Flare Journal

Basic Information
6677 Camden Avenue
San Jose
California
United States
95120
Contact Information
Flare
Journal
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Year Founded: 
2020
Distributors: 
Online
Percentage of Unsolicited Submissions Published: 
6% to 10%
Issues per Year: 
4
Circulation: 
1,000 to 2,500
Subscription Price: 
$0.00
Issue Price: 
$0.00
Number of Debut Authors per Issue: 
10-12

Flare is an international literary journal founded by a dedicated group of young writers, photographers, and artists to explore the complexity of the human experience. Our mission is to encourage artists and writers of all backgrounds to express themselves, and we strongly believe that sharing art lifts and connects, regardless of age or location. We hope that our journal is able to empower through that mission.

We applaud work that is loud, expressive, and sincere. We look for honest storytelling that explores the diversity of the human experience. Please keep in mind that our magazine caters to a wide range of ages, and adhere to all submission guidelines. 

The Gravity of the Thing

Basic Information
xxx xxx xxxx
Portland
Oregon
United States
97236
Contact Information
Thea
Prieto
Editor-in-Chief
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Audio
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2013
Percentage of Unsolicited Submissions Published: 
1% to 5%
Representative Authors: 
<p>Daneen Bergland, Tracy Daugherty, Janice Lee, Karen An-hwei Lee, Kristi Maxwell.</p>
Issues per Year: 
4
Circulation: 
1,000 to 2,500
Subscription Price: 
Starts at $1 a month
Issue Price: 
Free
Number of Debut Authors per Issue: 
4

The Gravity of the Thing is an independent literary magazine dedicated to the publication of innovative and defamiliarized writing. We publish work that is aware of its literary form, writing that defamiliarizes in craft or content for an enhanced rendering of reality.

Please visit thegravityofthething.com/about before submitting, as your writing should reflect our desired criteria. For more information about defamiliarized writing and our publishing practices, please visit our Baring the Device column at thegravityofthething.com/catalog/baring-the-device.

SORTES

Basic Information
735 North 26th Street
Apt 1R
Philadelphia
Pennsylvania
United States
19130
Contact Information
Jeremy
Tenenbaum
Editor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2020
Distributors: 
SORTES
Percentage of Unsolicited Submissions Published: 
11% to 25%
Representative Authors: 
Lee Klein, Rachel Sandell, Royce Drake, Kylie Westerbeck, Betsy Herbert, Sebastian Castillo, Patrick Blagrave, Drew Rhys White
Issues per Year: 
4
Circulation: 
Less than 1,000
Subscription Price: 
0
Issue Price: 
0
Number of Debut Authors per Issue: 
7-9

SORTES publishes whatever makes us shiver, plotz, turn on, and/or freak out. We've published what might be called magical realism, dirty surrealism, fantastical biography, experimental poetry, tender balladeering, elusive allusive elliptical poetry, and sweet old grainy photography.

SORTES considers unsolicited submissions of poetry, prose, illustration, music, videos, and anything else you think may fit our format and feel—and very often material that doesn't. Feel free to poke at us: we’d love to find a way to publish dance, sculpture, puzzles, and other unliterary modalities.

Santa Fe Literary Review (SFLR)

Basic Information
SFLR, 6401 Richards Avenue
Department of English
Santa Fe
New Mexico
United States
87508
Contact Information
Kate
McCahill
SFLR Managing Editor and Faculty Advisor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Print
Reading Period: 
Jun 1 to Nov 1
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
Contributor copies only
Year Founded: 
2004
Distributors: 
Santa Fe Community College
Percentage of Unsolicited Submissions Published: 
1% to 5%
Representative Authors: 
<p>Tommy Orange, Layli Long Soldier, Manny Loley, Miriam Sagan, Tony Luebberman, Richard Hartshorn, Kate Braverman, David Wagoner, John Brandi, Joan Logghe, Caitlin Downey, Margaret Randall, Emily Brisse, Robin MacArthur</p>
Issues per Year: 
1
Circulation: 
2,500 to 5,000
Subscription Price: 
By donation only
Issue Price: 
By donation only
Number of Debut Authors per Issue: 
50 percent

An in-print and online literary journal, SFLR features work by local, national, and international writers and artists. Each issue of SFLR has a suggested theme; the 2020-2021 SFLR theme is "Tapestry: Diversity, Culture, and Common Ground." SFLR is committed to promoting a diverse range of writers and artists from New Mexico and beyond.

