Poets & Writers Blogs

NOLA: A Literary Festival Destination

Whether you’re a local writer or visitor to the city of New Orleans, you’ll be pleasantly surprised to find more than beads and bands in our city. There are plenty of literary festivals where you can hear amazing writers read from their work, get resources, and build your tribe. Here are a few worth checking out:

Take the hour drive from New Orleans to Baton Rouge for the Louisiana Book Festival. Held at the State Library of Louisiana, the annual festival hosts national and local writers from the state and of course, the South. Attendees can browse the massive bookstore, meet with representatives from literary journals, get books signed, and listen to live music. This year marks the sixteenth year of the festival, which will take place on Saturday, November 2 from 9:00 AM to 4:00 PM. Pro tip: purchase a ticket to attend the mix and mingle event the night before.

This year’s theme for the Words and Music festival is “Mapping Change,” and aims at exploring how the arts can serve as vehicles for social justice. The four-day event will take place at the Ace Hotel from November 21–24 and includes keynote presentations by Rebecca Solnit and Joshua Jelly-Shapiro, and a conversation between authors DaMaris Hill and Maurice Carlos Ruffin. Proceeds from the festival benefit One Book One New Orleans, a nonprofit organization dedicated to adult literacy in the Greater New Orleans area.

The thirty-third annual Tennessee Williams & New Orleans Literary Festival in 2020 will be from March 25–29. The five-day event includes writing workshops by acclaimed writers, panel discussions, a book fair, a Tennessee Williams tribute reading, live music, and of course, the hilarious Stanley and Stella Shouting Contest.

The 2020 New Orleans Poetry Festival and Small Press Fair will be held at the New Orleans Healing Center from April 16–19 and is currently accepting proposals for events through their website.

Attendees at the Louisiana Book Festival.
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Readings in Town

Recently I had the chance to attend a couple of readings that blew me away. There is a new Spanish-language reading series presented by Inprint and Tintero Projects called Escritores en la casa. The September event featured Rose Mary Salum, founder and editor of the bilingual magazine Literal, Latin American Voices. The Inprint house was packed and the audience asked thoughtful questions during the discussion that followed the reading.

I was also able to attend a P&W–supported event with poet Ilya Kaminsky reading from his newest collection, Deaf Republic. Sponsored by the University of Houston’s creative writing program, the monthly Gulf Coast reading series invites students from the program to read with a featured visiting writer. Kaminsky held the audience’s attention with a haunting selection of his book, a lyric narrative-in-poems set in a time of war. The event took place at the beautiful Lawndale Art Center, which hosts art shows and is a spectacular space for readings. It was one of the most unique readings I have ever attended.

Hear Kaminsky read from Deaf Republic in Episode 24 of Ampersand: The Poets & Writers Podcast.

Ilya Kaminsky reads at the Gulf Coast reading series in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Detroit State of Mind

This week I took a moment to speak with Rose Gorman, the inaugural Tuxedo Project resident fellow, about the literary landscape of Detroit compared to her experience in New York, where she received her MA in creative writing at Binghamton University. Gorman has lived in Detroit for two years and quickly become an active organizer of book clubs and fundraising events, and is a coordinator for the Michigan Louder Than a Bomb festival.

Gorman has a ton of experience with event programming and, as the former program manager of the New York Writers Coalition, received funding for the Fort Greene Summer Literary Festival through the Reading & Workshops program. When asked about the differences between the literary events and resources in Detroit versus New York, she found it difficult to put into words. “New York is a larger place, and coming from there, Detroit has a small-town feel,” says Gorman. “It can be easier to collaborate with different kinds of artists here, while in New York everyone is already engrossed in so much of the culture that it’s harder to find time to collaborate. Everyone is hustling.”

I identified with Gorman’s experiences with Detroit feeling like a small city. There is an unspoken effort to connect to a larger group of like-minded creatives here. The beauty of Detroit is in the richness of our creative community. We welcome new writers to the city and it’s important that we continue to share experiences, resources, and knowledge with each other.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Whiting Foundation Announces 2019 Creative Nonfiction Grant Recipients

The Whiting Foundation has announced the recipients of the 2019 Creative Nonfiction Grants, given annually to up to eight writers in the process of completing a book of creative nonfiction. This year’s grants recognize books that range from histories to works of memoir and original reporting, and for the first time celebrate a work of graphic nonfiction. The writers will each receive $40,000. 

