Genre: Poetry

Idaho Prize for Poetry

Lost Horse Press
Entry Fee: 
$28
Deadline: 
May 15, 2025
A prize of $1,000, publication by Lost Horse Press, and 20 author copies is given annually for a poetry collection by a U.S. poet. Using only the online submission system, submit a manuscript of at least 48 pages with a $28 entry fee by May 15. Visit the website for complete guidelines.

Q&A With Jennifer Acker of the Common

Caption: 

Jennifer Acker, founder and editor in chief of the Common, answers questions about the journal’s mission, slush piles, and her editorial process in this virtual event with Becky Tuch for the Lit Mag News Roundup. An interview with Acker about the Common’s fifteenth anniversary is featured in the May/June issue of Poets & Writers Magazine.

Poetry Prize

Autumn House Press
Entry Fee: 
$30
Deadline: 
June 30, 2025
A prize of $1,000 and publication by Autumn House Press is given annually for a poetry collection. The winner also receives a $1,500 travel and publicity grant. Matthew Olzmann will judge. Using only the online submission system, submit a manuscript of 50 to 80 pages with a $30 entry fee (which may be waived for those experiencing financial hardship) by June 30. All entries are considered for publication. Visit the website for complete guidelines.

Literary Awards

New Letters
Entry Fee: 
$24
Deadline: 
May 19, 2025
Three prizes of $2,500 each and publication in New Letters are given annually for a poem, a short story, and an essay. Using only the online submission system, submit up to six poems totaling no more than 30 pages or a story or essay of up to 8,000 words with a $24 entry fee, which includes a subscription to New Letters, by May 19. All entries are considered for publication. Visit the website for complete guidelines.

Changing Light Prize

Livingston Press
Entry Fee: 
$0
Deadline: 
May 30, 2025
A prize of $500, publication by Livingston Press, and 20 author copies is given annually for a novel-in-verse. Eleanor Boudreau will judge. Submit a manuscript of 90 to 160 pages of poetry and a cover letter via e-mail by May 30. There is no entry fee. Visit the website for complete guidelines.

Signs of Spring

4.15.25

What signals to you that spring has finally arrived? While there are signs of transformation throughout the year, the signs of spring often feel particularly special following on the heels of winter as many look forward to the tiniest indications of vernal revitalization. Buzzing bees, daffodils and tulips, pollen that makes you sneeze, the end of clanging heater pipes, wearing shorts, outdoor picnics, and opening windows—there are many associations with the freshness of the season. This week write a series of short poems that focus on the small, perhaps idiosyncratic changes that signify to you, personally, that a new season is upon us.

Zell Visiting Writers Series: Jane Wong

Caption: 

In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.

Dear Poet 2025: Meg Day

Caption: 

“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.

Genre: 

Boardwalks in Winter

In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.

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