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In this Under the Cover segment hosted by Climax Books, musician Devonté Hynes talks about the books and images that inspire his music, including Pier Paolo Pasolini’s Roman Poems, Mary Shelley’s Frankenstein, and the biography Who Are You Dorothy Dean? by Anaïs Ngbanzo.
In “Is Mary Oliver Embarrassing?,” an essay by Maggie Millner, senior editor at Yale Review, she writes about omitting the poet from her list of early influences when asked in professional settings, despite the fact that “Oliver’s poems marked [her] permanently.” Millner writes: “It seemed clear that my disavowal of Oliver was more about my own shame and snobbery than about the merit of the work itself.” Think about an artist whose work you find value in but feel conflicted or embarrassed about, perhaps because you associate their work with your childhood when you had less discerning tastes or because of the opinions of peers in your field. Write a personal essay that explores the roots of your affinity and your feelings of conflict. Then revisit the artist in question and explore how you feel when you encounter their work without embarrassment.
In this Rattlecast episode, host and editor of Rattle Timothy Green introduces Jennifer Manthey, who reads her poem “Locker Room Annunciation,” and Richard Siken, who reads from his latest collection, I Do Know Some Things (Copper Canyon Press, 2025), and reflects upon his decision to write prose poems as a means of grounding himself in the aftermath of a stroke.
If practice makes perfect, what do we do with the imperfections of being out of practice? This week write a short story that revolves around a character who finds themselves unexpectedly back in the mode of performing a skill they once did well, but have now grown rusty after years of unuse. It might be a creative practice—playing an instrument, dancing, photography, writing, or painting—or perhaps it’s a job-related task—writing a report, managing a team, or speaking in front of a large audience. Consider anything learned that one might fall out of practice with, such as a language, camping, or even dating. How does your character adjust to revisiting an old skill? Does everything come flooding back or is there a steep learning curve?
In this Writers on Writing event at the Newberry Library in Chicago, authors Carmen Maria Machado and Megan Stielstra engage in a conversation about their creative processes, the evolution of their works, and their insights into the art of storytelling.
“We live in such a fast-paced world: Poetry helps us slow down, deepen our attention, connect and live more fully,” says Arthur Sze in our online exclusive announcing his appointment as the twenty-fifth poet laureate of the United States. Taking inspiration from Sze’s insights on poetry’s ability to help us appreciate each moment, compile a cluster of words and phrases that come to mind when you recall the soundscape of a recent observation. As you jot down the grouping of words, allow the sounds of what’s already on the page to contribute to associative rhythms and any consonance or assonance in your brainstorm. Then, compose your poem using the full range of the page’s space, deprioritizing any urgency for ease of meaning-making for a piece that is first and foremost inextricable from its sound.
“When the time of your life is a time of earthquakes.” In this PBS NewsHour interview, Arthur Sze reads from his latest collection, Into the Hush (Copper Canyon Press, 2025), and talks about his life and work, including his discoveries while translating literature. Sze has been named the twenty-fifth poet laureate of the United States.
During his term as poet laureate, Sze plans to have a special focus on poetry in translation.
In this Poets & Writers event, 2024 Jackson Poetry Prize winner Fady Joudah reads a selection of poems, including from his National Book Award–nominated collection, [...] (Milkweed Editions, 2024), and joins Pádraig Ó Tuama for a conversation about his work and life as a poet.
In this video, Ricardo Hernandez, assistant director of Programs & Partnerships at Poets & Writers, hosts a celebratory reading by the 2025 poetry cohort of Get the Word Out, a publicity incubator for early career authors. Readers include Adedayo Agarau, Genevieve DeGuzman, Isabella DeSendi, Alison Lubar, Nick Martino, Yamini Pathak, mick powell, Maya Salameh, Kelsey L. Smoot, and Bernardo Wade. DeSendi’s debut collection, Someone Else’s Hunger (Four Way Books, 2025), is featured in Page One in the September/October issue of Poets & Writers Magazine.
