Poets & Writers Blogs

The Houses on My Block: Arte Público Press

It gives me great pleasure to highlight the many aspects of the literary world that exist here in the Houston area through this blog. I feel it is important to keep this work going, especially now during this global crisis, to provide a sense of community as well as a little break from the news.

Starting this month, I’ll be writing about some of the publishing houses here in Houston, including Arte Público Press. Founded in 1979 by Nicolas Kanellos, Arte Público Press is the largest and most established publisher of Latino literature in the United States. Housed at the University of Houston, where Kanellos is a professor of Hispanic Studies, the press has helped launch the careers of notable authors like Sandra Cisneros, whose debut novel, The House on Mango Street, was published by the press; Miguel Piñero, who cofounded the Nuyorican Poets Café in New York City; and Obie Award–winning playwright Luis Valdez.

The press also launched the Recovering the U.S. Hispanic Literary Heritage Program to catalog lost Latinx writings from the American colonial period through 1960. They then branched out into bilingual books for children and young adults with their imprint Piñata Books.

Arte Público Press continues their mission to bring Hispanic literature to more audiences through their programs and books. They publish thirty books a year, so if you got the time, take a look at their massive catalog and consider ordering some of these wonderful books (including the recent release of Richard Z. Santos’s debut novel). Trust me, it’ll be worth your while.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Still Held By the Water

Last week, I introduced the first half of my reading of How the Water Holds Me by Detroit poet Tariq Luthun. I am more than happy to say that I remained locked in as a reader all the way through and finished reading the collection. More memories pour out of this book from one poem to the next, and as I continued to read I began to notice the significance of parental figures. In reflection, this collection mentions the word “father” more times than any other collection I’ve read. The second half of this book is also where I felt I learned something about Luthun’s mother, who I found mentioned far less than his father.

“...she raises / her eyes from the dishes, / her hands up from the bath, / and gives / a gentle laugh, / a sigh, we make / du’a, we pray...

I think this realization is very important to the entire collection and the concept of being “held” by water. It begs the question, “What is the water?” I am inclined to wonder if the water Luthun speaks of, in addition to the physical waters between Detroit and Palestine, are his family.

“I fear what becomes / of the family that feasts on pain.”

I highly recommend Luthun’s collection, which is forthcoming this month from Bull City Press and is currently available for pre-order. This has been a fantastic read to keep me company as the state of Michigan remains under a stay-at-home order.

If you are missing the sounds of live poetry, I am hosting a weekly virtual open mic for Citywide Poets on Instagram Live every Saturday at 3:00 PM EDT! Follow @citywidepoets to tune in or participate with a poem. Our Citywide Poets program focuses on teen writers, but we welcome adults to join in to share as we get through this pandemic together. Stay safe.

Citywide Poets Instagram Live Saturday Share Open Mic poster.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Carnegie Fund for Authors Open for Applications

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

The Carnegie Fund for Authors assists published fiction and nonfiction writers who are experiencing “pressing and substantial pecuniary need.” Applications are accepted from “American authors who have published at least one full-length work” of fiction or nonfiction with a mainstream publisher.

The fund typically disburses grants to writers seeking support due to “illness or injury to self, spouse, or dependent child,” but also provides assistance to writers experiencing “some other misfortune” due to an emergency such as fire, flood, or hurricane.

Prospective applicants must first provide their name, address, and e-mail in order to register for an account on the Carnegie Fund for Authors website. After the account has been approved by an administrator, writers may use the online application system or download an application to be submitted by mail. Applications must include documentation of the writer’s emergency situation, such as a letter from a doctor. Additional documentation may be required. Visit the website for complete eligibility requirements and application guidelines.

The Carnegie Fund for Authors grew out of an organization called the Authors Club, a community of literary luminaries founded in New York City in 1882, which kept aside funds for members experiencing financial distress. Over the years, Andrew Carnegie made significant donations to the club, which led the organization to establish a separate fund, the Carnegie Fund of the Author Club. By 1942, the Carnegie Fund for Authors had become its own entity and continued in its mission to serve authors in need.   

