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This series of interviews with over forty book editors, publishers, and agents offers a unique look at the past, present, and future of the book industry and what writers can do to thrive in today’s publishing world.
What signals to you that spring has finally arrived? While there are signs of transformation throughout the year, the signs of spring often feel particularly special following on the heels of winter as many look forward to the tiniest indications of vernal revitalization. Buzzing bees, daffodils and tulips, pollen that makes you sneeze, the end of clanging heater pipes, wearing shorts, outdoor picnics, and opening windows—there are many associations with the freshness of the season. This week write a series of short poems that focus on the small, perhaps idiosyncratic changes that signify to you, personally, that a new season is upon us.
In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.
“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.
In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
In this episode of the Ehkili podcast, Sahar Mustafah talks to author and editor Susan Muaddi Darraj to discuss her anthology, Ask the Night for a Dream: Palestinian Writing From the Diaspora (Palestine Writes Press, 2024), and the significance of amplifying Palestinian literary voices.
In this New Orleans Book Festival event hosted at Tulane University, authors Sarah M. Broom and Tracy K. Smith speak about the origins of their writing practices, the cultural impact of their respective literary works, and the power of storytelling to reach the truth in a conversation with Vann R. Newkirk II, senior editor at the Atlantic.
“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush
![Dear Poet 2025: Meg Day Reads "Portrait of My Gender as [Inaudible]"](https://www.pw.org/files/styles/video_thumb_medium/public/media-oembed/i.ytimg.com/vi/dFRFpJ5enBA/hqdefault.jpg?itok=5f2Nfd01)
