The Letters Page literary journal is published by the University of Nottingham School of English, and edited by writer in residence, Professor Jon McGregor. We’re interested in exploring what letter writing means to people - and has meant since writing was invented - in their literary cultures and their personal lives. We’ll be publishing essays, memoir, fiction, travelogue, reportage, poetry, criticism, interviews… any creative form of writing, so long as it comes to us framed as a letter.

Sequestrum publishes new, emerging, and internationally-acclaimed writers of short fiction, nonfiction, poetry, and cross-genre. All publications are paired with a unique visual component with the goal of fostering and exposing our writers to a large literary audience. We seek innovative contemporary literature with an honest voice which grows from a vision and passion for craft.

The goal of WTR is to create a literary space for those who identify as women poets in California and Nevada. We publish one poem per week online, and at the end of each year we publish the best of each month in a letterpress chapbook. We hope to build a community, and to that end we ask each contributor to write a short post about a woman poet the contributor admires. We're inclined toward narrative-leaning poetry that evokes a mood, but we're open to reading your best work, whatever that may be.

Lotus-eater is a literary magazine based in Rome. We are looking for daring, unusual, and inspiring writing. Our ambition is two-fold: to publish high-quality poetry and prose in the English language; and to translate the best contemporary Italian writing so as to expose local writers to an international audience. We are also interested in critical reviews of literary works.

Broad Street is an interdisciplinary non-profit magazine featuring the very best that creative non-fiction has to offer in an ever-expanding set of subgenres. We are an intersection where truth-telling prose, poetry, artwork, and interviews with storytellers in various media (e.g., sculpture, costume design, cgi, memoir), can converge to be enjoyed by readers and writers deeply engaged with the culture, though not necessarily through an academic lens. Your smart best friend should enjoy Broad Street as much as your theory-steeped professorial colleagues.

As editors, feel strongly that one of the primary purposes of running a literary journal is to support the work of writers just starting their career.

The Furious Gazelle is striving to provide the best collection of original writing and art from across the World Wide Web. We’re furious because we can never have enough submissions. Before you submit to the Furious Gazelle, ask yourself the following about your submission: Does it have a good story? Is it compulsively readable? Are you a living human being who has written some words? If you answered “yes” to any of those questions, we encourage you to submit.

We publish work that minimizes, blurs, or exaggerates distinctions between genres and offer a shared space for experimental creative fiction and nonfiction, lyrical fiction, experimental poetry, and multimedia pieces. Small Po[r]tions issues have a print component with a focus on book arts and an online component featuring selections from the print issue along with media work.

The Chariton Review showcases work that exhibits a strong sense of the craft and conventions of poetry, fiction, and essays. It includes literature that demonstrates an active familiarity with contemporary innovations and conversations in literary writing and exhibits mindfulness of various rich traditions.