Writers Emergency Assistance Fund Open for Applications

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

The American Society of Journalists and Authors (ASJA) is granting emergency funds to established freelance writers affected by the COVID-19 pandemic, specifically those “who cannot work because they are currently ill or caring for someone who is ill.”

Writers who have published at least one nonfiction book with a major publishing house or published five articles in regional or national publications are eligible. There are no residency requirements, and writers do not have to be members of ASJA. Writers who have lost work because publishers and outlets are no longer assigning work, however, are not eligible at this time.

Using only the online application system, submit your publication record and documentation detailing your financial, medical, and household situation. Applications sent by e-mail or post will not be accepted. Visit the website for complete guidelines.

ASJA estimates that most applications will be processed in two to four weeks; a volunteer group of freelance writers reviews the applications.

Headquartered in New York City, the ASJA is the nation’s largest professional organization of independent nonfiction writers. The organization provides information, networking opportunities, seminars, and workshops, among other services, to its members. Since 1982 the ASJA has administered approximately $400,000 through its Writers Emergency Assistance Fund.

Deadline Extended for the Restless Books Prize for New Immigrant Writing

The deadline for the Restless Books Prize for New Immigrant Writing has been extended from March 31 to May 1 in response to the COVID-19 outbreak. This prize is given annually for a debut work of prose written by a first-generation immigrant that speaks to “some combination of identity, the meeting of cultures and communities, immigration and migration, and today’s globalized society.” The winner is awarded $10,000 and publication by Restless Books. Presented in alternating years for fiction and nonfiction works, the 2020 prize will be given to a fiction writer.

Using only the online submission system, submit a CV, cover letter, and novel or collection of short stories of at least 45,000 words by May 1. The manuscript must be written in or translated into English. There is no entry fee. Dinaw Mengestu, Achy Obejas, and Ilan Stavans will judge. Visit the website for complete guidelines.

Past fiction winners of the Restless Books Prize for New Immigrant Writing are Priyanka A. Champaneri and Deepak Unnikrishnan. Established in 2016, the Restless Books Prize for New Immigrant Writing is founded on the understanding that “the ethos of the modern world is defined by immigrants.”

José Torres-Tama and His Sci-fi Latino Noir

As we remain at home and do our part to stop the spread of the coronavirus, I wanted to share a short interview I did with poet and performance artist José Torres-Tama who I met a few years ago when we read along with other featured New Orleans poets at a venue off of St. Claude. I remember his chant of “no guacamole for immigrant haters” vividly. Torres-Tama has been touring his solo show Aliens, Immigrants & Other Evildoers across the country for almost ten years. The multimedia and bilingual show, which he describes as a “sci-fi Latino noir,” is updated regularly to reflect current events and is based on interviews Torres-Tama conducts with undocumented immigrants who share their courageous stories. The Readings & Workshops program cosponsored a powerful performance of the show this past September at the Alvar Branch of the New Orleans Public Library. I was able to speak with him about his work, his life in New Orleans, and the importance of giving voice to the immigrant experience.

How has Aliens, Immigrants & Other Evildoers evolved over the years?
Aliens, Immigrants & Other Evildoers premiered in 2010 at the Ashé Cultural Arts Center in New Orleans. In August 2019, we restaged the show for sold-out houses back at the Ashé to kick off a national tour. The show is about the hypocrisy of a country that exploits immigrant labor while criminalizing them. My comic battle cry is, “No guacamole for immigrant haters!” My 2020 tour opened in Mexico City and celebrated Glossolalia, a bilingual poetry book edited by iconic poet Guillermo Gómez-Peña that includes poems from Aliens, Immigrants & Other Evildoers.

Why does New Orleans feel like home to you?
I’m an Ecuadorian immigrant and naturalized U.S. citizen, and immigrant rights is the thematic platform for my poems. New Orleans is the northernmost point of the Caribbean with an often forgotten Latin legacy, and since the 1980s, I proudly call these swamplands home because I’ve cultivated my voice as a poet and performance artist here.

What do you feel is your contribution to the New Orleans literary scene?
I’m one of few Latin American poets here speaking to the immigrant experience. I believe my work is vital to a poetry scene that’s often stuck in a white and black binary quagmire. We need more Latinx voices to claim our rightful place in a city whose post-Katrina resurrection owes much to Latin American immigrant reconstruction workers who gave their blood, labor, and love to our rebirth.

