title, which includes a $25,000 prize, celebrates a living writer’s devotion to writing exceptional poetry for young readers. As the 2019–2021 laureate, Nye plans to bring poetry to geographically underserved areas. Nye, who is a professor of creative writing at Texas State University, has published several poetry collections for both young readers and adults. BOA Editions published her most recent collection for adults, The Tiny Journalist, last month.

The $7,500 Pegasus Award for Poetry Criticism, which honors a book of poetry criticism published in the previous year, was awarded to Terrance Hayes for his book To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight (Wave Books, 2018). A professor at New York University, Hayes has been recognized with numerous awards, including a 2010 National Book Award for his poetry collection Lighthead (Penguin Books, 2010).

The Things You’ve Seen

Several years ago, journalist Geoffrey Gagnon observed that there were bowhead whales—who are among the world’s longest-living mammals with life spans of over two hundred years—still alive in the Arctic that were born long before Moby-Dick was written in 1851. This week, write a poem that imagines being in the presence of a creature that has been alive for over two centuries. What might this being have seen or experienced that you would ask about? What historical events pertinent to you have occurred over its lifetime? How does perspective shift over such a long period of time?

Dante Micheaux Wins Four Quartets Prize

At a ceremony in New York City this afternoon, Dante Micheaux was named the winner of the second annual Four Quartets Prize. Micheaux, who won for his book-length poem, Circus (Indolent Books), will receive $20,000. The annual award is given for a unified and complete sequence of poems published during the previous year. Rowan Ricardo Phillips, Carmen Giménez Smith, and Rosanna Warren judged.

“How right that this poet’s first name should be Dante,” wrote the judges in their citation. “For his Circus is a Comedy: a savage comedy, lacerating dialects, fingering wounds, looking for loves right and wrong in the crevices of history and of humiliated bodies. And yet, and yet. His language exults, triumphs, and freely rummages in the treasuries of the Bible, Baudelaire, Whitman, Eliot, Baraka, and Mahalia Jackson, taking what it needs, making it his sovereign own, a wrested blessing.”

Upon accepting the award, Micheaux thanked his grandmother, saying she “put the pen in my hand, put my hand in her hand, and taught me how to write.” Micheaux also thanked Michael Broder, his publisher at Indolent Books, a small press based in Brooklyn devoted to poetry that is “innovative, provocative, risky, and relevant.” Micheaux is the author of one previous collection, Amorous Shepherd (Sheep Meadow Press, 2010), and has published poems in the American Poetry Review, Callaloo, Poetry, PN Review, and Tongue, among others.

The finalists for the prize were Catherine Barnett for her poem sequence “Accursed Questions” from Human Hours (Graywolf Press) and Meredith Stricker for her chapbook anemochore (Newfound Press).

The Poetry Society of America and the T. S. Eliot Foundation established the Four Quartets Prize two years ago to celebrate the poetic sequence and honor T. S. Eliot’s legacy. Danez Smith won the inaugural prize for their lyric sequence “summer, somewhere” from Don’t Call Us Dead (Graywolf Press).

Eric Morago

Caption: 

“Living in this world where everything is social media, we’ve lost the art of being completely vulnerable and honest with our thoughts and our feelings. It’s exactly what poetry is, it’s about vulnerability.” In this Poetry.LA interview, Eric Morago, author of the collection Feasting on Sky (Paper Plane Pilot Publishing, 2016), reads from his work and talks about what brought him to poetry.

Genre: 

The Most Vivid Moment

4.30.19

“‘When you finish the book, you close the pages and let your mind wander to the first thing you remember—the most vivid moment, a feeling, a character, a phrase, or even something in your own life experience that resonated and has been resurfaced by the story,’” says Ben Please in “The Bookshop Band” by Dana Isokawa in the May/June issue of Poets & Writers Magazine. The duo, comprised of Please and Beth Porter, composes and performs literary-themed music by a wide range of authors, oftentimes inspired by just one book. Try this exercise while composing a new poem: Select a book you read recently and let your mind’s wandering—and lingering on a word, phrase, or feeling—lead you to the starting point of a poem.

