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As more and more literary journals develop online counterparts to enhance, complement, and extend the presence of their print editions, editors—despite their love of the physical object—are finding new was to take advantage of the cost-effective and virtually boundless medium.
Laura Furman, the first female O. Henry series editor in more than forty years, has instituted some changes to the process of selecting stories for her first volume, due out next month from Anchor.
David Foster Wallace’s long-awaited sixth book will arrive in bookstores next month. But it’s not what some might expect from the author of Infinite Jest and A Supposedly Fun Thing I’ll Never Do Again.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry, Poems & Plays, the Sow’s Ear Poetry Review, Bloom, the Harvard Advocate, Harvard Review, Meanjin, and Vallum.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Bring Me Your Saddest Arizona by Ryan Harty, Indiana, Indiana by Laird Hunt, and Eyeshot by Heather McHugh.
Reviewers are accused of having agendas and of cronyism, are called show-offs and career-killers. It's a lot of heat to take for some free books, a few bucks, and a byline.
Carol Seajay, former publisher of Feminist Bookstore News, a San Francisco–based magazine that covered the feminist, gay, and lesbian book industry until folding in 2000, recently launched Books to Watch Out For, a series of monthly e-mail newsletters featuring reviews of gay and lesbian books.
Book review editors—those powerful yet inundated tastemakers who choose from the more than 130,000 new books published each year the mere shelfful that are reviewed—get used to (and bored with) having nasty motives ascribed to them. This second installment of a three-part series on book reviews examines the subject at hand from the perspective of the assigning editors, who would like to set the record straight.
On April 4, United States District Court Judge John F. Keenan ruled in favor of Stuart Y. Silverstein in a plagiarism suit he filed against Penguin Putnam in 2001. Silverstein, who compiled Not Much Fun: The Lost Poems of Dorothy Parker (Scribner, 1996), claimed in his lawsuit that Penguin infringed on his copyright by publishing Dorothy Parker: Complete Poems, which includes a section titled “Poems Uncollected by Parker,” the identical poems published in Not Much Fun.
Five years ago, in the early morning of July 24, 1998, Thomas Wolfe’s childhood home in Asheville, North Carolina, was nearly destroyed by fire. Since then, conservation specialists and staff at the Thomas Wolfe Memorial have worked to reconstruct the museum and hope to reopen it this fall.