Who are some local poets on your radar that we should look out for?
Two poets to watch in New Orleans are Linett Luna Tovar, a fierce Mexican wordsmith, and José Fermin Ceballos, an Afro-Dominican singer and poet.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Party Time: Zine Fest Houston

Now that we are being asked to stay at home to help slow the spread of the coronavirus and adjusting to this new terrain, most literary events have been canceled or postponed. Knowing this, I thought maybe I shouldn’t be writing about literary festivals and conferences, but I wanted to add a little hope for the future and highlight some great events we can look forward to that take place in Houston. It has also been wonderful to see some events and conferences, like TeenBookCon, adjusting to the current state of things and finding ways to have virtual events via social media platforms. To wrap up this series of posts, I want to tell you all about Zine Fest Houston.

Zine Fest Houston has been around since 1993, first as a small gathering in a local park in Houston where zine creators came together to share their latest issues. Since then, they have grown each year but the annual festival has always been about DIY creations. This is a space for brilliant creators to showcase and share self-published works or small print runs of literary works. Everything presented, shared, and worked on is unique and unconventional and that is the main draw to the festival. According to their website, the event promotes “zines, mini-comics, and other forms of small press, alternative, underground, DIY media and art.” The registration is free and the event is for all ages. There are tables and tables of artists and zines, panels and talks, and even zine-making workshops.

I actually sighed in relief after thinking this would be another festival that had to be canceled and seeing that, as of their announcement on Twitter in early March, the event scheduled for November 7 is still a go! This year’s theme celebrates all things transit-related and the ways transportation has influenced Houston’s culture.

Zine Fest Houston has also just organized a “Cyber Mall: Texas Zinesters & Comic Creators Directory” as a community Google sheet to support those who have lost income and opportunities to sell at festivals and events. Keep up with their news on Twitter, @ZineFestHouston.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

How the Water Holds Me

It has been about a week since Michigan governor Gretchen Whitmer announced a stay-at-home order to all residents as a measure to slow the spread of the coronavirus. In these sheltered times, I am reflecting on the moment and finding solace in books of poetry. Although just a few poems in, I am excited to say a few words about How the Water Holds Me by Palestinian American poet and Detroit local Tariq Luthun, which is forthcoming from Bull City Press in April.

In the introductory poems, we learn about Luthun’s background and family with subtle hints about the significance of place. As a reader, I found my curiosity building line by line as I gained snapshots of Tariq’s memories while sharing desires such as:

“I haven’t forgotten that / everyone needs a place on this planet. / And I, / I prefer to live where I can leave / the doors unlocked...”

Midway through this collection, I am beginning to better understand the title of the book as the poems “dive in” (pun intended) to how water plays a role in Luthun’s life and family. His words invite me to consider the distance over water between Detroit and Palestine. Luthun writes:

“Earth, / itself, I realize, is just a body / of waters.”

Luthun’s poems pull readers’ minds in and ask us to consider what displacement, home, ancestry, and identity mean to each of us. I am thinking about how I can connect more with my own family and history. I look forward to my journey through the rest of these poems, and highly recommend reading this collection.

Tariq Luthun, author of How the Water Holds Me (Bull City Press, 2020).
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Contests with No Entry Fees

Submissions are open for a number of contests with no entry fee. With deadlines ranging from March 31 to May 15, all offer a cash prize of $1,000 or more.

Academy of American Poets James Laughlin Award: A prize of $5,000 is given annually for a second book of poetry by a living poet to be published in the coming calendar year. The winner also receives an all-expenses paid weeklong residency at the Betsy Hotel in Miami Beach, Florida. Copies of the winning book are purchased and distributed to members of the Academy of American Poets. Rick Barot, Gabrielle Calvocoressi, and Honorée Jeffers will judge. Deadline: May 15.

American Literary Translators Association Italian Prose in Translation Award: A prize of $5,000 is given annually for a book of fiction or nonfiction translated from Italian into English and published in the previous calendar year. Submissions may be made by publishers or translators. Deadline: April 20.

