How to Trick Yourself Into Writing a Novel
The author of The Museum of Human History offers a method for moving from short stories to longer-form narratives.
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The author of The Museum of Human History offers a method for moving from short stories to longer-form narratives.
“I’m always trying to leave room in my writing for surprise.” —Caleb Azumah Nelson, author of Small Worlds
The author of I Do Everything I’m Told contemplates writing about and beyond personal boundaries.
The author of I Do Everything I’m Told considers the role of the breath in poetic composition.
“I didn’t set out to write exactly this book.” —Lillian-Yvonne Bertram, author of Negative Money
“I had to learn through writing the book how to discipline my creativity so that I could write whenever and wherever I needed to.” —Stacy Jane Grover, author of Tar Hollow Trans
The author of Spoken Word: A Cultural History and The Study of Human Life examines the power of recovering lost literary voices.
A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
The author of Spoken Word: A Cultural History and The Study of Human Life considers how poets collaborate across time and form.
"I write as often and for as long as I can.” —Helen Schulman, author of Lucky Dogs