The Santa Fe Literary Review invites emailed and mailed submissions of dramatic writing/screenplay excerpts, creative nonfiction, fiction, and poetry. This year’s theme is “Tapestry: Diversity, Culture, and Common Ground.” Submit typed, double-spaced submissions of 2000 words or less + SASE. Email to sflrfiction@gmail.com, sflrpoetry@gmail.com, or sflrcnf@gmail.com. No attachments, please; paste submission in body of email, with bio at bottom. Or, mail to SFLR, 6401 Richards Avenue, Santa Fe, NM 87508 between June 1 and November 1, 2020.

Small Print Magazine

Basic Information
P. O. Box 71956
Richmond
Virginia
United States
23255-1956
Contact Information
Steve
Brannon
Editor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
3 to 6 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Year Founded: 
2013
Percentage of Unsolicited Submissions Published: 
Greater than 50
Representative Authors: 
✍ Jorie Graham ∙ Nick Lowe ∙ Wallace Stegner ∙ Steven Millhauser ∙ Ron Rash ∙ David Sedaris ∙ William Carlos Williams ∙ E. L. Doctorow ∙ Miriam Toews ∙ Marilynne Robinson ∙ Charles Portis ∙ Bill Bryson ∙ Joan Didion ∙ James Gleick ∙ Rebecca Solnit ∙ Jared Diamond ∙ Kim Addonizio ∙ Barbara Kingsolver ∙ Stephen Jay Gould ∙ William Gibson ∙ Annie Dillard ∙ Carl Sagan ∙ Anne Lamont ∙ Richard Dawkins ∙ Terry Pratchett ∙ T.S. Eliot ∙ e.e. cummings ∙ W.H. Auden ∙ Robert Frost ∙ Lawrence Ferlinghetti ∙ Emily Dickinson ∙ Allen Ginsberg ∙ Kurt Vonnegut ∙ Joseph Mitchell ∙ John O'Hara ∙ Flannery O'Connor ∙ Tom Sharpe ∙ Pete Dexter ∙ Kenneth Rexroth ∙ Dawn Powell ∙ Art Spiegelman ∙ Robert Crumb ∙ Harvey Pekar ∙ Franz Kafka ∙ Anton Chekhov ∙ David Lodge ∙ Katherine Mansfield ∙ Annie Proulx ∙ Hester Kaplan ∙ Nicole Krauss ∙ Katherine Anne Porter ∙ E.B. White ∙ John Cheever ∙ Raymond Carver ∙ Donald Hall ∙ John Updike ∙
Issues per Year: 
Varies / Article-based & Annual Issues
Circulation: 
2,500 to 5,000
Subscription Price: 
N/A
Issue Price: 
Website Free, No Paywalls. Ebook edition varies.
Number of Debut Authors per Issue: 
Varies

Small Print Magazine, a resource and showcase for writers and artists, features contemporary fiction, creative nonfiction, and poetry thoughtfully presented alongside beautiful photography and artwork from new and established artists. You’ll also find engaging interviews with authors and other industry professionals, cartoons, craft book reviews, as well as articles on writing, writing tools, writing & publishing news, and more.

Read Small Print Magazine online. Submit only finished material. See our website for guidelines: https://smallprintmagazine.com/submissio...

Exclusive submissions are read first. We make no response-time guarantee for simultaneous submissions.

Better Than Starbucks

Basic Information
146 Lake Constance
West Palm Beach
Florida
United States
33411
Contact Information
Anthony
Watkins
Founder
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Print
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
3 to 6 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Year Founded: 
2016
Distributors: 
Lulu, Amazon, Barnes & Noble, etc.
Percentage of Unsolicited Submissions Published: 
11% to 25%
Representative Authors: 
Visit https://betterthanstarbucks.org and see for yourself! Our online archives include thirty issues to read, and we are up to 10-12 categories of poetry and creative writing per issue.
Issues per Year: 
4
Circulation: 
5,000 to 10,000
Subscription Price: 
none
Issue Price: 
free online, regular print copy $8, premium print copy $15, pdf $3, ebook $3
Number of Debut Authors per Issue: 
10 - 15, average of 80 unique contributors per issue

Outstanding poetry and fiction in many genres and many voices. Poetry includes free verse, haiku, formal poetry, prose poetry, form poetry, experimental poetry, sentimental poetry, and international poetry. Fiction from flash or micro to full length. Creative non-fiction. Monthly interview with a poet, author or artist. Occasional poetry book review. Occasional art (online or print cover.) 70+ authors per bi-monthly issue. Semi-pro payment for five featured poems per issue.

