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The movement to credit translators on book covers; finalists for this year’s CHIRBy Awards; Gabrielle Drolet writes about the precarity of freelance writing; and other stories.
Jennifer Huang’s Return Flight, forthcoming from Milkweed Editions on January 18, 2022.
An excerpt from The Art of Revision: The Last Word by Peter Ho Davies, published in November 2021 by Graywolf Press.
“Trust yourself and your own vision for your work.” —Blake Sanz, author of The Boundaries of Their Dwelling
Literary nonprofit Slice to close down; Casey Plett reflects on the appeal of writing story collections; Amitava Kumar makes the case for including visual elements in literary books; and other stories.
Jami Attenberg’s I Came All This Way to Meet You: Writing Myself Home, forthcoming from Ecco on January 11, 2022.
Longtime literary agent Philip Spitzer has died; Pyae Moe Thet War writes about the many stages of writing a book; Elizabeth Bruenig weighs in on “Who Is the Bad Art Friend?”; and other stories.
Publishers Weekly recaps the Brooklyn Book Festival; the New York Public Library will no longer charge late fees; Jocelyn Nicole Johnson shares her path to writing; and other stories.
Larissa Pham reviews Afterparties by the late Anthony Veasna So; Beth Gilstrap searches for beauty and hope on and off the page; new prize seeks to support diverse independent publishers; and other stories.
“I wanted to articulate and be honest to the emotion of grief.” —Eugene Lim, author of Search History
