A Shiver

10.8.20

“The cold seemed to have come on all at once, just after lunch, as the teacher and his wife were tranquilly talking over their plans to return to the capital the next day, the second of September, a little later than usual.” At the beginning of Marie NDiaye’s novel That Time of Year (Two Lines Press, 2020), translated from the French by Jordan Stump, a teacher’s wife and son disappear on the day before they are all to return to Paris after spending the summer in a countryside village. The unsettling events and confrontations that follow, as the teacher searches for answers, are a reminder that boundaries are everywhere, between summer and autumn, vacation life and regular life, between those with power and those without. Write a personal essay about an uncertain time in your life when a dramatic event caused a shift. Did you lean into the in-between and search for answers or try to ground yourself and move on?  

Danielle Evans

Caption: 

“All writing is really an act of translation, we’re trying to ask someone to inhabit someone else’s experience for long enough to understand some portion of it.” In this 2018 interview for Oregon Humanities Center’s UO Today, Danielle Evans reads from her debut story collection, Before You Suffocate Your Own Fool Self (Riverhead Books, 2010), and speaks about her writing practice and teaching. Evans is featured in “The Confounding Insistence on Innocence” by Naomi Jackson in the November/December issue of Poets & Writers Magazine.

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Postapocalypse

10.7.20

“These, I believe, go hand in hand: destruction and the thrum of collective
singing,” writes Joshua Whitehead in the introduction to Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction, published by Arsenal Pulp Press in September. “Hence, utopias are what we have to build, and build now, in order to find some type of sanctuary in which we and all others can live—there is no plan or planet B for us to turn to.” Taking inspiration from this call to shift from destruction and the dystopian to the utopian, consider current events, situations, or systems in society that lend themselves to dystopic thinking, and then jot down ideas of how you might transform collapse into creation. Write a short story that begins with a seemingly apocalyptic premise that you then transform into a story of finding intimacy and joy in community. What healing is possible in the process of formation?

My Salinger Year

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Joanna Rakoff’s memoir My Salinger Year (Knopf, 2014) has been adapted into a feature film directed by Philippe Falardeau and starring Margaret Qualley and Sigourney Weaver. Set in 1995, an aspiring writer and poet takes a job at a literary agency in New York City that represents the notoriously reclusive J. D. Salinger and handles his fan mail.

On the Road

10.6.20

“I can’t afford to think like Whitman / that whomever I shall meet on the road I shall love / and whoever beholds me shall love me,” writes Tyree Daye in “Field Notes on Leaving,” the first poem in Cardinal, out today from Copper Canyon Press. The collection includes blurred photos of Daye’s family and childhood and an epigraph from the Green Book, the mid-1900s guidebook that provided Black Americans with advice on safe places to eat and sleep as they traveled in the United States. Write a short series of poems that acts as a kind of family album, providing a record of journeying within a community through adolescence and adulthood. In each poem allow yourself to explore themes of home and travel, in both literal and figurative ways, including interactions with local people or other travelers, signposts or navigational tools, baggage brought along, and the things or places left behind. 

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