Submit your work in the body of an email. Include short bio (around 30 words) and the name you want listed. We DO accept previously published work. Six Featured Poems (or a work of Fiction) monthly each receive payment of $20.  All contributors receive choice of free pdf or eBook version. We usually respond in 60 days. Submit no more than once every 4 months. Submission in more than one category is welcome. We rarely publish long poems. We have a soft spot for limericks and haiku. We aren't prudes, we accept sex, violence or crude language if they are key to a good story, but won't publish anything hateful. We love a good story and a great poem.

The Racket Journal

Basic Information
1536 Alabama Street
San Francisco
California
United States
94110
Contact Information
Noah
Sanders
Editor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
Contributor copies only
Year Founded: 
2020
Distributors: 
Online
Representative Authors: 
James Cagney, Tomas Moniz, Ann Sherman, Chelsea Davis, Christine No, Preeti Vangani
Issues per Year: 
40
Circulation: 
1,000 to 2,500
Subscription Price: 
0
Issue Price: 
0
Number of Debut Authors per Issue: 
5-7

The Racket Journal is a weekly online literary journal. We want to promote the work of up-and-coming, emerging, established and the never-before-seen writers from around the country. We like a little grit in our submissions, something that’ll stick in your teeth long after you’re done reading it. It is our ongoing mission to publish a wide-ranging selection of work from diverse writers and artists in an effort to expose more and more readers to amazing writing.

Please follow the very simple guidelines on our submission page. We aren’t looking for lengthy bios. Just a short, sweet encapsulation of what you’re submitting.

Pleasure Boat Studio: A Nonprofit Literary Press

Basic Information
3710 SW Barton St
City: 
Seattle
State: 
Washington
Country: 
United States
Zip / Postal Code: 
98126-3844
Contact Information
Lauren
Grosskopf
Publisher
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Book Types: 
Chapbook
Short story collections
Essay collections
Novel
Poetry collections
Formats: 
Paperback
Hardcover
E-book
Audio
Publishes Through Contests Only: 
No
Charges Reading Fee: 
Yes
Accepts Unsolicited Submissions: 
Yes
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Reading Period: 
Jan 1 to Jul 1
Reporting Time: 
3 to 6 months

DEDICATED TO ENRICHING READERS WITH EYE-OPENING STORIES AND POETRY BY INCREDIBLE TALENT, WITH HEART, ORIGINALITY, AND LOVE OF LANGUAGE.

Please note that we are now a Hybrid Press. We cannot continue to publish without funding. Thank you for understanding.

Representative Authors: 

Tim McNulty, Mike O'Connor, Bruce Berger, Linda Lappin, Red Pine, Hannah Hess, Sarah Plimpton, Robert Sund, Russell Hill, Michael Blumenthal, Anne Argula, Inger Frimansson, Irving Warner, Michael Daley

How many authors debut in each issue?: 
0
Titles per Year: 
1 to 5
Distributors: 
Ingramspark, Baker & Taylor, B&N.com, Amazon.com. Orders made directly from PleasureBoatStudio.com: Bookstores receive 40% discount 30% discount for book clubs.
Publishing type: 

No Tokens Journal

Basic Information
1736 Bay Blvd
Atlantic Beach
New York
United States
11509
Contact Information
T Kira Mahealani
Madden
Editor-in-Chief
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Print
Reading Period: 
Jun 1 to Aug 1
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
Contributor copies only
Percentage of Unsolicited Submissions Published: 
Greater than 50
Representative Authors: 
<p>Joy Williams, Okwiri Odour, Rick Moody, Claire Vaye Watkins, Lenelle Moïse, Michael Klein, Mary Gaitskill.</p>
Issues per Year: 
1

No Tokens is a journal celebrating work that is felt in the spine. We are run entirely by women, queer, trans, and non-binary individuals, dedicated to featuring the words and artwork of all voices of the past, present, and future. We are here to keep stories alive. We are paying attention.

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