Nude Bruce Review is a nonprofit publication. Simply put, we strive to publish compelling and high-quality work and to allow emerging and existing writers from the United States and beyond the opportunity to establish face and to showcase their talents.

Split Lip Magazine is voice-driven literary magazine with a pop culture twist. We publish online monthly and in print annually. 

Published twice a year, Redivider welcomes fiction, nonfiction, graphic art, and poetry submissions from new, emerging, and established artists and writers. We strive to showcase the very best previously unpublished art and literature we can find; to actively engage the broader literary community, and to support and nurture that community in our pages and beyond; to welcome and serve historically underrepresented voices, including those marginalized due to class, gender, race, and sexuality; and, above all, to give good art and literature a good home.

The Lascaux Review provides a showcase for emerging and established writers and artists. Annual contests are conducted in flash fiction, short fiction, poetry, and creative nonfiction.

Easy Street provides writers a venue to showcase their work, to discuss the publishing industry, and to share viewpoints on diverse aspects of contemporary life and culture.

Syndicated celebrates the art of television through people’s unique perspectives, insights, and experiences. We’re more analysis than review, more individual than far-reaching, and more you than the hunk of metal you watch on. If a show, episode, scene, character, or quote had an effect on your life in any way, we want to hear about it. Maybe a show helped you understand mental illness, or maybe something about television just made you feel less alone. So stop channel-flipping for a second; broadcast your story.

Eoagh is dedicated to the idea of reading as a process, the productive chaos of investigative poetic work. We seek to foreground the writing of experimental women, trans, feminist, transfeminist, POC, anti-racist, and LGBT/queer authors. We seek work that explores the acts of attention not just in writing but also in being written. Inspired by the assertion that “reading is a gymnast’s act,” we see readings as embodied, interdisciplinary responses that engage with one’s environment.