Rebecca Pyle is a writer of stories, poetry, essays, and reviews, in numerous art/lit journals in the United States and also in journals published in England, Northern Ireland, Australia, Belgium, Germany, India, and France.
Rebecca Pyle is an artist, also.
Her writing and artwork are in dozens of journals:
Writing: The Festival Review (forthcoming), Terrain.org (forthcoming), Grattan Street Press (anthology, forthcoming, Australia), In Parentheses, The Kleksograph (Belgium), The Honest Ulsterman (Northern Ireland), Posit (forthcoming), Gargoyle Magazine (forthcoming), Guesthouse, Common Ground Review (forthcoming), National Poetry Review, Cobalt Review, Requited Journal, The Chattahoochee Review, The Penn Review, Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Review, Cobalt Weekly, Muse/A Journal, Pomme Journal, Coffin Bell Journal, Die Leere Mitte (Berlin), Litro (U.K. edition), Litro (U.S. edition) (forthcoming), Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (U.K., Greece), Forbidden Peak Press, Equinox, Thirty West Publishing House, Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), Bangalore Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, The Underwater American Songbook (poetry chapbook, published within/by Underwater New York, 2018), LIT Magazine, The Cape Rock: Poetry, Underwood Review, The HitchLit Review
Visual Art: The Madison Review (forthcoming), JuxtaProse, Penumbra, New England Review, Raven Chronicles, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (cover artwork, Underwater New York, 2018), The Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris; Canterbury, U.K.), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette, DeLuge Journal, Litro (London, U.K.), Belle Ombre, TINT Journal (Austria, Germany), The Perch, The Remembered Arts Journal, Dark Ink Magazine, Abstract, Thirty West Publishing House, The Alexandria Quarterly, Rathalla Review, Apeiron Review, The Moving Force Journal, Folio, Dream Noir, JuxtaProse, La Piccioletta Barca (Cambridge, U.K.), Anomaly (London), Another Chicago Magazine, LIT Magazine, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), 2020 Alfred Lambourne Prize Competition, The HitchLit Review, Sand Hills, Gulf Stream, Blood Orange Review, Gris-Gris, Cream City Review (forthcoming), The Kleksograph (Belgium), The Rappahannock Review (forthcoming)
Rebecca Pyle's artwork is also on art/lit journal/chapbook covers: The Rappahannock Review (forthcoming), Raven Chronicles Journal, The Underwater American Songbook (Underwater New York, 2018), Oxford Magazine, The HitchLit Review, and, three times, covers of JuxtaProse.
Pyle is a featured artist--many images of her artwork in one issue--in issues of Tayo Magazine, The Alexandria Quarterly, Watershed Review, Juxtaprose, Rathalla Review, Gulf Stream, and Gris-Gris.
Interviews with Rebecca Pyle (as both writer/artist) can be found in issues of JuxtaProse and Roanoke Review.
Rebecca Pyle also writes art reviews appearing in the arts review 15 Bytes Utah.
