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Lotus-eater is an online literary magazine based in Rome.
Our aesthetic is dark, eclectic, often experimental. We are interested in daring, unusual writing and striking images.
Diode Editions is looking for poetry that excites and energizes, that uses language that crackles and sparks. We’re looking for poetry from all points on the arc, from formal to experimental (no light verse or erotic poetry, please). Simultaneous submissions are welcomed, but please notify us if they're accepted elsewhere. Diode does not accept previously published work. Submissions are welcome during contest periods. Check our website for contest dates. www.diodeeditions.com
Our mission is to publish works that further scholarship and quality education throughout Africa and the world. We publish books that are accessible to readers, contribute to knowledge about the African world, and built on research and reflection. More broadly, we consider works that engage important matters in the areas of African and African diasporic history and culture, providing a literature which promotes inquiry and substantive discussion.
Cagibi is invested in sharing the universal human experiences to be found in works of prose and poetry set within places unfamiliar to readers; thus, our expressed interest in international—or world—literature, and works in translation. Cagibi is versatile in its purpose and mission to readers and writers. The journal concerns literature in which character conflict, ultimately story, is tied to place.
JuxtaProse is an online literary journal that publishes fiction, nonfiction and poetry from around the world. Our contributors have included Pulitzer Prize, National Book Award, and Man Booker Prize winners, and other acclaimed authors from fifteen different countries. Alongside these established voices, we make a concentrated effort to publish the work of emerging authors -- including students and previously unpublished authors. Each of our quarterly issues reaches over 10,000 readers.
We believe that good storytelling begins with character. While we will consider any story that possesses literary merit, genre fiction is not our emphasis and will be a particularly difficult sell.
We currently publish approximately 3% of the fiction submissions, 4% of the nonfiction submissions, and less than 1% of the poetry submissions we receive.
We love literature. We love reading it, we love writing it, and we love talking about it. We also love delving into the "deep shelf" material of favorite authors and discovering exciting new voices. At the Midnight Oil, we seek to provide a venue where new and emerging writers can be published alongside established masters of their craft, where old favorites and new favorites collide, and you’ll find writing that will keep you reading into the wee hours of the morning, even when you know that you really should be getting to bed.
We do not provide book reviews, pull quotes, or endorsements of any kind. We do not subscribe to any mailing lists. We do not accept submissions via e-mail. Any e-mails that fall into these categories will be deleted unread, if you would like to submit, please follow the procedures outlined on our Submit page.
Wendy’s Subway is a nonprofit reading room, writing space, and independent publisher located in Bushwick, Brooklyn. Since 2013, Wendy’s Subway has provided an open and versatile platform for expanding modes of reading, writing, and publishing together. They are seeking innovative, hybrid, and cross-genre work that charts new possibilities and expressions of form, including poetry, artists’ writing, and cross-genre works.
The world of literature holds no boundaries and we at the Bangalore Review are committed to publishing exemplary writing from all over. We publish literary fiction and non-fiction, reviews, poetry, art and photographic essays. If you happen to be in love with life and think that your words can generate a vision, send us a shout—we’ll probably like your work.
Follow the submission guidelines, strictly.
Copper Nickel aspires toward diversity and eclecticism, printing work that appeals to us regardless of aesthetic affiliation—and we’re particularly (though by no means exclusively) interested in work that considers sociohiostorical context. We also feature two to four translation folios in each issue, such that work from other national literatures enters into conversation with that of our own.
We try to respond to most submissions within eight weeks, though at times we can take longer—particularly over the summer or the holidays.
Brooklyn Arts Press (BAP) is a literary press devoted to publishing chapbooks and full-length collections of poetry, novels, lyrical short fiction, and art monographs by emerging artists. We believe we serve our community best by publishing great works of varying aesthetics side by side, subverting the notion that writers & artists exist in vacuums, apart from the culture in which they reside and outside the realm & understanding of other camps & aesthetics.
We receive 800 manuscripts a year, many of them of high quality, & publish maybe 1% of those submissions. Competition is steep, so send us your very best work.
