The Shining by Dorothea Lasky
The New Naturals by Gabriel Bump
Deliver Me by Elle Nash
English as a Second Language and Other Poems by Jaswinder Bolina
Small Press Points: Get Fresh Books
Founded to support the work of marginalized poets, Get Fresh Books publishes one to three poetry collections each year, selecting manuscripts from a pool of no-fee submissions and solicited work.
Authors Take On AI, File Lawsuits
To mimic human writing, AI technologies have been consuming millions of pages of copyrighted literature. Authors have filed several class-action lawsuits accusing AI companies of illicitly using their work and seeking compensation.
Weathering the Storms
Flooding devastated parts of Vermont in July, including literary organizations and businesses that are now relying on community support as they rebuild and confront more frequent extreme weather events brought on by climate change.
Lessons in Chemistry
Take a first look at the Apple TV+ series Lessons in Chemistry, an adaptation of the novel of the same name by Bonnie Garmus, starring Brie Larson and Lewis Pullman. The series follows a chemist in the 1960s, whose life takes an unexpected turn when she finds herself a single mother and the reluctant star of a beloved cooking show.
Cinematic Places
The poems in Dorothea Lasky’s The Shining, published by Wave Books in October, portray the physical and psychological horrors that take place in the labyrinthine Overlook Hotel, the setting of the iconic Stephen King novel and Stanley Kubrick film adaptation. Lasky guides readers into the hotel of her imagination in the opening poem, “Self-Portrait in the Hotel”: “When I checked into this / Godforsaken hellhole / They locked me in the tiny yellow room / With no belongings but my lipstick,” she writes. Throughout the book, Lasky meditates on the many horrors of simply being alive, finding inspiration in the hotel’s high ceilings, the Gold Ballroom, and the final shot of the film featuring a terrifying photograph of the protagonist, Jack Torrance, in the ballroom in 1921. Take note of Lasky’s ekphrastic practice and write a poem that places you in the setting of your favorite film. What conflicts come to mind in this newly imagined world?