The 2019 grantees are:

Wil S. Hylton for The Call of Empire, forthcoming from Riverhead

Channing Gerard Joseph for House of Swamm: Whee Slaves Became Queens, forthcoming from Crown

Jim Morris for The Cancer Factory, forthcoming from Beacon

Kristen Radtke for Seek You: Essays on American Loneliness, forthcoming from Pantheon

Albert Samaha for Concepcion: A Family’s Journey on the Immigrant Wave That Changed the Face of America, forthcoming from Riverhead

Damon Tabor for The Mountain in the Burning Sky, forthcoming from Random House

Walter Thompson-Hernández for The Compton Cowboys: A New Generation of Cowboys in America’s Urban Heartland, forthcoming from HarperCollins

Ilyon Woo for Master Slave Husband Wife: An American Love Story, forthcoming from 37 Ink

The winners were selected from a list of fifteen finalists by an anonymous judging panel. Now in its fourth year, the Whiting Creative Nonfiction Grant “fosters original, ambitious projects that bring writing to the highest possible standard.” The applicants must have a publishing contract and be at least two years into their project. Previous recipients include Jess Row, Jennifer Block, and Sarah M. Broom. The next round of applications will open in spring 2020.

For more than forty years, the Whiting Foundation has supported literature and the humanities through its various programs, including its annual awards for emerging writers and the Whiting Literary Magazines Prizes, which honor literary journals. Visit the website for more information.

Photos: Top row: Wil S. Hylton (credit: Chris Hartlove), Channing Gerard Joseph (credit: Katie Sugarman), Jim Morris (credit: Chris Zubak-Skees), Kristen Radtke (credit: Amy Ritter). Bottom row: Albert Samaha (credit: BuzzFeed), Damon Tabor (credit: Ethan Hickerson), Walter Thompson-Hernández (credit: June Canedo), Ilyon Woo (credit: Joon Park).

Submissions Open for VanderMey Nonfiction Prize

Submissions are open for Ruminate magazine’s VanderMey Nonfiction Prize. The annual prize awards $1,500 and publication in Ruminate to a creative nonfiction work of 5,500 words or less. There is no theme or topic for the prize, and all creative nonfiction forms—including personal essays, memoirs, and literary journalism—are accepted. 

Using only the online submission system, submit a work of creative nonfiction of no more than 5,500 words and a $20 entry fee by October 30. The entry fee includes one copy of a digital issue of Ruminate. Visit the website for complete guidelines.

Founded in 2006, Ruminate is a nonprofit literary arts magazine with the mission to create “a space to share good stories, poetry, and art, including the stories and work of those who are nudged forward, backwards, and sideways on the spiritual journey.” The 2018 winner of the VanderMey Nonfiction Prize was Jonathan Winston Jones, whose essay “Bison Clouds” was selected by judge Camille Dungy and published in Hauntings: Ruminate 47.

Submissions Open for Lambda Literary Awards

The 32nd Annual Lambda Literary Awards (the “Lammys”) are currently open for submissions. The Lammys honor books in more than twenty genres ranging from literary fiction and poetry to speculative fiction, comics, and memoir, and are judged “principally on literary merit and content relevant to lesbian, gay, bisexual, transgender, and queer lives.” 

Submit three hard copies of a book and, if available, a .PDF version of the text, by November 15. Books put forward for consideration in this Lammys cycle must be published between January 1 and December 31, 2019, and may be nominated in no more than one category. Submissions may be made by authors as well as publishers or publicists. All authors, regardless of their sexual orientation or gender identity, are welcome to have their work considered, except in the case of the awards that mark specific stages of an individual LGBTQ writer’s career. The fee is $55 per book; for publishers entering eleven or more books, the fee is $45 per book. Visit the website for complete guidelines. 

Finalists will be announced in March 2020. Winners will be revealed at the Lambda Literary Awards gala ceremony on June 8, 2020 at the NYU Skirball Center for the Performing Arts in New York City. Tickets for the gala will go on sale in spring 2020.