Ten Questions for Geffrey Davis

by
Staff
4.30.19

“I wish our books, as art objects, had better ways of showing more of the practice and work and failure that go into making them.” —Geffrey Davis, author of Night Angler.

Watchale Workshop: An Alternative Narrative for California’s Central Valley

Jamie Moore is the author of the novella, Our Small Faces (ELJ Publications, 2013). Her work has been published in magazines including TAYO Literary Magazine and the Nervous Breakdown. She is a professor at College of the Sequoias in Visalia, California, and executive director of the Watchale Workshop.

California’s Central Valley has a surprisingly rich literary history, and the Watchale Workshop team has learned a few things about our literary community. Firstly, it is a community centered around Fresno, the city hub of the Central Valley and location of the nearest MFA program, which makes many of the literary events inaccessible to community members in the south part of the region, particularly writing students at the College of the Sequoias, where I teach. Secondly, many events are focused on a single genre—poetry—perhaps as a result of the success of poets from the area. Lastly, and of greatest concern to us, many literary events are focused on and organized by men. Knowing the rich diversity of writers in our area, the Watchale Workshop aimed to showcase what more the Central Valley has to offer with our inaugural day-long event full of workshops and lectures that took place on April 6 at the College of the Sequoias.

The idea for Watchale started as a conversation between fellow writers over coffee. The four of us at Watchale were brought together by a desire to create opportunities for writers like us: POC, queer, emerging. After recruiting a student team in September 2018, Watchale was conceptualized, the name derived from Sandra Cisneros’s poem “Loose Woman.” We wanted to make a statement: Watch out! We’re coming for you! We’ve been here! We’re ready to be heard!

With our mission statement in mind—to create an alternative narrative of our literary community—we carefully curated a lineup of writers that put women and queer voices at the center of our literary conversation. We invited women writers who not only had Central Valley connections, but those we knew would help us create a space for our student writers to be included in the larger literary community. I wanted Watchale to complement the women-centered literary groups already doing work in Fresno, such as Fresno Women Read and Women Writers of Color Central Valley. This was our festival to shine.

And shine we did. In the morning, generative workshops in several genres led by P&W–supported writers Ife-Chudeni Oputa, Monique Quintana, and Wendy C. Ortiz encouraged participants to pick up their pens and get writing. Oputa’s workshop focused on the theme of “Ownership,” asking emerging poets to consider the duality of ownership, and what we owe to ourselves and our communities.

After a rousing reading with Sara Borjas and Wendy C. Ortiz, participants gathered for craft lectures on topics like community organizing, freedom and futurity, scene writing, poetry structure, and self-publishing. The evening reading celebrated both our student readers from the College of the Sequoias Quill Creative Writing Club and our featured writers of the workshop.

Students and community members were invigorated by a literary space that felt like us, of us, for us. I deeply believe we served that purpose and thus, Watchale became the literary event of my dreams. Watchale is a love letter to the Central Valley and to the writers who’ve been missing from the narrative thus far. We’re here now.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photo: (from left to right) Marcus Moreno, Jamie Moore, Martin Velasco Ramos, Destina Hernandez, Wendy C. Ortiz, and Sara Borjas (Credit: Marcus Moreno).

Writers on the NEA

Caption: 

“With all writers, with all artists, with all humans, we all carry ancestors. We carry stories. We carry their songs.” In this video, Joy Harjo, Esther Allen, and Michael Cunningham speak on the impact of receiving creative writing fellowships from the National Endowment for the Arts (NEA). For more on the NEA’s positive impact on writers, read “Vote of Confidence: The Life-Changing Support of an NEA Fellowship” in the May/June 2017 issue of Poets & Writers Magazine.

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