Q&A: Phillips Edits Princeton Poets
The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
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The new editor of the Princeton Series of Contemporary Poets discusses the power of the written word, the importance of university presses, and his plans to leave no manuscript unturned.
The poet discusses erasure as process and metaphor, how she spent six years turning a report on police racism into poetry, and the inspiration of wild animals.
After more than two decades, the prestigious Griffin Poetry Prize will no longer divide its award into Canadian and international categories, drawing mixed responses from the Canadian literary world.
The first lines of a dozen noteworthy books, including As If She Had a Say by Jennifer Fliss and So to Speak by Terrance Hayes.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
A look at three new anthologies, including Between Paradise and Earth: Eve Poems and The Language of Trees: A Rewilding of Literature and Landscape.
The first lines of a dozen noteworthy books, including Any Other City by Hazel Jane Plante and Thinning Blood: A Memoir of Family, Myth, and Identity by Leah Myers.
With roots in nature writing, environmental justice, poetry, and photography, Camille T. Dungy’s new book, Soil: The Story of a Black Mother’s Garden, delves into the personal and political act of cultivating one’s own green space.
Following poets laureate Ada Limón and Tracy K. Smith, poet Major Jackson steps into a new role as host of the celebrated podcast, sustaining and encouraging listeners to find new possibilities within poetry.
In her new Planetaria series, artist Monica Ong crafts visual poems in the form of objects that prompt the audience to experience poetry through the lens of astronomy.