Lessons From Cinema: Blurring the Line Between Magical Realism and Metaphor
The author of Amphibian (Ig Publishing, October 2024) applies lessons in magical realism and metaphor from film to fiction.
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The author of Amphibian (Ig Publishing, October 2024) applies lessons in magical realism and metaphor from film to fiction.
In this Poetry.LA interview, host Luivette Resto speaks with poet Amy Shimshon-Santo about her new collection, Random Experiments in Bioluminescence (FlowerSong Press, 2024), and the themes within the book which deal with how to live in a time of great suffering and disorientation, and “somehow have the experience of finding your own light.”
In this event at the Southbank Centre in London celebrating the launch of the Palestine Festival of Literature’s anthology of essays, Their Borders, Our World: Building New Solidarities With Palestine (Haymarket Books, 2024), editor Mahdi Sabbagh and writers Jehan Bseiso and Mirza Waheed discuss the question of solidarity in a conversation moderated by Zena Agha.
A situationship, as defined by the Oxford Learner’s Dictionary, is “a romantic relationship in which the couple are not official partners.” The validity of situationships has become the center of discussions, from Reddit posts to the list of finalists for Oxford Languages 2023 word of the year. In a recent Electric Literature piece, author Christine Ma-Kellams argues that situationships make for great stories, including within novels by Elif Batuman, Rachel Cusk, and Jennifer Egan. Write a personal essay on your understanding of situationships. Have you ever found yourself in one? Was there a mutual agreement or were there unsaid uncertainties in the relationship? Consider how you would define a situationship and what that means to you.
In this 2016 New Yorker video, Robert Battle, former artistic director of the Alvin Ailey American Dance Theater, reminds all artists, whether dancers, musicians, poets, or writers, that “it’s important for us to, at this time, see beyond our circumstances.” Battle continues: “I think we can do that through the arts.”

To do something at the eleventh hour is to accomplish a task at the last possible moment. The origins of the phrase are unknown, although there is some indication it may come from a Bible parable or simply from the idea of the eleventh hour being close to the twelve o’clock hour at midnight signaling the end of a day. This week write a short story in which your main character manages to pull off a miraculous feat at the eleventh hour. It might be something seemingly mundane—a household chore, a work project, a last-minute gift for a special occasion—that turns out to have wider implications or consequences. Is waiting until it’s almost too late typical of your character or wildly unexpected? What drama is drawn from your character flying by the seat of their pants?
The practice of cutting one’s hair can sometimes be an emotional process—the shedding of one’s layers much like the way a snake sheds its skin. For some, cutting hair might symbolize a spiritual rebirth, embracing new beginnings and letting go of the past. For others, it can be a traumatic experience. Haircuts can be well thought-out decisions, premediated and anticipated, or spur of the moment, an abrupt change to one’s appearance. Write a poem about your last haircut or the experience of observing a haircut. Include details of where you were, who was cutting the hair, the sounds of the clippers or scissors, and the emotions you experienced. Read “Haircut” by Elizabeth Alexander and “Hair” by Orlando Ricardo Menes for further inspiration.
In this episode of Poured Over: The Barnes & Noble Podcast hosted by Miwa Messer, author Abraham Chang talks about writing his debut novel, 888 Love and the Divine Burden of Numbers (Flatiron Books, 2024), after working for years in the publishing industry, as well as how Eastern traditions, pop culture, and growing up in the borough of Queens in New York influenced his book.
In this Books Are Magic event, Miller Oberman reads from his latest poetry collection, Impossible Things (Duke University Press, 2024), and is joined by poets Jason B. Crawford, Joan Kwon Glass, and I. S. Jones for a reading and Q&A. For more from Oberman, read his installation of our Ten Questions series.