This September Bread Loaf Writers’ Conference will expand its workshop from the historic Bread Loaf Inn in Middlebury, Vermont, to the Italian island of Sicily, with a condensed program of classes in poetry, fiction, and creative nonfiction.
The twenty-third annual Lambda Literary Awards were announced last night in New York City. Coinciding with this year's Book Expo America, the awards event brought out over four hundred attendees in celebration of LGBT literature.
Adam Haslett was honored for his novel, Union Atlantic (Nan A. Talese), the follow-up to his story collection, You Are Not a Stranger Here (Doubleday, 2002), a finalist for both the National Book Award and the Pulitzer Prize. Eileen Myles, author of more than a dozen books and chapbooks of poetry, fiction, and nonfiction, won the award in lesbian fiction for Inferno (A Poet's Novel) (OR Books).
Anna Swanson and Brian Teare took the prizes in poetry, Swanson for her debut collection, The Nights Also (Tightrope Books), and Teare for Pleasure (Ahsahta Press). Two novelists won in debut fiction, Amber Dawn for Sub Rosa (Arsenal Pulp Press) and David Pratt for Bob the Book (Chelsea Station Editions). The Lunatic, the Lover and the Poet (Harper Perennial) by Myrlin Hermes won in bisexual fiction, and Holding Still For as Long as Possible (House of Anansi Press) by Zoe Whittall received the transgender fiction prize.
Barbara Hammer and Julie Marie Wade were also recognized for their memoirs, Hammer! Making Movies Out of Sex and Life (Feminist Press) and Wishbone: A Memoir in Fractures (Colgate University Press), respectively. A complete list of winners, including honorees in drama, anthology, and young adult literature, is posted on the Lambda Literary website.
In the video below, fiction winner Haslett presents a dramatic reading of passages from Union Atlantic.
Quiddity, a literary journal out of Benedictine University in Springfield, Illinois, has launched its inaugural contest for a prose book trailer. The biennial competition is open to short films based on both unpublished manuscripts and published books of fiction or creative nonfiction, offering a five-hundred-dollar prize in each category.
Aside from the cash prize, Quiddity will also arrange to promote the winning trailers in the journal and on National Public Radio member station WUIS Springfield, as well as on the Web sites of both. The journal's prose editor David Logan and emerging novelist A. D. Carson will judge.
Authors should submit films of no longer than three minutes in the manuscript category, and publishers or presses should submit entries for published books; entry is free. Complete guidelines and entry forms are available on the Quiddity website.
Entries aren't due until December 10, but a look at Carson's sample trailer below might leave some writers wanting to carve out substantial time to get production just right, or assemble a crew—friends and colleagues are permitted to assist in the trailer's creation. Videos simply featuring authors reading do not qualify for this competition.
In honor of Mother's Day, we asked Ayelet Waldman, author of Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace, to talk about how she works with her literary agent Mary Evans.
You've written an eclectic mix of fiction and nonfiction: mystery novels, literary novels, personal essays, as well as a new foray into television. Does your agent, Mary Evans, play a role in deciding what to write next? Does she offer long-term career advice, encourage or discourage you in taking on the next project?
She's wonderfully encouraging, my biggest cheerleader next to my husband. She's always eager for me to try new things, to stretch my wings in different directions. She's never once said anything like, "Oh the mysteries are working, don't try to write more 'literary' fiction" or "The nonfiction mommy stuff sells well, do more of that." I think she genuinely views her role as facilitating my growth as a writer, even when, on occasion, that means making a less commercial choice.
Agents are notoriously over extended and distracted as they deal with their many clients, or courting editors, answering numerous queries, etc. Do you wait for Mary Evans to contact you, for instance, if she's had a manuscript for a long while with no word? Or do you not hesitate to call or write to check in?
I feel truly blessed. Mary always calls me back right away, and on the very rare occasion where she can't return my call within a couple of hours, she's hugely apologetic. She turns my manuscripts around immediately, usually that same weekend, and certainly within a week or two. I feel comfortable (perhaps too comfortable) checking in about the work she's looking at, about my career in general, about how much I hate the Republican majority in the House.
Daughter's Keeper, published in 2003, your first literary novel, was rejected thirty-one times before finding a publisher. Tell us about Mary Evans's role in seeing that novel to fruition. Did she edit, or suggest rewrites between submissions?
Absolutely. In fact, it's my fault it was rejected so many times, not hers. She very gently suggested from the beginning that I do more work on it before I sent it out, but I was about to give birth and I desperately wanted the novel out the door. Had I done what she said, I probably would have sold the novel a lot earlier. And in the end, of course I had to do the work anyway.
