Rebecca Pyle is a writer of stories, poetry, essays, and reviews appearing over the past decade in many art/literary journals--mainly journals created in the United States, but also journals created in Hong Kong, Germany, the Netherlands, Austria, France, Belgium, India, England, Ireland, and Northern Ireland.
Rebecca Pyle is a visual artist, also (paintings, drawings, photographs).
Her writing and artwork appear in:
(Writing) Post Road Magazine, Eclectica (fiction and poetry; published in three issues), Red Ogre Review, The Los Angeles Review (in three issues; work of fiction forthcoming; recent creative nonfiction awarded The Los Angeles Review Creative Nonfiction Award), Scarlet (Jaded Ibis Press) (forthcoming), The Bangalore Review (India, fiction and poetry, in two issues, one forthcoming), Kestrel (in two issues, fiction and poetry), Writer's Block Magazine (Amsterdam), Posit (fiction, nominated for the Best of the Net anthology), The Kleksograph (Belgium), Anacapa Review (Gunpowder Press), Belmont Story Review, Pacifica Literary Review, Third Street Review, Brink Literary, Flying Island Journal, Die Leere Mitte (in three issues, both poetry and fiction; Berlin), Burningword Journal, EXCERPT Magazine, Santa Fe Writers Project Quarterly, 805 Lit + Art, Solstice Literary Journal, Cagibi Literary, SEISMA Magazine (U.K.), Miracle Monocle (named the winner of their hybrid writing prize), ARTWIFE, Vincent Brothers Literary Review (forthcoming), BarBar Literary (shortlisted for their fiction prize), Pangyrus Literary, Otis Nebula, Fugue, SIAMB, Hare's Paw, The Honest Ulsterman (Northern Ireland), The Hong Kong Review, Grist, LandLocked, The National Poetry Review, Common Ground Review, Posit, Sepia Quarterly, Kithe, The Galway Review (Ireland), The Festival Review, Terrain.org, In Parentheses, The Kleksograph (Belgium), Gargoyle Magazine, Guesthouse (fiction, nominated for The Pushcart Prize), Antonym, Requited Journal, The Chattahoochee Review, The Penn Review (poetry shortlisted for their annual poetry prize), Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Review, Muse/A Journal, Pomme Journal, Coffin Bell, Litro (U.K. edition), Litro (U.S. edition), The HitchLit Review, Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (U.K.), Forbidden Peak Press, Equinox Poetry and Prose, Thirty West Publishing House, Requited Journal, The Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, Underwood Review, The Underwater American Songbook (poetry chapbook: Underwater New York, 2018), LIT Magazine, The Cape Rock: Poetry
(Visual Art) Sierra Nevada Review (forthcoming), The Vassar Review, The Courtship of Winds, Silk Road Review, MAYDAY, The Kleksograph (Belgium), Third Street Review, Burningword Journal, Red Ogre Review, The Black Fork Review, La Piccioletta Barca (U.K.), Sand Hills, Dream Noir, 805 Lit + Art, Gulf Stream, Pithead Chapel, Cream City Review, Otis Nebula, The Banyan Review, Gris-Gris, Blood Orange Review, Rock Salt Journal, Barnstorm Journal, Wilderness House Literary Review, Concrete Desert Review, Wisconsin Review, West Trestle Review, Kelp Journal (The Wave), Under the Sun, december, The Galway Review (Ireland), Kithe, The Madison Review, JuxtaProse, Penumbra, New England Review, Raven Chronicles Journal, Grist, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (poetry chapbook cover: Underwater New York, 2018), The Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris; Canterbury, U.K), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette (India), DeLuge Journal, Litro (London/U.K.), Belle Ombre (U.K.), TINT Journal (Austria, Germany), The Perch, The Closed Eye Open, The Remembered Arts Journal, Dark Ink Magazine, Welter, Coffin Bell, Abstract Journal, Thirty West Publishing House, The Alexandria Quarterly, Rathalla Review, Rathalla Annual Review 2020, Apeiron Review, The Moving Force Journal, FOLIO, JuxtaProse, Anomaly (London), Another Chicago Magazine, LIT Magazine, San Antonio Review, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), The Antonym, The HitchLit Review, The Rappahannock Review
(Cover art) Sierra Nevada Review (forthcoming), Pithead Chapel, JuxtaProse (three issues' covers), Rock Salt Journal, Blood Orange Review, Barnstorm Journal, The HitchLit Review, The Rappahannock Review, Raven Chronicles Journal, The Underwater American Songbook (the chapbook's cover, Underwater New York, 2018), Oxford Magazine, The Rathalla 2020 Annual Review, The Antonym,West Trestle Review
(Interviews with Rebecca Pyle) The Miracle Monocle, West Trestle Review, Roanoke Review, The Antonym, Kelp Journal, JuxtaProse
