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Creative writers stand at the edge of a digital divide. On one side: the traditions of paper. On the other: the lure of the Internet. As glossy magazines die by the dozen and blogs become increasingly influential, we face the reality that print venues are rapidly ceding ground to Web-based publishing. Yet many of us still hesitate to make the leap.
Adam Robinson started the outdoor journal Is Reads to offer the citizens of Baltimore an unusual venue for poetry—the city itself.
Four agents discuss how the economy is affecting their jobs, where they’re finding new writers, and what totally freaks them out about MFA students.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Witness, the Massachusetts Review, Calyx, River Teeth: A Journal of Nonfiction Narrative, and Oxford American.
Small Press Points highlights the happenings of the small press players. This issue features New Directions, Burning Deck, Siglio Press, Calyx Books, Fence Books, Hanging Loose Press, Slope Editions, Canarium Books, Octopus Books, Ugly Duckling Presse, Clear Cut Press, Featherproof Books, Paper Egg Books, Soft Skull Press, and Tupelo Press.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Emily Chenoweth's Hello Goodbye and Loree Rackstraw's Love As Always, Kurt: Vonnegut As I Knew Him as the starting point for a closer look at these new and noteworthy titles.
Although the current recession is hammering all sectors of the literary economy, including publishers of books and magazines, booksellers, and service organizations—not to mention writers themselves—one of the community's smallest but most important components is proving particularly vulnerable.
Many in the publishing industry now consider Twitter—as they do Facebook, MySpace, and YouTube—an essential marketing venue for books and authors. But authors hoping to tweet their way to the social-networking top need more than a Twitter account—they need a game plan.
Three new biographies tackle the private lives and literary legends of Donald Barthelme, John Cheever, and Flannery O'Connor.
By presenting seventy-three poets, all of whom the editors believe constitute what Charles Bernstein famously called "official verse culture" as well as its unofficial, avant-garde counterpart, the new anthology American Hybrid strives to showcase the diversity of contemporary American poetry while also revealing the unusual affinities within it.