And last, a related question: Does Mary Evans edit your work, either a full manuscript or a nonfiction proposal, before it's sent out to editors? Or does she send it out as is?
I wouldn't feel comfortable sending something out without her practiced eye. She reads everything, comments on everything, and yet doesn't push. She'll read multiple drafts of a novel, even when we're at the stage of things where I'm submitting directly to my editor. I like having her input, and I think she enjoys this part of the job.
If somehow you're one of the few who missed Richmond, Virginia, attorney David Kazzie's hilarious Xtranormal animation, "So You Want to Write a Novel," that zinged around the Internet a few months back, then watch it right now, but only if you're sitting somewhere where it's appropriate to laugh out loud. It lampoons the vast, blind ambition of certain novice writers, and tickled agents, editors, writers, as well as would-be writers and readers alike. The video, as they say, went viral, and one of the multitude of people who liked it, was Ann Rittenberg, a Manhattan literary agent who represents Dennis Lehane, and who, with Laura Whitcomb, has written a how-to guide called Your First Novel.
Kazzie noticed Rittenberg had linked to his video, and found it particular exciting as he is a huge Dennis Lehane fan. Kazzie and Rittenberg chatted, and it turned out, Kazzie did indeed have an unpublished manuscript, a thriller. Rittenberg liked his sensibility. David Kazzie now has an agent, and, yes, it's Ann Rittenberg.
Bonus: Ann Rittenberg's "The Successful Writer’s Personality" and an interview with David Kazzie. Also, check out more with Ann Rittenberg in Eryn Loeb's article, "Seek and You Shall Sign" in The Poets & Writers Guide to Literary Agents.
P&W-SPONSORED WRITER & PRESENTER: Collin Kelley
For the next few weeks, poet Collin Kelley, author of After the Poison, Slow to Burn, and Better to Travel, and curator of both the Poetry Atlanta reading series and the Georgia Center for the Book reading series will be blogging about his experience as a longtime R/W-sponsored writer and presenter of literary events.
In February 2005, I wrote my first grant approved by Poets & Writers, Inc., when it expanded its Readings/Workshops program to the Atlanta area. The recipient of that grant, Cherryl Floyd-Miller, hadn’t asked for any money, but deserved it for her many years of selfless and uncompensated work as a writer in the city. We had a standing-room-only audience that night at the Barnes & Noble on the Georgia Tech campus, and I was thrilled to be able to put a check in Cherryl’s hand.
Asking a writer to pay airfare, hotel (or sleep on an uncomfortable sofa), and other expenses with no compensation other than the “glory” and “honor” of being asked to read becomes more and more abhorrent to me the longer I’m in the business of words. Even if the writer is just coming from across town, they are giving up their time, paying $3-plus for gas and providing experiences for audiences.
Whether the poet is coming from Boston or Los Angeles (such was the case with January Gill O’Neil and Steven Reigns, respectively) or just around the corner (the newly-crowned Women of the World Poetry Slam champion Theresa Davis or local favorite Karen Head), my belief is that they all deserve to be paid.
Let’s face it: Unless some book-loving heiress has died and bequeathed her fortune, most literary organizations are struggling. And not just because of the recent economic downturn, but since time began. It’s not that people don’t value literature; it’s just often taken for granted as always being there. Writers are usually left in the gray area of trying to balance doing what they love and keeping the lights on in their dens.
Support for Readings/Workshops events in Atlanta is provided by an endowment established with generous contributions from Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
The John Simon Guggenheim Memorial Foundation named yesterday the winners of its 2011 fellowships for writers in the United States and Canada. The writers receiving awards, which last year averaged $36,867, are most in the middle stages of their careers, with two or more books published. Award amounts vary based on a writers' individual budget requests.
The fellows are, in poetry:
Bill Porter (translation)
D. A. Powell
A. E. Stallings
Bonnie Jo Campbell
In the video below, fiction fellow Lara Vapnyar, who emigrated from Moscow in the early nineties, describes her experience as a writer in America.
The Washington State–based literary journal Bellingham Review is offering an extension for submissions to its poetry, fiction, and creative nonfiction contests. Having received fewer submissions than they have in the past, the journal opted to accept entries until April 15.
Judging this year's entries will be poet Lia Purpura, author of King Baby (Alice James Books, 2009); fiction writer Adrianne Harun, author of the story collection The King of Limbo (Mariner Books, 2002); and creative nonfiction writer Ira Sukrungruang, author of Talk Thai: The Adventures of a Buddhist Boy (University of Missouri Press, 2010).
