Rebecca Pyle is a writer of stories, poetry, essays, and reviews, in numerous art/lit journals in the United States and also in journals published in England, Ireland, Northern Ireland, Hong Kong, Belgium, Germany, India.
Rebecca Pyle is an artist, also.
Her writing and artwork are in dozens of journals:
Writing: Otis Nebula (forthcoming), Fugue, SIAMB! (forthcoming), Coffin Bell (forthcoming), The Hong Kong Review, Grist, Eclectica, Kelp Journal's 'The Wave' (forthcoming), Pangyrus, LandLocked, Posit, Sepia Quarterly, Kithe, Miracle Monocle, The Galway Review (Ireland), The Festival Review, Terrain.org, In Parentheses, The Kleksograph (Belgium), The Honest Ulsterman (Northern Ireland), Gargoyle Magazine, Guesthouse, Common Ground Review, The National Poetry Review, Antonym, Cobalt Review, Requited Journal, The Chattahoochee Review, The Penn Review, Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Review, Cobalt Weekly, Muse/A Journal, Pomme Journal, Coffin Bell Journal, Die Leere Mitte (Berlin), Litro (London), Litro (New York), Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (Cambridge, U.K.), Forbidden Peak Press, Equinox, Thirty West Publishing House, Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), The Bangalore Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, The Underwater American Songbook (published in Underwater New York, 2018), LIT Magazine, The Cape Rock: Poetry, Underwood Review, The HitchLit Review
Visual Art: Otis Nebula (forthcoming), Concrete Desert Review (forthcoming), Wisconsin Review, West Trestle Review (forthcoming), Kelp Journal's 'The Wave', Under the Sun, Kithe, Grist, december, Fuck You Next, The Galway Review (Ireland), The Madison Review, JuxtaProse, Penumbra, New England Review, Raven Chronicles, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (published in Underwater New York, 2018), The Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris/Canterbury, U.K.), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette (India), DeLuge Journal, Litro (London/U.K.), Belle Ombre (U.K.), TINT Journal (Austria, Germany), The Perch, The Remembered Arts Journal, Dark Ink Magazine, Abstract, Thirty West Publishing House, The Alexandria Quarterly, Rathalla Review, Rathalla Annual Review 2020, Apeiron Review, The Moving Force Journal, Folio, Dream Noir, JuxtaProse, La Piccioletta Barca (Cambridge, U.K.), Anomaly (London), Another Chicago Magazine, LIT Magazine, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), The Antonym, The HitchLit Review, Sand Hills, Gulf Stream, Blood Orange Review, Gris-Gris, Cream City Review, The Kleksograph (Belgium), The Rappahannock Review
Cover art: The HitchLit Review, The Rappahannock Review, Raven Chronicles Journal, The Underwater American Songbook (Underwater New York, 2018), Oxford Magazine, The Rathalla 2020 Annual Review, The Antonym, JuxtaProse, West Trestle Review (forthcoming)
Editors' interviews with Rebecca can be found in West Trestle Review (forthcoming), JuxtaProse, Roanoke Review, The Antonym, and Kelp Journal's 'The Wave.'
