Genre: Fiction

We Have Always Lived in the Castle

Caption: 

Shirley Jackson’s final novel, We Have Always Lived in the Castle (Viking Press, 1962), has been adapted into a feature film for the first time. Directed by Stacie Passon and starring Alexandra Daddario, Taissa Farmiga, Crispin Glover, and Sebastian Stan, the mystery thriller follows a family whose dark past resurfaces upon the arrival of an estranged cousin.

Genre: 

Call Me Zebra

Caption: 

“I picked up languages the way some people pick up viruses. I was armed with literature.” In this video by Alma Books, Azareen van der Vliet Oloomi reads an excerpt from her novel Call Me Zebra (Houghton Mifflin Harcourt, 2018), for which she won the 2019 PEN/Faulkner Award for Fiction.

Genre: 

Must’ve Been Something I Ate

According to a recent study in the Journal of Archaeological Science: Reports, scientists found evidence in a cave in Texas that 1,500 years ago, someone ate a venomous snake whole. The discovery was made through analysis of coprolite, fossilized poop, which revealed a wealth of information about the ancient forager’s life and times. While there is no way to be certain, the archaeologists believe it’s possible that the snake was eaten for ceremonial or ritualistic purposes. Write a short story in which your main character finds a fossil in an unlikely place. How does this discovery steer your character into a mystery?

Watchale Workshop: An Alternative Narrative for California’s Central Valley

Jamie Moore is the author of the novella, Our Small Faces (ELJ Publications, 2013). Her work has been published in magazines including TAYO Literary Magazine and the Nervous Breakdown. She is a professor at College of the Sequoias in Visalia, California, and executive director of the Watchale Workshop.

California’s Central Valley has a surprisingly rich literary history, and the Watchale Workshop team has learned a few things about our literary community. Firstly, it is a community centered around Fresno, the city hub of the Central Valley and location of the nearest MFA program, which makes many of the literary events inaccessible to community members in the south part of the region, particularly writing students at the College of the Sequoias, where I teach. Secondly, many events are focused on a single genre—poetry—perhaps as a result of the success of poets from the area. Lastly, and of greatest concern to us, many literary events are focused on and organized by men. Knowing the rich diversity of writers in our area, the Watchale Workshop aimed to showcase what more the Central Valley has to offer with our inaugural day-long event full of workshops and lectures that took place on April 6 at the College of the Sequoias.

The idea for Watchale started as a conversation between fellow writers over coffee. The four of us at Watchale were brought together by a desire to create opportunities for writers like us: POC, queer, emerging. After recruiting a student team in September 2018, Watchale was conceptualized, the name derived from Sandra Cisneros’s poem “Loose Woman.” We wanted to make a statement: Watch out! We’re coming for you! We’ve been here! We’re ready to be heard!

With our mission statement in mind—to create an alternative narrative of our literary community—we carefully curated a lineup of writers that put women and queer voices at the center of our literary conversation. We invited women writers who not only had Central Valley connections, but those we knew would help us create a space for our student writers to be included in the larger literary community. I wanted Watchale to complement the women-centered literary groups already doing work in Fresno, such as Fresno Women Read and Women Writers of Color Central Valley. This was our festival to shine.

And shine we did. In the morning, generative workshops in several genres led by P&W–supported writers Ife-Chudeni Oputa, Monique Quintana, and Wendy C. Ortiz encouraged participants to pick up their pens and get writing. Oputa’s workshop focused on the theme of “Ownership,” asking emerging poets to consider the duality of ownership, and what we owe to ourselves and our communities.

After a rousing reading with Sara Borjas and Wendy C. Ortiz, participants gathered for craft lectures on topics like community organizing, freedom and futurity, scene writing, poetry structure, and self-publishing. The evening reading celebrated both our student readers from the College of the Sequoias Quill Creative Writing Club and our featured writers of the workshop.

Students and community members were invigorated by a literary space that felt like us, of us, for us. I deeply believe we served that purpose and thus, Watchale became the literary event of my dreams. Watchale is a love letter to the Central Valley and to the writers who’ve been missing from the narrative thus far. We’re here now.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photo: (from left to right) Marcus Moreno, Jamie Moore, Martin Velasco Ramos, Destina Hernandez, Wendy C. Ortiz, and Sara Borjas (Credit: Marcus Moreno).

Richard Powers and Barbara Kingsolver

Caption: 

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.

Genre: 

Submissions Open for the Miami Book Fair/de Groot Prize

Submissions are currently open for the Miami Book Fair/de Groot Prize for an unpublished novella. The winner will receive $6,000 and publication by Melville House; two runners-up will each receive $3,000. The winner and runners-up will each receive travel and lodging expenses to read and participate at the Miami Book Fair in 2020.

Writers who have not published a book of fiction are eligible. Using Submittable, submit a manuscript of 17,000 to 40,000 words by May 10. The entry fee is $50 until April 30 and $70 thereafter. Visit the prize’s Terms & Conditions page for complete guidelines.

Justin Torres will judge this year’s competition. Torres is an assistant professor of English at the University of California in Los Angeles and author of the novel We the Animals. The winner will be announced on or before November 1.

Marci Vogel won the 2017 award for her novella, Death & Other Holidays. Jim Shepard judged.

Photo: Miami Book Fair

Writers on the NEA

Caption: 

“With all writers, with all artists, with all humans, we all carry ancestors. We carry stories. We carry their songs.” In this video, Joy Harjo, Esther Allen, and Michael Cunningham speak on the impact of receiving creative writing fellowships from the National Endowment for the Arts (NEA). For more on the NEA’s positive impact on writers, read “Vote of Confidence: The Life-Changing Support of an NEA Fellowship” in the May/June 2017 issue of Poets & Writers Magazine.

How Writers Think and Work

Caption: 

At the 2018 National Book Festival, Lorrie Moore, author of See What Can Be Done: Essays, Criticism, and Commentary (Knopf, 2018), and Richard Russo, author of The Destiny Thief: Essays on Writing, Writers and Life (Knopf, 2018), speak about humor and storytelling with Kevin Larimer, editor in chief of Poets & Writers Magazine.

Deep Dive

4.24.19

For decades, phones shaped like Garfield—Jim Davis’s comic strip cat best known for being lazy and loving lasagna—kept washing up on the northwest coast of France seemingly out of the blue. The mystery was finally solved after a French environmental group discovered an abandoned shipping container filled with these feline phones lodged deep inside a nearby cave, according to a recent report in the Washington Post. This week, write a story about an enigmatic object that surfaces near a body of water. Concoct an explanation that is logical, fantastical, or somewhere in between—a statement on wastefulness and global pollution or about the magical interconnectedness of the world. For ideas and photographs of strange artifacts discovered underwater, including an ice cream truck and a giraffe, visit Underwater New York.

East City Bookshop

East City Bookshop has become a gathering place for book lovers of all ages since opening in 2016. The friendly staff offers favorite book picks, and there are author events, book clubs, and community events throughout the year. 

Pages

Subscribe to Fiction