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In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.
“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.
In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
Jehanne Dubrow offers advice to writers wondering whether they are ready to process traumatic experience on the page.
In this episode of the Ehkili podcast, Sahar Mustafah talks to author and editor Susan Muaddi Darraj to discuss her anthology, Ask the Night for a Dream: Palestinian Writing From the Diaspora (Palestine Writes Press, 2024), and the significance of amplifying Palestinian literary voices.
In this New Orleans Book Festival event hosted at Tulane University, authors Sarah M. Broom and Tracy K. Smith speak about the origins of their writing practices, the cultural impact of their respective literary works, and the power of storytelling to reach the truth in a conversation with Vann R. Newkirk II, senior editor at the Atlantic.
April is National Humor Month, which means it’s the perfect time to be reminded that everyone has a funny bone. The annual observance was conceived to heighten public awareness of the therapeutic value of humor, laughter, and joy. This week, consider what others have said about your sense of humor over the years. Does it lean toward puns or dad jokes? Is it witty or dark, laconic or bizarre, goofy or lighthearted? Write a short series of poems that showcases your specific sensibility around amusement and how you value humor and joy in your life. You might find it helpful to recount recent experiences and images that made you chuckle or guffaw and try to manifest in your poem what specifically made you laugh out loud.
“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush
In this Books Are Magic event, Tiana Clark reads from her second poetry collection, Scorched Earth (Washington Square Press, 2025), and discusses the cinematic quality of poems and whether poetry should always tell the truth in a conversation with Terrance Hayes.
![Dear Poet 2025: Meg Day Reads "Portrait of My Gender as [Inaudible]"](https://www.pw.org/files/styles/video_thumb_medium/public/media-oembed/i.ytimg.com/vi/dFRFpJ5enBA/hqdefault.jpg?itok=5f2Nfd01)
