Genre: Creative Nonfiction

Archival Quality

8.15.19

One hundred years from now, what physical objects from your life would you want preserved that express your work as a writer? In the New York Times, Thessaly La Force asks, “What should an artist save?” while examining the eclectic archives left behind by artists, including boxes of fabric in Louise Bourgeois’s basement, a rejection letter addressed to Andy Warhol, and David Wojnarowicz’s “magic box.” Jot down a list of objects, physical spaces, and writings that you would consider integral to understanding the intersections of your life and work. Write a lyric essay composed of reflections on each of these items and how they are connected to your personal creative intentions or beliefs.

Pop Culture Powerhouses

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“I can only hope that the criticism and reporting that you do write leaves little levers open psychologically for something good to happen.” Jia Tolentino speaks about the inner conflict of writing on pop culture in the current political climate in this conversation with fellow nonfiction writers Taffy Brodesser-Akner, Linda Holmes, and Emily Nussbaum. Tolentino’s debut essay collection, Trick Mirror (Random House, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

Hot Spots in Detroit

Exploring events in Detroit has been exciting this summer. There are a number of lesser-known venues in the city that have recently started hosting literary events. For those looking for a space to write or build community, the Room Project in the North End has been a go-to location for me. A membership includes use of the workspace, library, and podcast equipment. They also have an event space that hosts artist talks, readings, and writing workshops.

For a change of scenery and an interactive experience, Signal-Return in Eastern Market has hands-on workshops in their letterpress print shop as well as a range of public programming including exhibitions, book release parties, and the Motor Signal Reading Series cohosted by Literary Detroit. The series pairs a local writer with a traveling writer in a double-feature reading that includes an intermission activity with the audience.

Visiting these locations has been a pleasant learning opportunity on how to help build up the literary community across the city. Shout-out to other spots I’ve visited that I encourage all to check out: Artist Village Detroit, Book Suey, the Commons on Mack Avenue, and the Corner Ballpark.

Search the Literary Places and Reading Venues databases for spots to visit near you!

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Wendy’s Subway

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“What we can contribute is an open space that’s really excited about learning and welcoming poets and writers from across different communities of literature in New York.” In this BRIC TV video, Rachel Valinsky, the artistic director of the Brooklyn nonprofit Wendy’s Subway, talks about the organization’s history and programming, and how it functions in the community as a reading room, event space, and publisher.

Upcoming Contest Deadlines

Submissions are open for a wealth of opportunities with a deadline of August 15 or August 16. Each contest offers a prize of $1,000 or more, or a prize of $500 with no entry fee—and one also awards two cases of beer. Cheers, writers!

Baton Rouge Area Foundation Ernest J. Gaines Award for Literary Excellence: A prize of $10,000 is given annually to an emerging African American writer for a book of fiction published in the current year. The winner also receives travel and lodging expenses to attend an awards ceremony and participate in educational outreach events in Baton Rouge, Louisiana, in January 2020. Anthony Grooms, Edward P. Jones, Elizabeth Nunez, Francine Prose, and Patricia Towers will judge. Deadline: August 15. Entry fee: none.

Dogfish Head Craft Brewed Ales Poetry Prize: A prize of $500, publication by Broadkill River Press, ten author copies, and two cases of Dogfish Head craft beer are given annually for a poetry collection written by a poet living in Delaware, Maryland, New Jersey, New York, North Carolina, Pennsylvania, Virginia, Washington, D.C., or West Virginia. The winner is expected to attend a reading and award ceremony at the Dogfish Inn in Lewes, Delaware, on December 14. Lodging is provided, but travel expenses are not included. Joseph Millar will judge. Deadline: August 15. Entry fee: none.

Grayson Books Poetry Prize: A prize of $1,000 and publication by Grayson Books is given annually for a poetry collection. Robert Cording will judge. Deadline: August 15. Entry fee: $25.

Gulf Coast Barthelme Prize for Short Prose: A prize of $1,000 and publication in Gulf Coast is given annually for a work of short prose. Deadline: August 16. Entry fee: $20, which includes a subscription to Gulf Coast.

Indiana Review “1/2 K” Prize: A prize of $1,000 and publication in Indiana Review is given annually for a poem or a work of flash fiction or creative nonfiction. Megan Giddings will judge. Deadline: August 15. Entry fee: $20, which includes a subscription to Indiana Review

Kore Press Poetry Prize: A prize of $1,500, publication by Kore Press, and 20 author copies is given annually for a poetry collection by a woman, trans, or gender-nonconforming poet. Erica Hunt will judge. Deadline: August 15. Entry fee: $28, with some entry fee scholarships available.

Red Wheelbarrow Poetry Prize: A prize of $1,000 and publication in Red Wheelbarrow will be given annually for a poem. The winner will also receive 20 copies of a letterpress broadside of the winning poem. Marilyn Chin will judge. Deadline: August 15. Entry fee: $15.

TulipTree Publishing Stories That Need to Be Told Contest: A prize of $1,000 is given annually for a poem, a short story, or an essay that “tells a story.” The winner will also receive a two-year subscription to Duotrope and publication in the contest anthology, Stories That Need to Be Told. Deadline: August 15. Entry fee: $20.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Rewind

Earlier this year, quantum physicists succeeded in un-ageing a single, simulated particle, essentially moving it backward through time for one millionth of a second. The feat required so much manipulation and was considered so impossible for nature to replicate that scientists present it as reinforcement of the irreversibility of time. But what if the reversal of a single moment in time was possible? Write a personal essay that reflects on one moment in your life that you would do over, if you could. What actually happened, and what do you perceive as the long-term consequences if things changed? 

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