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“I didn’t understand that I had to be ruthless. I didn’t understand that my job as a writer wasn’t to coddle my characters and create these fairy tales for them to live.” At Brown University's Center for the Study of Race and Ethnicity in America, Jesmyn Ward and Edwidge Danticat discuss writing about their homes and the power of place.
“Sometimes the humor is a way to mask all that, so the reader won’t know that what I’m writing about is me, or figure out what side of the argument I stand on. Then there’s a risk in just trying to say what you mean to say…. Writing is a risk no matter what.” In a 2015 interview with Chris Jackson for the Paris Review, Paul Beatty, who was awarded the 2016 Man Booker Prize for his novel The Sellout last week, speaks about the risks of criticizing and including heated topics in his writing. Think of a topic or stance you are personally drawn to—but also afraid of—writing about. Write a personal essay in which you gradually expose this risky issue or opinion in a humorous way. How can offbeat humor, satire, or a generally funny approach allow you to tackle difficult subjects in a more oblique way?
At Yale University, Viet Thanh Nguyen discusses his award-winning novel, The Sympathizer (Grove Press, 2015), and his latest book, Nothing Ever Dies: Vietnam and the Memory of War (Harvard University Press, 2016), which is a finalist for the 2016 National Book Award in nonfiction.
Are you a nonfiction writer? Looking to publish an essay, or in search of funding to finish your book? If so, there’s a writing contest for you—and several of them have deadlines within the next few days. So get to work this weekend, and check out these contests with November 1 deadlines.
If you’re an emerging writer looking for experience and mentorship in New York City, A Public Space’s annual Emerging Writer Fellowships might be right for you. Each fellowship includes $1,000, publication in A Public Space, a six-month mentorship with an established author, and optional workspace in the journal's Brooklyn, New York, office from March 2017 to September 2017. There is no application fee.
Looking to publish an essay? Reed Magazine’s Gabriele Rico Challenge in Creative Nonfiction offers an annual prize of $1,333 and publication of an essay of up to 5,000 words (with a $15 entry fee). Similarly, the Briar Cliff Review offers an annual prize of $1,000 and publication for an essay of up to 5,000 words (with a $20 entry fee).
Want to travel abroad to finish your book? There’s a contest for that. The American-Scandinavian Foundation offers annual writing fellowships of up to $23,000 and grants of up to $5,000 to creative nonfiction writers for study and research in Scandinavia. The application fee is $60. Meanwhile, the American Academy in Rome’s annual Rome Prize— which includes a $28,000 stipend, lodging, workspace, and most meals—allows writers to spend eleven months at the American Academy in Rome. It’s open to nonfiction writers who have published either a book or at least five essays or memoir excerpts in two or more literary journals, magazines, or anthologies. The application fee is $40.
For study in the United States, Washington College’s Patrick Henry Writing Fellowship confers a nine-month fellowship, which includes a stipend of $45,000, at the C. V. Starr Center for the Study of the American Experience at Washington College in Chestertown, Maryland, to a nonfiction writer working on a book that addresses the history or legacy of the American Revolution and the nation’s founding ideas. There is no application fee.
Visit the contest websites for complete guidelines and submission details. For more upcoming contests, check out our Grants & Awards database and Submission Calendar.
“Upon moments like these, time never stops gnawing its little beaver teeth and the dialogue never stops even after we stop listening.” In this 2012 video, Peter Orner reads from his novel Love and Shame and Love (Little, Brown, 2011). His first essay collection, Am I Alone Here? Notes on Living to Read and Reading to Live (Catapult, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine.
“He walked warily, stopping often to scan the clouds for clues to an impending downpour...” A recent article in the New York Times explores why the National Weather Service is not able to better predict and track storms like this fall’s Hurricane Matthew, and speaks to a meteorologist and professor of atmospheric sciences about the need for improvement. Write an essay exploring an experience that disrupted plans in your life—perhaps an illness, a breakup, or an unexpected opportunity—that you were not able to predict. How did you respond to the challenge? In retrospect, were there signs or clues of the change to your forecast?
“Never in my mind did I think I was writing about love. Now I look at it and there’s no question, it’s all about the intimacies of love...” Chloe Caldwell reads from and talks about her first collection of essays, Legs Get Led Astray (Future Tense Books, 2012). Caldwell’s second essay collection, I’ll Tell You in Person (Emily Books, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine.
“‘Sometimes on American Idol, Nicki Minaj says I’m obsessed with you,’ she says. ‘I’m obsessed with you right now,’ I say.” Chloe Caldwell, whose second essay collection, I’ll Tell You in Person (Emily Books, 2016), is featured in Page One in the November/December issue of Poets & Writers Magazine, reads from her novella, Women (Short Flight/Long Drive Books, 2014).
“Do we always go and attend funerals and then after the funerals you go home and wait for another funeral, what? You have to document. You are forced to document.” In this video from the 2015 PEN World Voices Festival, Shireen Hassim moderates a conversation with Kehinde Bademosi, Zanele Muholi, and Binyavanga Wainaina to survey today's African gay rights landscape.
After undergoing more than two years of renovation at the New York Public Library’s main branch, this time-lapse video captures over fifty thousand books reshelved in two minutes. The reopening of the historic Rose Main Reading Room and the Bill Blass Public Catalog Room was celebrated in October 2016.
