Rebecca Pyle is a writer of stories, poetry, essays, and reviews in numerous art/literary journals in the United States. Art/lit journals in Hong Kong, Germany, Belgium, India, Australia, England, Ireland, and Northern Ireland also publish her written work.
Rebecca Pyle is an artist, also.
Her writing and artwork appear in many journals:
Writing: 805 Lit + Art (forthcoming), EXCERPT Magazine (forthcoming), Solstice Literary Journal (forthcoming), Cagibi, SEISMA Magazine (forthcoming), Miracle Monocle, Vincent Brothers Review (forthcoming), BarBar, Propagule Magazine, Pangyrus, Otis Nebula, Fugue, SIAMB!, Coffin Bell, The Honest Ulsterman (Northern Ireland), The Hong Kong Review, Hare's Paw, Grist, Eclectica, LandLocked, The National Poetry Review, Common Ground Review, Posit, Sepia Quarterly, Kithe, Galway Review (Ireland), The Festival Review, Terrain.org, In Parentheses, The Kleksograph (Belgium), Gargoyle Magazine, Guesthouse, Antonym, Requited Journal, The Chattahoochee Review, The Penn Review, Constellations, Map Literary, Wild Roof Journal, Belletrist Magazine, Sweet Tree Review, Bridge Eight Literary Magazine, Cobalt Review, Muse/A Journal, Pomme Journal, Coffin Bell Journal, Die Leere Mitte (Berlin), Litro (U.K. edition), Litro (U.S. edition), Oxford Magazine, Artists of Utah's 15 Bytes, Twyckenham Notes, La Piccioletta Barca (Cambridge, U.K.), Forbidden Peak Press, Equinox Poetry and Prose, Thirty West Publishing House, Lindenwood Review, Poor Yorick, The Remembered Arts Journal, Taj Mahal Review (India), The Bangalore Review (India), Indian Review (India), Stoneboat Journal, Wisconsin Review, Wayne Literary Review, The Healing Muse, Roanoke Review, The Underwater American Songbook (poetry chapbook: Underwater New York, 2018), LIT Magazine, Grattan Press (forthcoming, Australia), The Cape Rock: Poetry, Underwood Review, The HitchLit Review
Visual Art: Wisconsin Review, 805 Lit + Art (forthcoming), Pithead Chapel, Otis Nebula, MAYDAY, The Banyan Review (forthcoming), Rock Salt Journal, Barnstorm Journal, Wilderness House Literary Review, Concrete Desert Review, Wisconsin Review, West Trestle Review, Kelp Journal's 'The Wave', Under the Sun, Grist, december, The Galway Review (Ireland), Kithe, The Madison Review, JuxtaProse, Penumbra, New England Review, Raven Chronicles Journal, The William and Mary Review, Permafrost, Hawai'i Review, Oxford Magazine, The Underwater American Songbook (poetry chapbook cover: Underwater New York, 2018), The Tishman Review, Tayo Magazine, Pomme Journal, The Emerson Review, Stoneboat, DASH, Artists of Utah's 15 Bytes, The Healing Muse, The Menteur (Paris; Canterbury, U.K), Watershed Review, Roanoke Review, Wayne Literary Review, Friends of the Great Salt Lake, The Helix, Inklette (India), DeLuge Journal, Litro (London/U.K.), Belle Ombre (U.K.), TINT Journal (Austria, Germany), The Perch, The Remembered Arts Journal, Dark Ink Magazine, Abstract Journal, Thirty West Publishing House, The Alexandria Quarterly, Rathalla Review, Rathalla Annual Review 2020, Apeiron Review, The Moving Force Journal, FOLIO, Dream Noir, JuxtaProse, La Piccioletta Barca (Cambridge/U.K.), Anomaly (London), Another Chicago Magazine, LIT Magazine, San Antonio Review, Barzakh Magazine, River River, Here Comes Everything Magazine (Coventry, U.K.), The Antonym, The HitchLit Review, Sand Hills, Gulf Stream, Blood Orange Review, Gris-Gris, Cream City Review, The Kleksograph (Belgium), The Rappahannock Review
Cover art: The Banyan Review (forthcoming), Pithead Chapel, JuxtaProse, Rock Salt Journal, Blood Orange Review, Barnstorm Journal, The HitchLit Review, The Rappahannock Review, Raven Chronicles Journal, The Underwater American Songbook (chapbook cover, Underwater New York, 2018), Oxford Magazine, The Rathalla 2020 Annual Review, The Antonym,West Trestle Review
Editors' interviews with Rebecca Pyle can be found in The Miracle Monocle, West Trestle Review, JuxtaProse, Roanoke Review, The Antonym, and in Kelp Journal's blog 'The Wave.'
Honors, awards: Fiction awarded the 2022 Miracle Monocle Award for Innovative Writing ("Honey, Himalayan Salt"); fiction ("Vampire") now shortlisted for possible prize in an annual Vincent Brothers Review writing competition; fiction ("The House on Stilts") shortlisted by BarBar Literary for their annual fiction prize; fiction piece ("Cartoon of Goodness") nominated by Posit for inclusion in a Best of the Net Anthology; fiction ("White as Clouds") nominated by Guesthouse for a Pushcart Prize; poem ("The Young in New York") shortlisted for the 2019 Penn Review poetry prize; a poem ("The Pig and the Milk-White Jar") the runner-up in the U.K.'s annual National Poetry Competition (first prize purse shared with overall winner/Irish poet Medbhe McGuckian); the Edna Osborne Whitcomb fiction competition, first prize; the Edgar Wolfe fiction competition, first prize; the William Herbert Carruth poetry competition, first prize