Published twice a year, Redivider welcomes fiction, nonfiction, graphic art, and poetry submissions from new, emerging, and established artists and writers. We strive to showcase the very best previously unpublished art and literature we can find; to actively engage the broader literary community, and to support and nurture that community in our pages and beyond; to welcome and serve historically underrepresented voices, including those marginalized due to class, gender, race, and sexuality; and, above all, to give good art and literature a good home.

The Lascaux Review provides a showcase for emerging and established writers and artists. Annual contests are conducted in flash fiction, short fiction, poetry, and creative nonfiction.

COAST|noCOAST is an annual print journal and chapbook press of fiction, nonfiction, poetry, poetics, and art with "offices" in Cincinnati, Ohio and Seattle, Washington. While our literary interests are diverse in form and content, we are looking for the bridges between the works we love. We publish COAST|noCOAST as an interrogation of our aesthetics as well as an exploration of our regions' poetry and art. A portion of each issue is dedicated to the writers and artists of Southwest Ohio and the Puget Sound. 

Life and Legends, primarily a poetry journal in English also publishes other forms of literature such as prose, translation, non-fiction, video and sound of literary interest from across the world. Our focus is to share diversity in literature by publishing international writings in English, or translated into English from other languages. We provide opportunities to the newer writers, alongside publishing the works of the living legends.

Our endeavor is to bring to you the best writings of writers from across India and the world over. We have a good online presence the past few years and look to make

Eoagh is dedicated to the idea of reading as a process, the productive chaos of investigative poetic work. We seek to foreground the writing of experimental women, trans, feminist, transfeminist, POC, anti-racist, and LGBT/queer authors. We seek work that explores the acts of attention not just in writing but also in being written. Inspired by the assertion that “reading is a gymnast’s act,” we see readings as embodied, interdisciplinary responses that engage with one’s environment.

Protocols is an online quarterly for Jews to create, express, transform, organize, resist, and rebel as Jews. We come together as writers, artists, thinkers, and activists committed to meaningful practices of radical creativity and change as well as the endurance and dynamism of Jewish life and culture. Read our introductory letter from the editor here.

The Fiddlehead is open to good writing in English or translations into English from all over the world and in a variety of styles, including experimental genres. We are always happy to see new unsolicited works in short fiction, creative nonfiction, and poetry. We also publish reviews, and occasionally other selected creative work such as excerpts from novels and plays. We particularly welcome submissions from Indigenous writers, writers of colour, writers with disabilities, LGBTQQIA+ writers, and writers from other intersectional and under-represented communities.

The Wax Paper is a broadsheet publication open to all forms of written word, imagery and collected conversation. The first priority of the Wax Paper is to expand our understanding of the people we share the world with, and in doing so, expand our understanding of ourselves. Pieces will be selected on their ability to illuminate the humanity and significance of the subjects that inhabit the work. The Wax Paper is inspired by the life of Louis “Studs” Terkel.