From the Big Easy

I’m Kelly Harris and I’ll be reporting from the Big Easy: New Orleans, Louisiana. I am a poet—see my Poets & Writers Directory profile for more on that—and I work as a freelancer and consultant for many projects around town, including the Words & Music festival. The annual event, upcoming in November, celebrates the literature, music, films, and history of New Orleans and is definitely worth checking out, whether you’re a local or a visitor. If you haven’t already, check out the Literary Events Calendar where you can peruse local events and list more for free. And if you’re on the go, download the Poets & Writers Local app.

As the literary outreach coordinator for Poets & Writers in New Orleans, I have the pleasure of engaging with the local literary community and informing them about the resources and funding opportunities that P&W offers. Several local writers have already been funded by the minigrants from the Readings & Workshops program and I look forward to spreading the word to more writers in Orleans Parish and beyond. Writers at all levels who give readings or conduct writing workshops can submit an application and find out more about the program.

New Orleans is typically known for its food and music, but there is a thriving literary arts scene worth exploring. I’m excited to highlight the many writers and events that make writing in New Orleans magical.

Kelly Harris.
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Writers Justice League

¿Que dice la buena vida, mi gente? On September 4, I joined the Houston Writers Coalition—a newly formed group of activist writers, professors, and creators—for an event supporting the Writers for Migrant Justice campaign. Organized by poets Christopher Soto, Jan-Henry Gray, Anni Liu, and Javier Zamora, the campaign brought writers together in more than forty cities across the United States to protest the government’s immigration policies and raise funds for the Immigrant Families Together Project, an organization that provides legal aid to undocumented families.

Here in Houston we participated by hosting a marathon reading—simply put, a reading with no introductions, prefaces, book signings, or discussions, just our words. Over forty writers gathered at the Holocaust Museum Houston, each of us reading an original piece or a piece from a notable writer on the topic of immigration. We raised a good deal of money for the campaign and auctioned off two mini-libraries, which each included a set of books signed and donated by local authors.

There are a few moments when a writer can say that they can make a direct impact outside of the written word, and that day, as we held simultaneous readings in multiple cities, writers stepped up to the plate and stood up for a just cause.

It was breathtaking.

Farnoosh Moshiri reads at the Writers for Migrant Justice event in Houston. (Credit: Lupe Mendez)
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Where to Write in Detroit

As a writer, I know how quickly our own writing seems to age. It often feels difficult to generate new work. Communing with fellow creatives is sometimes the best way to put pen to paper. With that in mind, I want to highlight a couple spaces for writers that I have found in the area.

Riverwise is a community-based magazine focused on highlighting local activism and personal Detroit stories. Alexis Draper has been organizing the Riverwise Writing Workshop series, which are held all over the city allowing for more accessibility to folks seeking out classes. The workshops range from general creative writing techniques to focusing on discussions about social issues in our community. A recent workshop called “Uncomfortable Spaces” was offered for free at the Artists Inn and was led by local poets Kahn Santori Davidson and Natasha T. Miller.

The Detroit Writing Room is an up-and-coming venue that opened in June offering coworking and event space in downtown Detroit. They have writing coaches that anyone can schedule an appointment with for feedback and editing on business materials or literary work. Many of the writing coaches are local creatives and professionals, including Anna Clark and Ashley Calhoun, both of whom I highly recommend! 

There are so many organizations and spaces that I could mention, but here are just a few more: Bottom Line Coffee House is home to a number of workshops led by local writers and visual artists, and they have great coffee and pastries. The Room Project is a work space for women and nonbinary writers and artists, and this October and November they will be offering creative nonfiction workshops. InsideOut’s after-school program, Citywide Poets begins this October for any teens looking to develop their writing. 

I hope these are resources that you can use and share with fellow writers! 

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Contest Deadlines

The slightly crisper air signals the beginning of fall, and along with this seasonal change come contests with a deadline of September 30 or October 1. These literary magazine and university press awards (including one with no entry fee!) all offer either book publication or a prize valued at $1,000 or more.

University of Massachusetts Press Juniper Prizes: Five prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a first poetry collection, a poetry collection, a short story collection, a novella or novel, and a book of creative nonfiction. The creative writing faculty at the University of Massachusetts in Amherst will judge. Deadline: September 30. Entry fee: $30.