American Literary Translators Association Lucien Stryk Asian Translation Prize: A prize of $5,000 is given annually for a book of poetry or a text from Zen Buddhism translated from an Asian language into English and published in the previous calendar year. Books translated from Chinese, Hindi, Japanese, Kannada, Korean, Sanskrit, Tamil, Thai, or Vietnamese into English are eligible. Submissions may be made by publishers or translators. Deadline: April 20.

Poetry Foundation Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships: Five fellowships of $25,800 each are given annually to U.S. poets between the ages of 21 and 31. Deadline: April 30.

Restless Books Prize for New Immigrant Writing: A prize of $10,000 and publication by Restless Books is given in alternating years for a debut book of fiction or nonfiction by a first-generation immigrant. The 2020 prize will be given in fiction. Writers who have not published a book of fiction in English are eligible. Dinaw Mengestu, Achy Obejas, and Ilan Stavans will judge. Deadline: May 1.

Saif Ghobash Banipal Prize for Arabic Literary Translation: A prize of £3,000 (approximately $3,945) is given annually for a book of poetry or fiction translated from Arabic into English and published for the first time in English during the previous year. Translations of Arabic works of poetry or fiction originally published in 1967 or later and published between April 1, 2019, and March 31, 2020, are eligible. Deadline: March 31.

Waterston Desert Writing Prize: A prize of $2,500 and a two-week residency at the PLAYA artists and scientists' retreat in Summer Lake, Oregon, is given annually for a nonfiction work-in-progress that “recognizes the vital role deserts play worldwide in the ecosystem and the human narrative, with the desert as both subject and setting.” The winner will also be provided with travel and lodging to attend a reception and awards ceremony at the High Desert Museum in Bend, Oregon, in June. Deadline: April 1.

Whiting Foundation Creative Nonfiction Grants: Up to eight grants of $40,000 each are given annually for creative nonfiction works-in-progress to enable writers to complete their books. Creative nonfiction writers under contract with a publisher are eligible. Deadline: May 4.

Willie Morris Award for Southern Fiction: A prize of $10,000 is given annually for a novel published during the previous calendar year that is set in the South and reflects Willie Morris’s “hope for belonging, for belief in a people’s better nature, for steadfastness against all that is hollow or crass or rootless or destructive.” The winner will also receive an all-expenses paid trip to Oxford, Mississippi, in fall 2020 for an award ceremony. Deadline: May 1.

Willie Morris Award for Southern Poetry: A prize of $2,500 is given annually for a single poem that evokes the American South. Susan Kinsolving will judge. Deadline: May 1.

Winning Writers Wergle Flomp Humor Poetry Contest: A prize of $1,000 and publication on the Winning Writers website is given annually for a humorous poem. Jendi Reiter will judge. Deadline: April 1.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

PEN America Writers’ Emergency Fund Open for Applications

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

The PEN America Writers’ Emergency Fund is currently administering grants of $500 to $1,000 to writers who “demonstrate an inability to meet an acute financial need, especially one resulting from the impact of the COVID-19 outbreak.” In response to the public health crisis, PEN America has streamlined its typical application process for support through the fund. Applicants will receive a response within ten days.

The grants are made to poets, fiction writers, nonfiction writers, translators, journalists, playwrights, and screenwriters. Professional writers who have a demonstrated record of publication and who are based in the United States are eligible. Qualifying professional credentials include the publication of one or more books; publication of multiple pieces in literary magazines within the last two years; full-time employment as a journalist, columnist, or critic; consistent publication on a freelance basis in a range of outlets; the authorship of a full-length play, performed by a professional theater company in a theatre seating 250 or more people; or contracted work as a writer. Other credentials may also be considered. Writers do not need to be members of PEN America in order to be eligible.

Using only the online application system, submit a statement of need, a recent tax return, information about personal finances, and contact information for three references. Writing samples are not required. Visit the website for complete guidelines and eligibility. Applications will be reviewed on a rolling basis.

Since 1922, PEN America has worked “at the intersection of literature and human rights to protect free expression in the United States and worldwide.” Headquartered in New York City, with additional offices in Los Angeles and Washington, D.C., the nonprofit works in conjunction with PEN International to advance causes including freedom of the press and artistic freedom from censorship.

