In Bird by Bird (Pantheon, 1994), Anne Lamott's classic instructional treatise on writing and life, the author says: "Writing a first draft is very much like watching a Polaroid develop. You can't—and, in fact, you're not supposed to—know exactly what the picture is going to look like until it has finished developing." Keeping this in mind, write the beginnings of an essay whose direction and ending you don't yet know. Start small, focusing closely on a single place, person, or incident, without thinking ahead. Then keep going: Allow the writing to tell the story, and see what develops. 

The sixth literary pairing in the biennial Rolex Mentor and Protégé Arts Initiative was announced earlier this month. The program, launched a decade ago, offers emerging artists the opportunity to spend a year under the tutelage of established professionals in their respective fields.

The 2012–2013 literature mentor, Canadian novelist Margaret Atwood, selected as her protégé thirty-seven-year-old British writer Naomi Alderman. The author of three novels—Disobedience (Viking, 2006), which won the Orange Award for New Writers, The Lessons (Viking, 2010), and The Liar's Gospel, forthcoming from Viking in August—Alderman is also a game designer (her latest, Zombies, Run!, is available as an iPhone app).

"The future is a subject of interest for both Margaret Atwood and me," Alderman says in an interview on the Rolex Arts Initiative website. "I have another life outside literary novels: I write computer games. I think games are going to be an important art form in the next hundred years. They’re only just beginning to approach what they'll be. Margaret’s work is grounded in the present, but also the same desire to look forward."

Atwood's thirteen novels include the dystopian classic The Handmaid's Tale (1985), the speculative work Oryx and Crake (2003), the Booker Prize–winning The Blind Assassin (2000), and, most recently, The Year of the Flood (2009). She is also the author of seven short story collections, as well as volumes of poetry and nonfiction and books for children.

In addition to time spent with her mentor in both London and Atwood's home city of Toronto, Alderman will receive twenty-five thousand dollars to subsidize her work during the mentorship year, followed by an additional twenty-five thousand after the program ends. Atwood, for her service as a mentor, receives an honorarium of fifty thousand dollars.

The finalists for this year's mentorship award, all interviewed by Atwood as part of the months-long protégé selection process, were Malaysian novelist Preeta Samarasan, author of Evening Is the Whole Day (Houghton Mifflin Harcourt, 2008); American author Claire Vaye Watkins, whose debut short story collection, Brattleborn, is forthcoming from Riverhead Books in August; and South African writer Mary Watson, who won the Caine Prize for short fiction in 2006.

Past mentees include Pulitzer Prize–winning American poet Tracy K. Smith; Togolese novelist and Prix Goncourt finalist Edem Awumey; and Australian novelist Julia Leigh, who recently made her debut in the medium of film as writer and director of Sleeping Beauty (2011).

Think of a dramatic situation in which there is one main character. If you need to, steal a situtation from the news, such as "Man Dangles Child Over River" or "Woman Follows Couple Home From Mall." Based on this situation, write a sketch of the main character that explains how and why this person did what they did. What is it about his or her personality, past, and relationships that has brought him or her to this moment?

An ekphrasis is a poem about, describing, or inspired by, a piece of art. Rather than writing a poem based on a piece of art, try writing a poem inspired by an existing ekphrasis.