Boulevard Nonfiction Contest for Emerging Writers: A prize of $1,000 and publication in Boulevard is given annually for an essay by a writer who has not published a full-length book in any genre with a nationally distributed press. The editors will judge. Deadline: September 30. Entry fee: $16, which includes a subscription to Boulevard.

Cave Canem Foundation Toi Derricotte & Cornelius Eady Chapbook Prize: A prize valued at approximately $2,500 is given annually for a poetry chapbook by a Black poet. The winner will receive $500, publication by Jai-Alai Books, and a weeklong residency at the Writer’s Room at the Betsy Hotel in Miami, Florida, and will give a reading at the O, Miami Poetry Festival in April 2020. Danez Smith will judge. Deadline: September 30. Entry fee: $12.

University of Arkansas Press Miller Williams Arkansas Poetry Prize: A prize of $5,000 and publication by University of Arkansas Press is given annually for a poetry collection. Billy Collins will judge. Deadline: September 30. Entry fee: $28.

University of Iowa Press Iowa Short Fiction Award: Two awards of publication by University of Iowa Press are given annually for first collections of short fiction. Writers who have not published a book of fiction are eligible. Deadline: September 30. Entry fee: none.

American Literary Review Literary Awards: Three prizes of $1,000 each and publication in American Literary Review are given annually for a poem, a short story, and an essay. Deadline: October 1. Entry fee: $15. 

LitMag Anton Chekhov Award for Flash Fiction: A prize of $1,250 and publication in LitMag will be given annually for a piece of flash fiction. The winning story will also be reviewed by literary agency Sobel Weber Associates. Deadline: October 1. Entry fee: $16.

Southeast Missouri State University Press Mighty River Short Story Prize: A prize of $1,000 and publication in Big Muddy, a literary journal published by Southeast Missouri State University Press, is given for a short story. The annual award will be discontinued after this year. Deadline: October 1. Entry fee: $20.

Missouri Review Jeffrey E. Smith Editors’ Prize: Three prizes of $5,000 each and publication in Missouri Review are given annually for a group of poems, a short story, and an essay. Deadline: October 1. Entry fee: $25, which includes a digital subscription to Missouri Review and a copy of the story collection A Faithful But Melancholy Account of Several Barbarities Lately Committed by last year's winner, Jason Brown.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

 

Deadline Approaches for Carolyn Bush Award

The Wendy’s Subway Carolyn Bush Award is currently open for submissions. The award honors the life and work of Wendy’s Subway cofounder Carolyn Bush by providing support to an emerging female-identifying writer residing in New York City. It aims to foster “innovative, hybrid, and cross-genre work that contributes to expanding the discourses and practices of poetry.” Applicants submit an early-stage poetry or cross-genre manuscript; the winner will receive editorial support to complete the manuscript for publication with Wendy’s Subway. An honorarium of $1,000, a standard royalty contract, and twenty-five author copies accompany publication. The winner will also receive free enrollment in two workshops at Wendy’s Subway, two professional development consultations, and a one-year membership to the organization’s reading room.

Using only the online submission system, submit twenty pages of an early-stage poetry or cross-genre manuscript, a 500-word personal statement, and a $15 entry fee by September 30. Manuscripts may include visual art and illustrations. The winning entry will be announced in fall 2019 and published in spring 2021. Visit the website for complete guidelines.

Wendy’s Subway is a non-profit reading room, writing space, and independent publisher located in the Bushwick neighborhood of Brooklyn, New York. The Carolyn Bush Award is judged by an editorial committee composed of Wendy’s Subway staff: Harris Bauer, Corinne Butta, Adjua Greaves, Sanjana Iyer, Gabriel Kruis, Matt Longabucco, and Rachel Valinsky.

National Book Award Longlists Announced

Last week the National Book Foundation released the longlists for the 2019 National Book Awards. The awards are presented annually for the best books of poetry, fiction, nonfiction, translated literature, and young people’s literature published between December 1 of the previous year and November 30 of the current year. Ten semifinalists have been nominated in each award category; the finalists, who will each receive a $1,000 prize, will be revealed on October 8. The winning authors will each receive $10,000 and will be announced at an awards ceremony in New York City on November 20.