Winners of 2020 Whiting Awards Announced

This evening ten poets, fiction writers, nonfiction writers, and dramatists were named the winners of the 2020 Whiting Awards. Administered by the Whiting Foundation, the annual $50,000 awards honor emerging writers and are designed to give them “their first chance to devote themselves full-time to their own writing, or to take bold new risks in their work.”

The winners are poets Aria Aber, Diannely Antigua, Jake Skeets, and Genya Turovskaya; fiction writers Genevieve Sly Crane, Andrea Lawlor, and Ling Ma; nonfiction writers Jaquira Díaz and Jia Tolentino; and playwright Will Arbery.

The winners were announced online; the foundation’s annual ceremony in New York City was canceled due to concerns about the COVID-19 pandemic. “We wish to celebrate extraordinary writers, but we find ourselves in extraordinary times, ones where we are all reinventing how to gather, exchange ideas, and deepen our connections with each other across a necessary distance,” said Courtney Hodell, the foundation’s director of literary programs. “As long as literature has existed, it has served this purpose, and we look to writers for their uncanny ability to sift raw experience for its poetry and truth. What we are living now, Whiting writers will reflect back to us in time, with depth and clarity and heart.”

The Whiting Awards were first administered in 1985, and have since honored dozens of writers including poets Jericho Brown and Tracy K. Smith, fiction writers Sigrid Nunez and Colson Whitehead, nonfiction writers Mary Karr and John Jeremiah Sullivan, and playwrights Tony Kushner and Suzan-Lori Parks.

Photo (clockwise from upper left): Aria Aber, Diannely Antigua, Jake Skeets, Genya Turovskaya, Genevieve Sly Crane, Will Arbery, Jia Tolentino, Jaquira Díaz, Ling Ma, and Andrea Lawlor.

Poetry Buffet: A Q&A With Gina Ferrara

This week I’m continuing to highlight New Orleans women writers to celebrate Women’s History Month. Gina Ferrara was born and raised in New Orleans and is the author of the poetry collection, The Weight of the Ripened, out this week from Dos Madres Press. Ferrara teaches English and writing at Delgado Community College as an associate professor. Since 2007, she has curated the Poetry Buffet, a monthly reading series sponsored by the New Orleans Public Library, and she gave me my first opportunity to be a featured poet for one of their readings. I was able to sit down with Ferrara to talk about her work with the reading series and her new book.

You have worked at building an inclusive poetry community with the Poetry Buffet series for many years. Why is this so important to you?
Prior to Hurricane Katrina, I was in a group called the Women’s Poetry Conspiracy. The group formed in 2002 or 2003. Latter Library was one of our venues for reading events. The group dissolved after Katrina, but the head librarian Missy Abbott saw a need to bring poetry to the library again and invited me to start a new series.

I think of the Poetry Buffet series as something distinctively New Orleans, as we read on St. Charles Avenue, surrounded by canopies of live oaks and crape myrtles, and the streetcar passes on the tracks with its bell while poets share their work in a historic mansion, which is now a library. It’s my honor to curate this series.

Who has Delgado Community College recently invited to their growing reading series?
Our English department has a bevy of writers that drive our reading series. We bring in readers who are able to connect with our students. We recently featured Malaika Favorite, an African American visual artist and poet. Another writer we invited was J. Bruce Fuller, who actually began his academic career as a Delgado student and went on to become a Stegner Fellow.

What inspired your new book, Weight of the Ripened?
Like its title indicates, the poems are dense and distinctive with a lyrical specificity. The poems span from 2013 until early 2019, and although I didn’t set out with the purpose of writing poems about women, in retrospect, quite a few of the poems are investigations about them.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Party Time: TeenBookCon

Hey mi gente, I hope everyone is hanging in during this time of worry and self-isolation. Though we may not be able to gather at the moment, I wanted to continue to highlight some of the literary festivals and conferences we can look forward to that take place in Houston. Previously I wrote about Sin Muros: A Latinx Theater Festival, Comicpalooza, and Fade to Black. Today I’m writing about TeenBookCon, a wonderful festival that connects young readers with authors.

