Rebecca Pyle is a writer of stories, poetry, essays, and reviews, in numerous art/lit journals in the United States and also in art/literary journals published in England, Northern Ireland, Belgium, Germany, India, and France.
Rebecca Pyle is an artist, also.
Her writing and artwork are in dozens of journals:
Writing: The Klecksograph (Belgium) (forthcoming), The Honest Ulsterman (Northern Ireland), Posit (forthcoming), Gris-Gris, Gargoyle (forthcoming), Guesthouse, Common Ground Review (forthcoming), National Poetry Review, Cobalt Review, Requited Journal, The Chattahoochee Review, The Penn Review, Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Weekly, Muse/A Journal, Pomme Journal, Coffin Bell Journal, Die Leere Mitte (Berlin), Litro (U.K. edition), Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (U.K., Greece), Forbidden Peak Press, Equinox, Thirty West Publishing House, Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), Bangalore Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, The Underwater American Songbook (poetry chapbook, published within/by Underwater New York, 2018), LIT Magazine, The Cape Rock: Poetry (print issue, forthcoming), Underwood Review, The HitchLit Review
Visual Art: The Madison Review (forthcoming), JuxtaProse (forthcoming, cover, oil painting, The Young Man in India Who was Cold), Penumbra (forthcoming), New England Review, JuxtaProse, Raven Chronicles Journal, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (cover artwork for her poetry chapbook, published within Underwater New York, 2018), Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris; Canterbury, U.K.), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette, DeLuge Journal, Litro (London, U.K.), Belle Ombre, TINT Journal (Austria/Germany/U.S.), The Perch, The Remembered Arts Journal, Dark Ink Magazine, Abstract, Thirty West Publishing House, Alexandria Quarterly, Rathalla Review, Apeiron Review, The Moving Force Journal, Folio, Dream Noir, JuxtaProse, La Piccioletta Barca (Cambridge, U.K./Greece), Anomaly (London), Another Chicago Magazine, LIT Magazine, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), Works in the 2020 Alfred Lambourne Prize Competition, The HitchLit Review, Sand Hills, Gulf Stream, Blood Orange Review, Gris-Gris, Cream City Review (forthcoming), The Klecksograph (Belgium) (forthcoming)
Rebecca Pyle's artwork is also on art/lit journals' covers: Raven Chronicles Journal, The Underwater American Songbook, Oxford Magazine, The HitchLit Review, and soon, on another cover of JuxtaProse.
Pyle is a featured artist--many images of her artwork in one issue--in issues of JuxtaProse, Tayo Magazine, Alexandria Quarterly, Watershed Review, Rathalla Review, Gulf Stream, and Gris-Gris.
Interviews with Rebecca Pyle (as both writer/artist) can be found in issues of JuxtaProse and Roanoke Review.
Rebecca Pyle also is occasionally asked to write art reviews which appear in the Utah arts review 15 Bytes.