Last year's winners were Jennifer Perrine for her poem "When the Dazzle Isn't Gradual," Jacob Appel for his story "Bait and Switch," and Angela Tung for her essay "An Old Man on the Frontier Loses His Horse," selected by Allison Joseph, Jess Walter, and Rebecca McClanahan, respectively.
Complete guidelines for entry and samples of work published in the journal are available on the Bellingham Review Web site.
Zone 3 Press, housed at Austin Peay State University in Tennessee, is accepting entries for a new book competition "open to anyone who can carve an artful exposition, drive a factual narrative, or strum a lyric sentence." One creative nonfiction manuscript will be selected for publication by the press, and the winning writer will receive one thousand dollars.
The judge is Baltimore poet and essayist Lia Purpura, author of the prose collections Increase (University of Georgia Press, 2000), On Looking (Sarabande Books, 2006), and Rough Likeness, which is forthcoming from Sarabande Books in 2012. Her poetry collections include The Brighter the Veil (Orchises Press, 1996) and King Baby (Alice James Books, 2008).
Eligible manuscripts should be 150 to 300 pages, and writers are encouraged to submit works that "embrace creative nonfiction’s potential by combining lyric exposition, researched reflection, travel dialogues, or creative criticism." The entry deadline is May 1. Complete deadlines can be found on the press's Web site.
In the video below, Purpura, whose prose works have been referred to as "lyric essays," reads from her latest collection of poetry.
Yesterday the Lambda Literary Foundation announced the finalists for its twenty-third annual "Lammy" literary awards. Books are considered on the basis of their being authored by lesbian, gay, bisexual, and transgender writers or depicting LGBT characters.
Below are the contenders for prizes in poetry, fiction, and debut fiction, selected from a record pool of entries: 520 titles submitted by 230 publishers. The full lists of finalists in the additional Lammy categories, including biography, anthology, and erotica, are available on the Lambda Literary Foundation Web site.
darkacre by Greg Hewett (Coffee House Press)
then, we were still living by Michael Klein (GenPop Books)
Other Flowers: Uncollected Poems by James Schuyler (Farrar, Straus and Giroux)
Pleasure by Brian Teare (Ahsahta Press)
The Salt Ecstasies: Poems by James L. White (Graywolf Press)
Money for Sunsets by Elizabeth J. Colen (Steel Toe Books)
The Inquisition Yours by Jen Currin (Coach House Books)
The Sensual World Re-emerges by Eleanor Lerman (Sarabande Books)
White Shirt by Laurie MacFayden (Frontenac House)
The Nights Also by Anna Swanson (Tightrope Books)
Gay Debut Fiction
XOXO Hayden by Chris Corkum (P. D. Publishing)
Probation by Tom Mendicino (Kensington Publishing)
Bob the Book by David Pratt (Chelsea Station Editions)
The Palisades by Tom Schabarum (Cascadia Publishing)
Passes Through by Rob Stephenson (University of Alabama Press)
Lesbian Debut Fiction
Alcestis by Katharine Beutner (Soho Press)
Sub Rosa by Amber Dawn (Arsenal Pulp Press)
Fall Asleep Forgetting by Georgeann Packard (The Permanent Press)
The More I Owe You by Michael Sledge (Counterpoint Press)
One More Stop by Lois Walden (Arcadia Books)
Fall Asleep Forgetting by Georgeann Packard (The Permanent Press)
If You Follow Me by Malena Watrous (Harper Perennial)
Krakow Melt by Daniel Allen Cox (Arsenal Pulp Press)
The Lunatic, the Lover, and the Poet by Myrlin A. Hermes (Harper Perennial)
Pride/Prejudice: A Novel of Mr. Darcy, Elizabeth Bennet, and Their Forbidden Lovers by Ann Herendeen (Harper Paperbacks)
By Nightfall by Michael Cunningham (Farrar, Straus and Giroux)
Children of the Sun by Max Schaefer (Soft Skull)
Consolation by Jonathan Strong (Pressed Wafer)
The Silver Hearted by David McConnell (Alyson Books)
Union Atlantic by Adam Haslett (Doubleday)
Big Bang Symphony by Lucy Jane Bledsoe (University of Wisconsin Press)
Fifth Born II: The Hundredth Turtle by Zelda Lockhart (LaVenson Press)
Holding Still for as Long as Possible by Zoe Whittall (House of Anansi), also a finalist in the transgender fiction category
Homeschooling by Carol Guess (PS Publishing)
Inferno by Eileen Myles (OR Books)
The winners will be honored at a gala held at the School of Visual Arts in New York City on May 26.
In the video below, Lesbian Fiction finalist Eileen Myles discusses her nominated book.