TeenBookCon is a volunteer committee of librarians, teachers, and fans of young adult literature who come together and plan a one-day book convention with keynote speakers, author panels, book signings, and activities for teens. This year’s event was scheduled for April 4 in Houston but has now had to cancel due to the public health concerns surrounding the coronavirus pandemic. Although this news is sad, the annual event really is special and the organizers are already planning for 2021.

Their mission is super simple: provide the time and space to get teen readers in touch with their favorite YA authors. There are author signing booths and TeenBookCon partners with local indie bookstore Blue Willow Bookshop, where attendees can purchase books to get signed. There are also local food trucks with plenty of food to keep everybody fully fueled. I think the best part of this convention is the energy behind it. The organizers have always zeroed in on the mission. They have amazing sponsors and don’t even charge for registration. I was sold on it the moment I read that.

And even now, they are still trying to find ways to get signed books into hands and possibly connect authors to readers virtually. They won’t let up. This is that important. This alone makes me want to support their efforts for this year and next year. Look out for updates on their Twitter feed, @TeenBookCon, for virtual event announcements.

Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Dream With a Glass Chamber

Michigan has implemented social distancing for just over a week now, meaning many of us are doing our best to self-isolate. What better to do with this time than blow the dust off of the bookshelf and dive in? For today’s post I’d like to do a quick reflection on a poetry collection by one of my favorite writers, and a past mentor of mine, Aricka Foreman.

Dream With a Glass Chamber is Aricka’s chapbook published by YesYes Books in 2016. Her imagery is prominent and haunting throughout, allowing the reader to grasp dreams, memories, and grief with lines like:

“...find us making promise, find us clutching the static / of a wormhole where we settled into disappointment”

Place and time play a role in these poems moving us from Detroit in the eighties to the month of September in New York and back again, evaluating different losses along the way. Emotional complexities that shift from platonic to romantic flow seamlessly throughout, introducing close and distant characters that carry the collection from beginning to end. One of my favorite lines in the entire book is:

“Numb, I’ve run out of wicks and / your songs pour thick in my ears, love.”

It seems as if every word written is a part of Aricka’s many nuanced ways of grieving while her reality acts as the glass chamber, where both she and the reader watch these concepts unfold. I think this is best captured in her poem “dream in which you survive and in the morning things are back to normal,” a very fitting title for a poem that questions reality after waking from a dream. Throughout the entire collection, we are reminded to continue evaluating the fine line between dream and reality, and how grief exists on each side of that line.

Aricka Foreman, author of Dream With a Glass Chamber.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Authors League Fund Open for Applications

To help writers impacted by the COVID-19 pandemic, we will be highlighting emergency funds available to writers. For more sources of support, read our running list of resources for writers in the time of coronavirus.

The Authors League Fund assists poets, writers, dramatists, and journalists who are “experiencing unexpected hardship.” Writers with an established record of publication that live in the United States or who are American writers abroad are eligible to apply for a no-strings-attached, interest-free loan. The loan amount is based on the fund’s budget as well as the writer’s professional background and financial need; the fund requests the writer pay back the loan “when and as one is able.”

Writers with a demonstrated record of success are eligible. Eligible writers include authors who have published at least one book with a traditional publisher, dramatists whose full-length plays have been produced in mid-size or large theaters or published by an established press, and poets, fiction writers, nonfiction writers, and journalists who have published “a substantial body of work in periodicals with a national or broad circulation.”

The fund typically disburses funds to writers who are ill or supporting someone who is in poor health; writers facing overwhelming medical or dental expenses; writers struggling after a natural disaster; and writers suffering financial crises unrelated to health, such as unexpected loss of income or temporary unemployment.

Using only the online application system, fill out the required entry form. Writers are asked to describe the nature of their emergency, detail their publication record and writing projects, and provide personal information regarding income, employment, rent, assets, and health insurance. Writing samples are not required. Visit the website for complete guidelines and eligibility requirements.

Applications are reviewed on a rolling basis and are typically processed in ten to fourteen days.

Novelist Ellis Parker Butler established the Authors League Fund in 1917; the fund has since disbursed millions of dollars to writers in need. Major donors to the fund include Suzanne Collins, James A. Michener, Kenneth Patchen, the Haven Foundation, and the Amazon Literary Partnership.