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Kalani Pickhart discusses the complex structure of her debut; Zeba Blay recalls the experience of recording her audiobook; Nina MacLaughlin writes about the Hunter’s Moon; and other stories.
White Whale Bookstore expands; B. J. Hollars writes in praise of Gary Paulsen’s quieter novels; Avni Vyas discusses conjuring the titular figure in Little God; and other stories.
The men who constructed “Spain’s Elena Ferrante,” Carmen Mola; coauthors Laura Blackett and Eve Gleichman discuss their complementary writing styles; Joss Lake reflects on the speculative elements in Future Feeling; and other stories.
“I need to be involved with life, its business, its noise.” —Khadija Abdalla Bajaber, author of The House of Rust
The movement to credit translators on book covers; finalists for this year’s CHIRBy Awards; Gabrielle Drolet writes about the precarity of freelance writing; and other stories.
Jennifer Huang’s Return Flight, forthcoming from Milkweed Editions on January 18, 2022.
An excerpt from The Art of Revision: The Last Word by Peter Ho Davies, published in November 2021 by Graywolf Press.
“Trust yourself and your own vision for your work.” —Blake Sanz, author of The Boundaries of Their Dwelling
Literary nonprofit Slice to close down; Casey Plett reflects on the appeal of writing story collections; Amitava Kumar makes the case for including visual elements in literary books; and other stories.
Jami Attenberg’s I Came All This Way to Meet You: Writing Myself Home, forthcoming from Ecco on January 11, 2022.