The semifinalists in poetry:
Dan Beachy-Quick for Variations on Dawn and Dusk (Omnidawn Publishing)
Jericho Brown for The Tradition (Copper Canyon Press)
Toi Derricotte for “I”: New and Selected Poems (University of Pittsburgh Press)
Camonghne Felix for Build Yourself a Boat (Haymarket Books)
Carmen Giménez Smith for Be Recorder (Graywolf Press)
Ilya Kaminsky for Deaf Republic (Graywolf Press)
Ariana Reines for A Sand Book (Tin House Books)
Mary Ruefle for Dunce (Wave Books)
Arthur Sze for Sight Lines (Copper Canyon Press)
Brian Teare for Doomstead Days (Nightboat Books)

The semifinalists in fiction:
Taffy Brodesser-Akner for Fleishman Is in Trouble (Random House)
Susan Choi for Trust Exercise (Henry Holt)
Kali Fajardo-Anstine for Sabrina & Corina: Stories (One World)
Marlon James for Black Leopard, Red Wolf (Riverhead Books)
Laila Lalami for The Other Americans (Pantheon Books)
Kimberly King Parsons for Black Light: Stories (Vintage)
Helen Phillips for The Need (Simon & Schuster)
Julia Phillips for Disappearing Earth (Knopf)
Ocean Vuong for On Earth We’re Briefly Gorgeous (Penguin Press)
Colson Whitehead for The Nickel Boys (Doubleday)

The semifinalists in nonfiction:
Hanif Abdurraqib for Go Ahead in the Rain: Notes to A Tribe Called Quest (University of Texas Press)
Sarah M. Broom for The Yellow House (Grove Press)
Tressie McMillan Cottom for Thick: And Other Essays (New Press)
Carolyn Forché for What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press)
Greg Grandin for The End of the Myth: From the Frontier to the Border Wall in the Mind of America (Metropolitan Books)
Patrick Radden Keefe for Say Nothing: A True Story of Murder and Memory in Northern Ireland (Doubleday)
Iliana Regan for Burn the Place: A Memoir (Agate Midway)
Keeanga-Yamahtta Taylor for Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership (University of North Carolina Press)
David Treuer for The Heartbeat of Wounded Knee: Native America from 1890 to the Present (Riverhead Books)
Albert Woodfox with Leslie George for Solitary (Grove Press)

The semifinalists in translated literature:
Naja Marie Aidt for When Death Takes Something From You Give It Back: Carl’s Book translated by Denise Newman (Coffee House Press)
Eliane Brum for The Collector of Leftover Souls: Field Notes on Brazil’s Everyday Insurrections translated by Diane Grosklaus Whitty (Graywolf Press)
Nona Fernández for Space Invaders translated by Natasha Wimmer (Graywolf Press)
Vigdis Hjorth for Will and Testament translated by Charlotte Barslund (Verso Fiction)
Khaled Khalifa for Death Is Hard Work translated by Leri Price (Farrar, Straus & Giroux)
László Krasznahorkai for Baron Wenckheim’s Homecoming translated by Ottilie Mulzet (New Directions)
Scholastique Mukasonga for The Barefoot Woman translated by Jordan Stump (Archipelago Books)
Yoko Ogawa for The Memory Police translated by Stephen Snyder (Pantheon Books)
Pajtim Statovci for Crossing translated by David Hackston (Pantheon Books)
Olga Tokarczuk for Drive Your Plow Over the Bones of the Dead translated by Antonia Lloyd-Jones (Riverhead Books)

The semifinalists in young people’s literature:
Kwame Alexander
and Kadir Nelson for The Undefeated (Versify)
Laurie Halse Anderson for Shout (Viking Books for Young Readers)
Akwaeke Emezi for Pet (Make Me a World)
Cynthia Kadohata for A Place to Belong (Caitlyn Dlouhy Books)
Jason Reynolds for Look Both Ways: A Tale Told in Ten Blocks (Atheneum)
Randy Ribay for Patron Saints of Nothing (Kokila)
Laura Ruby for Thirteen Doorways, Wolves Behind Them All (Balzer + Bray)
Martin W. Sandler for 1919: The Year That Changed America (Bloomsbury Children’s Books)
Hal Schrieve for Out of Salem (Triangle Square)
Colleen AF Venable and Ellen T. Crenshaw for Kiss Number 8 (First Second Books)

Hot Houston Part Two

¿Que dice mi gente? In my last report, I talked about what I experienced this summer since taking on the role of literary outreach coordinator in Houston.

