Colm Tóibín, Farzana Doctor Among Lammy Winners

The twenty-fourth annual Lambda Literary Awards for LGBT literature, also known as the Lammys, were announced last night at a ceremony in New York City, where authors rubbed elbows with luminaries in other arts, including actress Olympia Dukakis, Broadway performer Anthony Rapp, and drag legend Charles Busch.

Dukakis and National Organization for Women founder Eleanor Pam presented Lambda's Pioneer Awards for lifetime achievement to novelist Armistead Maupin, author of the San Francisco–based Tales of the City series, and feminist writer Kate Millett. Fiction writers Stacy D'Erasmo and Brian Leung won Outstanding Mid-Career Novelist Prizes.

The Lammy for gay poetry award went to A Fast Life, the collected poems of the late Tim Dlugos (1950–1990), edited by David Trinidad and published by Nightboat Books. The prize for lesbian poetry went to Leah Lakshmi Piepza-Samarasinha for Love Cake (TSAR Publications).

In lesbian fiction, Farzana Doctor won the Lammy for her novel Six Metres of Pavement (Dundurn Press). Colm Tóibín won in gay fiction for his story collection The Empty Family (Scribner). The award in bisexual fiction went to Barbara Browning for her novel, The Correspondence Artist (Two Dollar Radio). Debut fiction writers Rahul Mehta and Laurie Weeks were also honored, Mehta for his story collection, Quarantine (Harper Perennial), and Weeks for her novel, Zipper Mouth (Feminist Press).

In lesbian memoir, Jeanne Córdova won for When We Were Outlaws: A Memoir of Love & Revolution (Spinsters Ink). Glen Retief won for gay memoir with The Jack Bank: A Memoir of a South African Childhood (St. Martin's Press). Justin Vivian Bond won the transgender nonfiction prize for Tango: My Childhood Backwards and in High Heels (Feminist Press).

For the list of winners in all categories, including erotica, young adult literature, and mystery, visit the Lambda Literary Foundation website.

In the video below, poetry awardee Piepza-Samarasinha performs a poem from her winning collection at a finalists reading held in April.

Pen to Paper

When you get right down to it, writing is (or used to be) all about putting marks on a piece of paper. And while there are plenty of inspiring photographs and videos celebrating the typewriter, this clip of John Mottishaw writing with a custom fountain pen (using an ink called Iroshizuku Tsuki-uo Night Sky, or Greenish Deep Blue) is oddly captivating. (The writing starts at about the 1:58 mark.)

Once Upon a Tweet

Last week the New Yorker’s fiction department serial tweeted Jennifer Egan’s story “Black Box,” which appears in the magazine’s science fiction issue. Egan structured her story in prose bursts of 140 characters or fewer—the limit for a single tweet. Challenge yourself to write a story that could appear in small installments by shortening the length of the story’s paragraphs to one or two sentences. Try to advance the story with each terse paragraph.

Tom Wolfe: Blood Lines

The release of Oscar Corral's independent documentary film will coincide with the October publication of Tom Wolfe's fourth novel, Back to Blood, which is set in Miami and focuses on the subject of immigration.

The Age of Miracles

Karen Thompson Walker's debut novel, one of the books generating a lot of prepublication buzz this summer, sets the coming-of-age story of an eleven-year-old girl against the backdrop of a natural calamity unlike anything anyone has ever seen. Foreign rights to The Age of Miracles have already been sold in more than two dozen countries; Random House will publish it in the U.S. later this month.

James Salter to Receive PEN Malamud Award for Short Fiction

Last week the PEN/Faulkner Foundation announced James Salter as the winner of its twenty-fifth annual PEN/Malamud Award for short fiction. The author, whose collection Dusk and Other Stories (North Point Press, 1988) won the 1989 PEN/Faulkner Award, will receive the five-thousand-dollar prize named in honor of story writer Bernard Malamud on December 7.

Salter is also the author of the story collection Last Night (Knopf, 2005), as well as novels such as A Sport and a Pastime (Doubleday, 1967), Light Years (Random House, 1975), and The Hunters (Harper, 1956). Also recognizing his contribution to short story form, he was awarded the 2010 Rea Award last summer.

Below is a brief digest of online access points to the literature and life of the author PEN/Malamud juror Alan Cheuse said "has shown us how to work with fire, flame, the laser, all the forces of life at the service of creating sentences that spark and make stories burn."

In a 1993 Paris Review interview (with Edward Hirsch), Salter said, "I've never had a story in The New Yorker; everything has been rejected." (Salter's story "Last Night" is available online in the November 18, 2002, issue of the New Yorker.) He also discusses practice (in solitude, in longhand), revision ("Normally I just go a sentence at a time"), and his own short fiction influences (Babel, Chekhov).

The Paris Review published a number of Salter stories, including "Am Strande von Tanger" (Fall 1968). Last year the journal awarded Salter the Hadada Prize, and celebrated the author with a month of coverage on the Paris Review Daily blog. (Online literary review fwriction paid similar tribute.)

The video below, the first in a series of four, Salter reads "Palm Court" from Last Night. The reading took place at an event held by the literary journal Narrative.

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