In July, I got a healthy dose of poetry from the Public Poetry reading series. Public Poetry is a program run by local poet and founding director Fran Sanders. Their programs and projects aim to bring poetry to audiences all across this brilliant city.

Presented in partnership with the City of Houston and the Houston Public Library, Public Poetry readings happen the first Saturday of every month at 2:00PM at four libraries a year, three consecutive months at each library. On July 6, I attended a beautiful reading featuring poets Calvin King, Autumn Hayes, Katherine Hoerth, and Melissa Studdard at the Bracewell Neighborhood Library on the south side of town.

In August, I got to take up some table space reppin’ Poets & Writers at the magazine launch for Defunkt Magazine. It was an honor and a pleasure to be on hand to catch the literary work and art at the launch for their first issue.

Defunkt describes itself as “a magazine which showcases compelling, accessible, and culturally relevant work—anything the mainstream is ignoring or marginalizing.” So far, I think they are living up to the name. They have rolling submissions and are currently accepting poetry and prose for their next issue. If you’re looking for more journals to submit to, check out the vetted and extensive Literary Magazines database.

Okay mi gente, check in next week and for all things September!

Lupe Mendez with Joshua Nguyen at the Defunkt Magazine launch event.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Mixing It Up

I have been speaking to numerous venue owners in Detroit about what it means to host a series in the city. Open mics allow for a variety of artists to take the stage while I have seen other shows and reading series offer a workshop afterwards. These are the shows that introduced me to the world of poetry. It’s been enlightening to explore all the different literary series offered in Detroit and to see how they impact audiences.

Recently I had a conversation with Dan Wickett, a local poet and event organizer, about hosting the Brain Candy series. The series showcases one poet, one prose writer, a musician, and a visual artist performing together at the local comic bookstore Green Brain Comics. When asked about how he chooses the artists and curates events, Wickett says that his hope is for audiences to find something unexpected to enjoy. “I’m exposing different art forms to those that show up to see a painter or a musician,” he says. “I’m also hoping to develop a community of artists that helps each other, supports each other’s events, and that finds hints of their own work in those around them.”

Brain Candy is presented by Green Brain Comics and the Emerging Writers Network, and has shows every third Monday of the month. For more information on events in your area, and to post your own, visit the Literary Events Calendar.

A reading for the Green Book Comics Brain Candy series.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Applications Open for Black Mountain Institute Shearing Fellowships

Applications are now open for the Black Mountain Institute Shearing Fellowships. Hosted at the institute’s home at the University of Nevada, Las Vegas, the fellowships each include a $20,000 stipend, free housing in downtown Las Vegas, work space at the institute’s campus offices, and eligibility for health care coverage. The upcoming fellowships will take place during the 2020–2021 academic year; candidates may apply for residencies of one or two semesters. While the fellowship has no formal teaching requirements, incoming fellows will be expected to maintain a regular in-office presence and to engage with the Black Mountain Institute literary community.

The fellowship is open to emerging and distinguished writers who have published at least one critically-acclaimed book of poetry, fiction, or creative nonfiction. Recent fellows include Hanif Abdurraqib, Lesley Nneka Arimah, Tayari Jones, Ahmed Naji, and Claire Vaye Watkins.

Using only the online application system, submit a one- to two-page cover letter, a ten-page writing sample, and a résumé or curriculum vitae by November 1. Finalists will be asked to submit copies of their books. There is no application fee. Visit the website for complete guidelines.

The Beverly Rogers, Carol C. Harter Black Mountain Institute is “an international literary center dedicated to bringing writers and the literary imagination into the heart of public life.” Located within the College of Liberal Arts at the University of Nevada, Las Vegas, the institute is home to the Believer, a bimonthly magazine of literature, arts, and culture.

Photo: 2018–2019 fellow Claire Vaye Watkins